#MeToo’s House of Cards

House of Cards is a political thriller series created by Beau Willimon and released by Netflix. First released on February 1, 2013 House of Cards instantly became a “binge watching” hit, defining a new cinematic genre & home delivery method. It’s influence has been incalculable. It is impossible to understand House of Cards, without discussing Netflix. Founded in 1997, Netflix’s initial business model was DVD sales and rentals by mail. Netflix entered the content-production industry in 2012, and House of Cards soon became its flagship “Netflix Original” series. Today, Netflix is a multi-billion dollar conglomerate (Forbes: $141.9B), in part because of House of Cards.

Keep in mind that House of Cards is an adaptation of the 1990 BBC miniseries of the same name, and both are based the Michael Dobbs novel. The UK version of post-Thatcher England is very British, if you know what I mean. The stars are ugly & grotesque by design. It doesn’t have the delicious eye candy & sizzle of the US version. It’s still worthwhile viewing, as the power politics translate clearly, in the tradition of “civilized” England.

What makes the US version of House of Cards everyone’s favorite, is that it has something for everybody. This series has sex of all varieties, it has power politics & cat-fights, it has all sorts of behind-the-scenes maneuvering with insights that no other film or television series has ever delivered. House of Cards has a cast to dream about. Kevin Spacey as Frank Underwood is instantly innovative in talking directly to the audience concerning his personal feelings of contempt & disdain for us, and it becomes part of the rapture. We, the Audience are finally being let in on secrets that Washington insiders have kept hidden from the start.

We get more truth and political insight from a season of House of Cards, than years of interviews & political “analysis” from the likes of Larry King, Rachel Maddow, Anderson Cooper, Sean Hannity, etc. It’s part of this series’ subtle irony that these real life talking heads are often dismissively parodied as cameos. This show knows how to deliver a punch, which is another exciting element for viewers.

House of Cards wasn’t afraid to kill off important characters to teach its audience valuable political lessons. I’ll abbreviate by pointing out the talent that has been deceased in this series, and none by natural causes: Kate Mara as Zoe Barnes, Corey Stoll as Peter Russo, Sebastian Arcelus as Lucas Goodwin, Nathan Darrow as Edward Meechum, Rachel Brosnahan as Rachel Posner (favorite character), Paul Sparks as Thomas Yates, Neve Campbell as LeAnn Harvey (2nd favorite), Damian Young as Aidan Macallan, and now [!] Kevin Spacey as Frank Underwood. Those are all brilliant & unforgettable portraits of human striving and ambition gone wrong. Most series never come close to casting that level of talent, and that’s only what’s dead at the beginning of Season 6.

Most of the characters in this groundbreaking series should be considered as personifications of social types. One of the most remarkable features of House of Cards is its sweep in characters among the variegated social classes that inhabit Washington, DC. Most cinematic features which promise to reveal the mechanizations of power politics don’t have the time (or inclination) to highlight its impact on the broader population. Conversely, House of Cards illustrates the lives of political & business royalty, while also narrating the common people who serve & oppose them.

The young reporters trying to uncover & publish the truth are captured in great detail, as their influence is powerful. Sebastian Arcelus as Lucas Goodwin is a beautifully drawn-out example of the consequences of attempting to “out” those in power. Mozhan Marnò as Wall Street Telegraph reporter Ayla Sayyad is another example. Keep in mind, this is what is going on in real life with the persecutions of Julian Assange, Edward Snowden, Bradley/Chelsea Manning, and many, many others who are interested in revealing the truth in news.

Korey Jackson as Sean Jefferies (pic below) is an obscure example, as a young black reporter who isn’t brilliant, but is good at schmoozing elites & manipulative games. That gets him ahead in his work, but alienates him from his woman and respected colleagues. Real decisions & consequences; that’s what this series illustrates so well, on so many levels.

The creative bankruptcy of today’s “artist” is also personified brilliantly in this series, as Adam Galloway & Tom Yates are posers who get in WAY over their heads. When tragedy is revealed, we hardly feel badly for them, as they exist in a cynical world of hype & pretentiousness. For example in Season 1, a homeless man on the street teaches Claire more about art (origami) in an instant, than her clueless-but-sensitive photographer lover does in their entire relationship. A lot of viewers seem to have missed many of these subtleties.

Later in the series, Tom Yates is the dashing drinking companion who stole a dying friend’s written work to make himself a legend he can’t live up to. When Claire strikes in the end, we feel glad it’s over for him. We understand the killer and the victim. That’s a rare feat in cinematography, which takes extraordinary dedication & sensitive talent to pull off. I keep using that term cinematography because this series isn’t television, but it isn’t film either. It’s somewhere in-between. House of Cards is a phenomenon that created a whole new genre, and profoundly influenced the politics of its day which runs up to the present.

A revolutionary facet of this series is how fast it comes at you. If you’ve only watched this series once, then you don’t get it, because you are only understanding things on a superficial level. Such a viewer is merely following storylines for personal drama, and doesn’t absorb the meaning of this series. House of Cards is about personifying characters into political & social types that viewers can relate to, in order to reveal modern American politics. It’s the political lessons learned that count. If you’ve missed that, then you weren’t really watching or understanding what you saw. I estimate I’ve watched the 1st Season 7-8 times, the 2nd Season 4-5 times, and Seasons 3-5 three times each. I think I understand most of it by now, but there are still subliminal bits & pieces that elude me. That’s how artistically complex this series is.

If you watch closely, you will see elements of yourself in many different characters in this series. You will also see your enemies. Your enemies don’t like the fact that they’ve been exposed by this series. That’s why Senator Mark Warner (D-VA) testified last fall before the Intelligence Committee. Warner claimed (CNN image above) that Netflix’s House of Cards was a threat to “national security,” just a few days before the sexual assault allegations by burnout actor Anthony Rapp were leveled against Kevin Spacey through the media. Spacey has been a pariah ever since, and the series went on hiatus until a new season’s script was worked out.

That’s why #MeToo took down Kevin Spacey last October. It was to strangle this series into submission for its past sins against the establishment. For five seasons this series kept its audience up-to-date, revealing what goes on behind the curtain, in a riveting fictionalized narrative than mirrored current events. The writers for this series always paid attention to the news, and their storylines reflected this. That’s how this show managed to stay ahead of its audience and the censors– for five seasons at least.

House of Cards was always scheduled to go six seasons, and the belated final one arrives November 2, 2018– the Friday before the mid-term elections. House of Cards was always a political series that defined the times. This release date timing is proof positive of that– to be sure. As to the quality of the final eight episodes, we’ll see. The first five seasons ran 13 episodes, each 50+ minute length. The five deleted episodes this season represent the void left with Kevin Spacey’s dismissal.

Before this series is finally finished on November 2, it would serve us well to consider the balance sheet for #MeToo feminism in it’s first year on the job. It’s hard to believe it still hasn’t even been a year with this media-driven hysteria on sexual politics known as #MeToo. It feels like much longer. In this period, the most reactionary & vile elements of the political establishment have launched a false-flag hate campaign in the name of women against men. This is the sum of their political vision, the entire Democratic party’s populist “program” for November 6th, and beyond. Consider that as political food-for-thought while binge watching this series to the end.

House of Cards has been talked about extensively, yet it’s clear that many in the media don’t understand this series, or are hostile to its content. This fictionalized examination of the media, and how it is manipulated by power brokers has had an enormous impact on American political consciousness. House of Cards is the most artistic and lastingly relevant cinematography achievement that Hollywood/NYC has produced in this decade. That is why this show has been attacked by the reactionary #MeToo campaign and it’s hidden supporters.

House of Cards is entertaining because the people are so beautiful, the plots move in brilliant directions, and the dialogue is razor sharp. The drop-off begins at Season 3, as this series was expensive to produce and was repeatedly forced to yield to economic stresses & political mandates. Removing Kevin Spacey was one of them. Before that it was product placement, and even an outright ad for a new fertility drug by Robin Wright worked into a contrived scene where she’s consulting her physician on having a baby. As blatant and crass as that was, in many ways it rightfully belongs in the entirety, as it proves what paid for this series, and it wasn’t a $10/month subscription.

This series was always smart enough to predict the times and give itself room to maneuver into the next season. This final season of House of Cards will be a test of that resolve & ingenuity. If they’ve maintained their focus & hard-hitting style, then the show can rest in (relative) peace. But if Season 6 lags and turns into soapy dialogue for identity politics, then the #MeToo feminists can rightfully claim to have killed this series.

That is my greatest fear for House of Cards as the final season approaches. This series shouldn’t be turned into a political tool for the CIA Democrats, who are the political force behind the witch-hunt #MeToo campaign that removed Kevin Spacey from this series. This series is an artistic achievement with lasting cultural value. All the writers, directors, cast and crew from House of Cards represent a creative & intellectual triumph that should be celebrated & defended for its collective genius.

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Sexual Politics: Witch Hunts & Blacklists

What is currently going on in the US media is nothing less than a witch hunt against male celebrities. Today, a celebrity is broadly defined as anyone on TV: athlete, actor, musician, politician, etc. The first question that must be asked is: Who is directing this? This has clearly been a planned-out & coordinated campaign, with political orders being carried out by media interests & their minions.

It began with Harvey Weinstein, a despicable Hollywood figure, which is significant. Witch hunts are roving moral blacklists, that descend upon their prey in an ordered & calculating manner. Since no one cares for Harvey Weinstein, he’s an easy first target. Everyone who personally hates him, or is with the current political agenda, gets their cut. Once established as legitimate, witch hunts takes on a life of their own. There are very few who defend fundamental democratic principles such as: presumptive innocence before definitive proof, the accuser facing the accused with their claims, or the right to privacy.

Instead we get yellow journalism, muck-raking and lies; 24/7/365 from CNN & the New York Times. The “Russian interference” campaign has worn too thin for too long, so here’s the change-up.  The analogy in baseball is when the smart hitter ignores this garbage as well, and takes ball four– again.

Barry Bonds was the greatest baseball player of his generation, and most-likely– ever. The video below is proof of this, as well as a quick slide into the sports side of blacklisting; namely Barry Bonds’ MLB Hall-of-Fame candidacy. Why are all these pitchers & pundits so afraid to throw a strike, or face the truth? [1]

Little boys, pretending to be men, to all the guys / Hysterical girls, posing as women, for all the gals    — Ric Size “Unsung”

In the mass media, there is no truth, just a non-stop side-show of distractions. When was the last time you (as a viewer) saw any serious labor coverage in the news? Strikes, work stoppages, deaths on the job; do you ever see, read, or hear about this in any depth from a rank-and-file, real-world perspective?

The answer is “No.” It’s exclusively NYSE-analysis of the labor markets in the corporate media. In a class society driven with inequality, how could it be otherwise?  What passes for “official news” today is nothing more than sports, celebrity gossip, talking head opinions, and Trump tweets.

Do you know what’s going on with the US wars being waged in Africa, Asia & Latin America? Tens-of thousands of troops have been deployed to these faraway battlefields, for reasons unknown to most of the American population. Isn’t the government of a democratic nation supposed to declare a good reason, and prove it to the people, before sending their children off to war?  What is democracy?

Soldiers being killed, maimed, and/or psychologically scarred doesn’t make the news. Neither does an analysis of what they are fighting for. The unspeakable truth is– it’s always economic (power) interests, with China & Russia being the opponents. Do you personally feel any animosity towards the people of these nations? Most Americans don’t, but the media always tells us we should, because they are the enemy. Therefore all their allies are our enemies too, and so North Korea, Syria & Iran are “existential threats” to our way of life, and must be annihilated. That is the logic of US imperialism, refracted through a corporate/intelligence media lens.

It’s still the same set-up as the Cold War, and all the old methods of red-baiting leftists & artists are being brought out again. History proved when this blacklist barrier was smashed in the 1960’s by social forces and artists like Bob Dylan & the Beatles, it became a revolutionary situation. Political figures began to be assassinated (JFK, MLK, Malcolm X, RFK), always under murky circumstances. Most remain unsolved in many ways. This was the deep state in action, snuffing out revolutionary impulses by beheading liberalism & black radicalism in the 1960’s.

Today the political enemy of the deep state are the class-conscious workers armed with socialism. The only political tendency that represents genuine socialism are the Trotskyists of the Fourth International. Every other political tendency on Earth falls within imperialism’s grasp.

The Socialist Equality Party (SEP) is the US branch of the Fourth International. In ruling circles, the SEP is equated with “Russian terrorism.” The political program of the SEP is world socialist revolution, which puts it into the most bitter life-or-death struggle against the US deep state. Hence the propaganda & Internet censorship campaigns from Google, Facebook, and the rest of corporate social media. [2]

The deep state is composed of elite political power brokers who dominate finance, Wall Street, Madison Avenue (PR), and Langley (CIA/ intelligence services). The Bush & Clinton (& now Obama!) families are part of this nexus, which pulls-the-strings on Donald Trump & the rest of the political figures you see & hear in the news.

This is the origin of this ongoing witch hunt against “sexual predators” in Hollywood, NYC & Washington. The hypocrisy of all this is astounding, as everyone knows these places are infamous for being fleshpots for the rich, glamorous & powerful. This can’t even be described as an open secret, it’s just a fact every adult knows today.

Their level of depravity is seemingly infinite, and for many common people (sadly), that’s the allure. Too many ordinary hedonists wish they could join in this depraved orgy. This is how people have been trained to be, as education & civility has been degraded. There aren’t many good jobs anymore either, even if you are a college graduate– deep in debt. So what’s there to hope for, still living with your parents at age 25?  Opioids & other prescription painkillers are readily available to soothe all types of pain…

Most Americans still aren’t ready to face the need for conscious & continuous work in political education, to prepare themselves for the necessary socialist revolution– to come. Most are too busy with day-to-day living (survival), and have been taught to take care of themselves first & always. This isn’t compatible with species survival, but don’t ever try to explain that to a liberal, as their knowledge in arts & science ends where class interests begin. In fact. these attacks are coming specifically from deep state liberal identity-politics ruling circles.

Therefore the impulse to defend celebrities, artists & left-wing politicians will not come from Democratic party supporters; it will come from the working people & youth who have dumped both parties. The truth of the two-party system is that it works together to exploit youth & workers. They appear to act in the interests of the common man/woman, from both sides of the aisle, but in earnest always defend capital– in all its forms. The Democrats use the unions & pseudo-intellectual liberalism, to blind workers and educated youth. The Republicans use religion, racism & nationalism to rally its rural working-class base. The former party is for philistines, the latter is for fascists.

The battle against blacklisting & media sex-scandal pogroms is but one front in the greater war for socialist equality, which can only be achieved by revolution. Those who are enlightened & educated are the ones who care the most about art & human culture. What is happening now is a desecration of human society, as fascists have taken the White House, and the supposed opposition (Democrat) party has done nothing to warn the people, because they are it’s most hostile enemy.

Until this fact is absorbed into the marrow of enough politically conscious workers & students, this witch hunting & Internet censorship will continue, and things will generally continue to get worse for most everybody. Once this reaction is beaten back, a revolutionary window will open, as this witch hunt campaign signals a final ideological arrow. Once you get past sex scandals & censorship, there’s nothing else to titillate & distract. Politics is then exposed for what it is, corrupt & bankrupt.

That’s when all the nonsense lies end, and revolutionary action starts. The battle lines in this upcoming civil war are already being drawn, so it’s important figure out which side is which. and what it means.  It can save a life, and the life you save may be you own, as well as those you love.

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