An Eye for an Eye (1981) is the great lost Chuck Norris movie, if there is such a thing. Chuck Norris died a few months ago and I let his death pass unnoticed. I’ve already reviewed his movies here & here. This will be my final critical review of Chuck Norris and his impact on Hollywood.
The story in An Eye for an Eye is about a Chinese drug smuggling operation into the US, which Chuck Norris is hell bent on stopping. His police partner gets killed early, then his partner’s wife. This leads to Chuck Norris resigning from the police force to become a vigilante. Chuck Norris unwittingly confides in a police buddy who is working with the drug-dealing Triads, and is surprised (stunned silence) at the end when he discovers this betrayal. Every character is a stereotype that can be deciphered in about five seconds.
Chuck Norris doesn’t kill the main villain in the end, so it really isn’t the Biblical revenge promised in the movie title. It’s a lot of James Bond type explosions & helicopter chases, with hitmen who are often reluctant to use their guns & automatic weapons when facing Chuck Norris. This allows Chuck to kill many bad guys, which is the point of the movie. Christopher Lee sits in his palatial mansion with spreadsheets & a prospectus for all his well-healed partners in the heroin trade, going over every typed-out detail of the illicit operation, just as SWAT & the SFPD are about to raid them. There’s no real purpose or wrap-up at the end, as An Eye for an Eye stumbles towards the closing credits as the plot fizzles out.
I firmly stand by my controversial thesis that Chuck Norris movies must been seen as unintentional comedy– hideously silly tripe– for there to be any value in watching them. An Eye for an Eye is the third movie in his peak-era trilogy, following A Force of One (1979) & The Octagon (1980).
Upon final viewing I’m rating An Eye for an Eye as Chuck Norris’ second-best movie, behind The Octagon. It’s better filmed, directed, lit, edited & produced than A Force of One, which is grittier and more 8-track than the direct-to-VHS classic An Eye for an Eye. Chuck Norris movies seem to look better on TV for some unexplained reason. USA Network & TBS is where his movies lived in the 1980’s. The constant commercial interruptions on basic cable were often welcome relief to this Chuck Norris film buff.
Movies start in the public as a trailer. You view it before the main feature, or see a commercial on TV, and decide whether you want to go to the theater and see it when it comes out. In An Eye for an Eye, the trailer is better, much better, than the movie– and that hooked us back in the day. The music is better, the promo announcer adds to the excitement, and no doubt about it– action fans wanted to see this movie. White Lightning is back…
There was no social media back then to warn kids this movie is a turkey– you had to pay up & learn the hard way. Word-of-mouth reviews from Chuck Norris fans were unreliable at best.
To watch Chuck Norris movies you need to be able to absorb pain. The cast in An Eye for an Eye is mostly good enough, it’s Chuck Norris who keeps delivering the pain. He just doesn’t care, and clearly won’t do a second take when a scene needs one. With that established, let’s meet the rest of the cast.
Professor Toru Tanaka (above) played the henchman Oddjob in Goldfinger (1964) who wore a Square-Crown Bowler hat that doubled as a guillotine. He appears as a club-footed assassin in An Eye for an Eye. Diminished somewhat, but still a menacing villain, to me Oddjob doesn’t look like he’s aged a day since he battled James Bond to the death. He’s a perfect foil for Chuck Norris because he doesn’t speak, he growls & grunts while letting his wrestling moves do most of the talking.
Maggie Cooper is probably the best lead actress with whom Chuck Norris ever worked. Again, that’s a controversial statement, and I’m sure this will set Chuck Norris message boards ablaze with debate. There’s detectable chemistry for the first, and perhaps only time in his acting career. She really goes for it, but it appears in retrospect that it didn’t get her very far. Like so many other actresses before her, Maggie Cooper’s career wilted & died after working with Chuck Norris– and it was probably for the best. In this she best compares to Jennifer O’Neill in A Force of One, for the powerlessness she brings to her role.
Chuck Norris fears two things in his movies: intimacy & truth. Chuck Norris exits virtually every scene alone, always having to be the tough guy who walks out & rejects the other person first. When asked a serious question, he freezes like a block of ICE.
Mako was a Japanese-American actor who plays martial arts mentor to Chuck Norris in An Eye for an Eye. Mako had some talent and tried his best to lend some dignity to this movie, but Chuck Norris just wouldn’t allow it. Mako constantly reminds him to concentrate, but Chuck always shrugs him off with a smile. It’s not clear if Mako is referring to his sloppy martial arts or stunted acting, but he repeatedly implores to Chuck Norris, “Concentrate!”
Richard Roundtree [Shaft (1971)] gets a plum role in An Eye for an Eye, as Chuck’s boss in the SFPD. The best line in the movie is early on when Shaft remarks how well Chuck Norris’ left shoulder has healed, only a few scenes after he has taken a bullet wound. Chuck Norris apparently compensates for this by always punching the bad guys with his right hand throughout the movie.
Most kicks, punches & strikes in An Eye for an Eye are cut-away shots. Chuck Norris by now is relying more & more on editing tricks because he can’t do the martial arts well enough to impress/fool his audience. Many scenes are very well-composed, with impressive backgrounds and expert cinematography in An Eye for an Eye. The problem is when Chuck Norris enters the frame. He typically says little and does nothing. The idea in entertainment is to ‘get through the glass’, and reach your audience. Instead, Chuck Norris shrivels-up in front of the camera every time he’s asked to act. It’s comical. There is no one else who became such a big star, who was that bad artistically.
When Chuck Norris decides to go for action in An Eye for an Eye, he does stupid stuff like set fire to a freighter cargo hold full of fireworks because he couldn’t stay quiet & hidden. You must riff Chuck Norris movies to get through them without a lobotomy, and this leads us directly to the main villain in An Eye for an Eye— Christopher Lee.
The title character in The Castle of Fu Manchu (1969) was the role Christopher Lee was born to play. When you are a name actor who stars in possibly the worst movie ever made, that’s the role you were born to play. Christopher Lee, the UK-born actor, plays Fu Manchu like no one else can, making that film impossible to remake because you just can’t do that anymore.
Billed as a horror-adventure film, I feel there is an Andy Warhol quality to The Castle of Fu Manchu that has been overlooked. Unfortunately it’s so vague & indecipherable, I can’t define it– and neither can anyone else. If I had been paid to review movies at the time, and was asked by my editor to do a write-up of The Castle of Fu Manchu, and be kind; I would have written something like, “Fu Manchu is an assault on your senses!!”
Anyway, Christopher Lee brings his boring overblown act to An Eye for an Eye, and he becomes a comic delight as the evil bad guy whom no one is afraid. He makes speeches, acts indecisively, then cuts a figure for the camera on his closeups, while doing everything wrong in order to allow Chuck Norris to capture him in the end. Basically, Christoper Lee mimics his role as Fu Manchu. Gesundheit.
If you watch An Eye for an Eye in this spirit, the riffs will come and you’ll be thankful for them. This was the last movie where a studio invested in a decent script, crew, etc, to try to make a good Chuck Norris movie. After this it’s turds like MIA Braddock & Delta Force franchises, and then finally Walker Texas Ranger where Chuck Norris was permanently consigned to the small screen where he always belonged.
I’ve always felt Chuck Norris would have been best suited to be on a game show as some kind of mascot or attraction. Maybe a sidekick to the host. He could just stand there and be Chuck Norris and people would laugh & jeer. Imagine Chuck Norris as the co-host of Love Connection… now that would be entertaining!
In my alternate version of this classic dating game show, Chuck Woolery still hosts, but any date that goes badly would require the contestants to visit with Chuck Norris for romantic advise. Something like:
Chuck Woolery: Roberta & Jeremy had issues on their last date, so we’re sending them to Dr. Chuck to see if he can help them make a Love Connection…
Roberta [to Chuck Norris]: Jeremy doesn’t get aroused when I flirt with him. How can I remedy this?
Chuck Norris:
Roberta [to Chuck Norris]: Jeremy likes to drink beer and becomes abusive when he’s drunk. Does this need an intervention?
Chuck Norris:
Roberta [to Chuck Norris]: Jeremy likes to shoot his guns, sometimes more than he likes being with me, I feel. Is that a healthy relationship?
Chuck Norris:
Roberta [to Chuck Norris]: My vagina needs special stimulation before intercourse, can you give Jeremy any tips on that?
Chuck Norris:
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