Banned from Fakebook (again): Super Tuesday edition

Preface: Before I had a chance to post this paragraph below, I was locked out of my Facebook account ~9:30 AM CST on Super Tuesday.

Super Tuesday notes– the “Uncommitted” campaign is a DSA strategy to save Joe Biden. It is meant to corral leftist-leaning voters (ie- young kids) back into the Democratic Party. Since Trump isn’t an option for this massive voter constituency, it can’t be allowed to find a 3rd party. Understand that the DSA, Greens, etc, orbit the Democrats; and the Libertarians, Teabaggers, etc, orbit the Republicans. That is the two-party strait-jacket of modern bourgeois politics which always shifts to the right.

Here’s the text from the three (3) emails I sent to Facebook tech support:

What’s the deal with FB locking me out? I entered the code you people emailed (multiple times before it was accepted as valid), but then wasn’t allowed to reset my PW.

I keep entering a new PW and it’s strong, but your system fails to register it every time. Remarkable

It’s Super Tuesday, and I’m blacklisted (again) on Facebook because Mark Zuckerberg is a fascist tool. This is why people call it Fakebook. To Zuckerberg: Make your peace with Trump, he’s your daddy now.

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  • BTW, I’m an “antisemite” for calling Mark Zuckerberg a fascist. I’ll update here when/if my unexplained Facebook ban is lifted. Thank you to all who love & support what I do!!

Wed 06 Mar 2024 07:47 AM CST

Tried to log in again, but the still locked out. Here’s my email message to FB in response:

Your code never works. Why can’t you people just admit you’re blacklisting me? Weak

Mon 11 Mar 2024 12:25 PM CDT

I’ve been banned before and have learned to deal with it. Facebook always allows me back because THEY NEED ME. It is exactly the same as a capitalist’s need for a worker to exploit. My posts create interest & provoke thought, and you don’t get that with most people on social media. From personal friends I get mostly family pics, pets & vacations, which is fine, but it’s usually nothing enlightening or thought provoking. For most users, social media is telling your group what your life is like. For celebrities (& wannabes) it’s about shaping an image & brand which they can sell. Celebrities sell to corporate as that is the BIG money which can satisfy them.

I have changed the dynamic of social media by being who I am and connecting with my preferred celebrities though comments & the ‘like’ button. It’s how I talk to my friends, except these people are more worldly & experienced. Always be respectful, since there is a level of admiration, but don’t worship them as idols, which only patronizes & cheapens them. Artists seek to be understood above all else. If you can respectfully understand an artist they will always approve it.

This is how I converse with artists and others on social media. I respect talent and what it does, with the understanding that I’m also at that level, perhaps even beyond. The blacklisting issue is what sets me apart. I was never allowed to break through commercially as a musical artist in any way. No record or distribution deal, no venues available for me. Therefore no tours or merch for the fans. I don’t apologize for it, I just explain it. I publish myself here, so when I’m cut off from social media, I still have an independent online organ.

This always allows me a voice, so fans can understand what’s going on. Being banned from Facebook is a blessing in many ways. Social media can be addictive, and action in the real world is what counts most. Social media is a tool to describe those activities to the world without having to tour & travel. It allows an alternative explanation of events. Without corporate backing, social media is a critical tool for connecting with fans. The contradiction of course is that Facebook (and all the rest) are corporate entities tied into US intelligence, police & the military– and these institutions are the enemy of peace & freedom.

A long time ago I tried Twitter and quickly abandoned it. I should have cancelled my account before Elon Musk bought it, but whatever. Twitter was 120 characters-a-post back then and far too limiting as compared to Facebook. It is mostly gossip and too much white noise, with little depth of thought. It’s like everyone on Twitter is trying to be superficially clever, or make a witty joke. Twitter is for people who don’t want to read too much, and all this is why it didn’t appeal to me.

YouTube has turned me down (sonically) and attacked my videos with algorithms since I started in 2011. Obama/Biden had their Intelligence fingers on me instantly, it was unmistakable. If YouTube is going to turn you down, de-list, and shadow-ban you, then just post thumbnail videos for each song and forget about it. That’s all you can do until things seriously change with YouTube. I have videos for every song I’ve released, a film, interviews, etc, but they are extremely difficult-to-find in searches, and all my ‘likes’ and ‘views’ get deleted. My YouTube page looks abandoned because I had to.

The reason I’m so viciously attacked by corporate is because I’m too good. I’m better than all that corporate fake rock they’ve been jamming down your throat (and up your ass) for the past 20+ years. I kick ass over all that and for the correct reasons. Nothing in modern popular music can beat me– and they know it. That’s why I’m at the top of the blacklist.

To continue with my social media history, I used Disqus for awhile because it was the best option for posting on the WSWS when they started allowing reader’s comments. After becoming a prolific commenter in that forum for years, I was shadow-banned by Disqus on the WSWS, just as the MeToo campaign was coming into being. My comments on Russia Today were also through Disqus, but they weren’t shadow banned. They were selectively deleted at times by RT, but not shadow-banned.

Shadow-banning is when you post and it shows up on your computer/device, but not on anyone else’s. You know you’re shadow-banned when you no longer get any responses or likes to what you post. Disqus clearly didn’t want me posting as Ric Size on WSWS articles. Too influential in the wrong direction. Today, all my WSWS comments have been scrubbed away by Disqus. I have many screenshots to prove their existence. I also dominated the ESPN.com & MLB.com forums, until comments were abruptly ended around the same time period- largely due to my activity in both cases.

This is what you face for being critical of authority. Julian Assange is in prison on trumped-up charges for exposing the criminality of the ruling elite. Facebook is owned by Mark Zuckerberg, and he is owned by Uncle Sam, which is the unaccountable & hidden power behind this blacklist. Expose a blacklist and its authors to the light, and they will shrivel-up in their own ugliness.

All I can do is ask my fans to unite and take action against this evil force known as capitalist imperialism. It is ruthless, unapologetic & stupid. Its arrogance knows no bounds with this class of parasitic billionaires that has been created in the past 30 years. They only answer to their own greed & avarice, and must be beaten down by the masses to be made to yield. Until then, the blacklist & all this suckitude will continue…

Tue 12 Mar 2024 09:15 AM CDT

Logged into FB this morning for the first time in about a week, and PRESTO I’m back. No explanation given to me for being banned. Told you.

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What is a guitar player?

It’s not such a simple question because so much more is involved besides just how well you play. There are so many styles around the world that are respected & influential that much must be considered on the subject. I’m going to speak from a rock perspective, which is somewhat limited, but necessary since there are so many rock guitar players as it’s the dominant modern style. Classical & flamenco styles are certainly just as valid.

As I written before, rock music needs more bass players. If you are enthusiastic, yet average at guitar, seriously consider a switch to bass. By becoming merely competent on bass, your bandmate options will increase exponentially– I can assure you. If you are more creatively inclined as a songwriter, yet have difficulty singing & playing guitar at the same time, then bass is the place.

With that said, if you are committed to the six-string guitar, then learn how to play your instrument well. There are different roles & expectations for pure guitar players, as compared to singer/guitar players. Since I’m the latter, I’ll be discussing from that perspective.

Pure guitar players like Tony Iommi, Angus Young, Alex Lifeson, Eddie Van Halen, Dave Murray, Brad Gillis, Joe Satraini, etc, can do EVERYTHING. They can play lightning fast & change tempos fluidly with overwhelming technique. If you’re in a serious rock band, THAT’S what you want on guitar. It REALLY helps if they are part of the songwriting process.

Pure players who lack songwriting creativity are severely limited because as a band you NEED great riff ideas from your guitar player. These impressive technical (yet creatively impoverished) guitar players often become session aces or tour replacements for major acts in need. They get a lot of corporate work.

For singer/guitar players such as myself, the expectations & responsibilities are different. You’re more of a rhythm player as a singer, so you have to be solid yet make it look easy because everyone is watching you, but most are concentrating on your vocals & overall stage presence. But every pure guitar player (and other serious musician) in the audience will also be rating your technical playing, showmanship & charisma, song content, stage awareness, equipment, set-up, etc. Every fan wants to see a star, and every musician wants to work with a star because they all believe THEY are stars.

Depending on whether there is a lead guitarist or not, a singer/guitarist may also have to be proficient at soloing. That’s the part which most singer/guitarists struggle, the point in the song where they aren’t singing and they have to perform at a higher level on guitar. They won’t be able to play like the guys I’ve listed above, so what can be done?

I started using a slide on my pinky finger when I realized that I was going to have to be a solo artist. That means you have to do everything well at all times, otherwise you will suck & the crowd will know it instantly. A slide gives your guitar playing an entirely different dimension and allows lots of creative uses without having to be fast & flashy. It’s not an overused crutch, like the capo (both pictured below).

I don’t try to play like Duane Allman or any of those other classic bluesmen. They’re too good. Mississippi Delta bottleneck blues is where slide guitar started, and if you listen to these early recordings from the early masters, they were very creative & free in their use of a slide. This slide style reverberated through post-war electric blues. Captain Beefheart & His Magic Band’s used multiple slide guitars with all kinds of crazy patterns. George Thorogood is a great modern rock slide guitar player. If you absorb all that on record, you can figure out something new on slide. My approach is to use the slide as a scrape for punk effect, verses the glistening leads of Mick Taylor, etc.

Jimi Hendrix is the standard for the singer/guitar player style. NOBODY could play like that, while writing & singing such amazing songs. Jimi Hendrix could do it live, and in the studio. He could be a show all by himself or in a great band. He was a natural in an era that exploded him into popular consciousness, but of course, it was the excess of this era that killed him. Jimi Hendrix was a prodigy, perhaps the best ever while he lasted, but he’s not a model to follow because his excessive hippie lifestyle will kill you at a young age like it did him.

Same with Kurt Cobain, no matter how you feel about the circumstances around his death in 1994. If you can’t survive, then you don’t leave much of a blueprint for young fans to follow. Maybe that’s their idea, they DON’T want to be followed, but then why become a performer in the first place? These are the tough responsibilities that Frank Black, J Mascis, Thurston Moore, Billy Corgan take on as the LEADERS of their respective bands. You have to be be an effective & easy player, while singing the great songs you wrote. You have to be able to lead everyone during the formative creative process, in the studio, and then on stage.

This gets to the inexact science & sticky question of who is replaceable in a band? Example: everyone knows Aerosmith because of Steven Tyler & Joe Perry, so they are irreplaceable. The rest are integral, but replaceable in the band’s legacy stage which is about being able to get through lucrative tours, not making new music.

Devo, Cheap Trick, the Meat Puppets, etc, are serious bands who still tour successfully (young energetic capacity audiences) with replacement drummers. Their original drummers were essential band members during their prime, but replaceable as they evolved into legacy acts. It’s usually the lead singer and the songwriter(s) who are indispensable throughout a band’s existence. Rush couldn’t continue after drummer/songwriter Neil Peart retired from music & subsequently passed away. The Rolling Stones probably won’t tour again after the death of Charlie Watts. They were indispensable.

I’m making broad generalities for illustrative purposes. The original band member is ALWAYS better than replacements, as they were part of the original creative process & cool vibe that fans identify with. Unfortunately, industry machinery takes its toll on musicians… As mentioned above, replacements are mostly session musicians by trade, industry veterans who never had much creativity in their prime.

Replacements are sometimes now a son (or other family member) of the band leader, etc. It takes a lot of chops & dedication to fill in for any major act, on any instrument. You’re expected to be solid, while in the background, unassumingly carrying the headliners everyone paid to see. That’s a tough gig for little bread, and only a limited number of musicians are good enough (and have their head on straight enough) to do it. There is some audience respect due for that, but the bigger point is too many replacements will diminish any band into an empty shell of itself.

How much would a young kid pay to see Def Leppard, Mötley Crüe, Poison & KISS at a festival? No more than $10-20 in 2023, and that’s being generous. Too many replacement members, etc. How much would a young kid pay to see Jane’s Addiction, the Pixies, the Smashing Pumpkins & Dinosaur Jr at a festival? Anywhere from $200-300+. Why is that?

It’s because hair metal was all about good times & partying, which never last. That’s why hair metal acts fare so poorly in this 21-century era of climate change, COVID & fascist politics. Alternative bands of the 1980’s & 1990’s brought real energy & taught kids about life, and that’s what holds up with every generation of kids. That’s why the Pixies shows sell out, with parents taking their EXCITED teenage kids, while hair metal draws only old folks.

The grunge movement happened when I was in dental school and as a fan of the music who had a year-and-a-half of guitar lessons I would think about these things in between my academic schedule and wonder what I was going to do with my life…

You get through difficult life situations with hard word & intelligent thinking. You have to stick to the process especially when difficulties & failures arise. That’s the ‘hard part’ many people don’t want to face. But if you have a good plan that is adaptable as needed, and you stick with the process, your situation will improve and then you can turn your ambitions into reality. That’s how grunge guitar broke through and why it remains relevant.

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Electrified! promo/update

I went to a Catholic high school and then a Jesuit University. I’ve recently been thinking about what I’ve done that most offends these people, and it’s probably “Atheist Psalm” from this record.

As true-believing Christians, I seek your forgiveness on this. I’m not apologizing for it. “Atheist Psalm” is rated ‘Explicit’ by YouTube, Spotify, etc, when there are no swears in it. That’s a measure of its shock value & how much the censors hate it. The rest of Electrified! (2015) does the same. That’s why it’s so hard to find.

Electrified (2015)

There is a fascist paramilitary element that wants to overthrow the US Constitution and establish a personalist dictatorship in America. The US Constitution says ALL people are allowed to express their political feelings without fear of retribution violence, blacklisting, etc. It also explicitly expresses that there needs to be a separation of church & state.

If you disagree, then consider this thoughtfully instead of resorting directly to Biblical hysterics, guns & violence. That’s the difference between acceptable political debate and what fascists did on 1/6/21. The idea that politics is ideological discussion & ethical debate of history, class inequality, etc; and NOT hand-to-hand combat, is not yet for everybody– I understand. But someday it will be. It has to be for our species survival.

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Following your footsteps

It’s best to follow in your footsteps, particularly in the snow. It’s my first Wisconsin winter since 1993-94 and it’s cold, but not as sustained cold as it used to get. The summers are milder too and that’s the global warming I’ve noticed in Milwaukee, WI. In Central Florida the summers have become guaranteed scorchers which start in May and last through hurricane season which keeps getting longer & more intense.

What is proven by Hurricanes Charley-Francis-Ivan-Jeanne (2004), Sandy (2012) and then Irma in 2017, is that you can not sustain a direct hit from the eye, and the storm surge is now HUGE on both sides of the Florida peninsula. The panhandle and the Keys are the most dangerous places because they are exposed and too often in a hurricane’s path. Something needs to be done, but nothing is.

In 2019 Hurricane Dorian stalled over the Bahamas for 48 hours with a wind forces that exceeded the Saffir–Simpson scale in which a Category 5 starts at 157 MPH. The rating scale starts at 74-96 MPH for Cat 1, with ranges in the mid-to-high twenties of sustained MPH through Category 4 at 130-156 MPH. Sustained winds for Dorian were over 180 MPH, with gusts of 200+ MPH. Dorian was a Cat 6, and I was relieved it didn’t hit where I was, but my relief is someone else’s misery.

I have a simple rule for establishing residency in Florida: Have you ever been in the eye of a hurricane? It will teach you to be ready in EVERY way. With that said, I’ve met a lot of great snowbirds and have no prejudice against them for going back North during the Florida summer. Everyday people are great everywhere is what I have learned.

I really feel for loved ones, colleagues & friends who still live in Florida. It’s an amazing place with so many great people… but it’s been fucked-up by elites who don’t care about anything except profit for themselves. Anyone who has lived there will tell you that it’s a good ol’ boys network and if you ain’t from the Sunshine State (or relatively close) then you’re not-so-welcome by the people who own it. They’ll take your money and get you to work for them, but they don’t like you. Many of them are still fighting the Civil War on the side of the Confederacy. You have to beat them at their own unfair game, which I did. Then they really hate you.

That’s what I ran up against from the start in Central Florida. Now, Florida is run by Donald Trump from his Mar-a-Lago compound though his puppet Ron DeSantis in the governor’s mansion. For me it’s like that April Wine song “Sign of the Gypsy Queen” where you better see the red flags and MOVE.

On April 17, 2021, directly upstairs to my Sanford apartment, I witnessed my angry neighbors bringing in at least 3 assault rifles in hardshell cases around dusk on a clear Saturday. I had seen what looked like cases of ammo when they were unloading their U-haul trailer, shortly after they had moved-in months earlier. These haters never smiled, and always tried to provoke & intimidate everyone. That upstairs armament incident happened the weekend Drivin N’ Cryin played in Sanford. They were great, but the local music scene has become so toxic that it’s impossible for me. No respect from the gatekeepers, with too many jealous wanna-be’s, manipulative hangers-on, etc. I’m a pariah for being a revolutionary. All this told me it was time to go.

There’s no regrets on leaving Florida, and no complaints about the good people I worked with across all the professions. I met & worked with some amazing dental specialists, world-class practitioners; along with amazing hygienists, assistants, office staff, lab specialists, etc. I’m a humble bread-and-butter dentist, but with musical talent. Everyone who was there knows. Since I’m grateful to escape, my policy now is what happened in Florida stays in Florida. That’s the kind of state it is, and if you respect that you can get by, but you always have to be ready for the rough & mean.

I also worked with some serious musicians, all of whom I didn’t always see eye-to-eye with. Being a professional is about doing a first-class job whenever you are hired, no matter how you feel about that person, the material, etc. Music for me has been about finding my collaborative soul mate, as I’m deficient in certain key areas. Everyone knows that Tom Pearce is my musical partner. You need a producer.

Tom is the older brother I never had as a kid, so we disagree about stuff… but it’s the love & respect that carries us through. It certainly wasn’t about the money because there wasn’t any for what I did. We just wanted to be free and make music. Today, Tom has many side projects and has benefited tremendously from our collaboration. It’s the only way I can pay him anymore. We’d love to re-master everything onto a multi-disc CD anthology with a booklet and all that, but there needs to be money & distribution. Tommy Mottola & Co. have it all locked up. The music business is a mafia.

Friends who helped in music & dentistry have moved on and are pursing their lives, hopes & dreams. I hope they understand life is a journey as well as a conscious choice. I gave it my best, but there’s no money or prospects for me, so I had to move on. That’s my attitude and it’s rational, but it’s also hard to concisely explain. Concision is such a virtue.

So whenever you’re going somewhere you’ve never been, learn to follow your footsteps. It covers your tracks and keeps you warm, clean & dry. It gives you something that is your own to follow & believe in. It marks & remarks where you’ve been, in a silent way. You can live to cover many miles by following your footsteps.

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Is it safe?

This blog does not tolerate violence, harassment, or hate speech; yet it can’t be called a safe space for certain readers. That’s because there is too much content that is upsetting to snowflakes, and it doesn’t contain the requisite trigger warnings. There is nothing more hysterical & shrill than a snowflake who has been set-off, due to lack of trigger warnings.

This blog discusses many forms of art including music. But for me to identify with Charlie Parker, Miles Davis, John Coltrane, Jimi Hendrix, Sly Stone, etc, is considered unacceptable cultural appropriation by the snowflakes– particularly the black racialists. This will lead to media attacks, censorship, de-platforming & blacklisting. Liberal racialists insist on separation, much like the racist Alabama Governor George Wallace (pic below) meant when he insisted on “separate but equal” institutions in the 1960’s. Black racialism is the flipside of the white racist coin.

Critical Race Theory, is a re-working of the post-modernist school of Critical Theory, which insists that everything is subjective. This means there is no historical truth, no such thing as facts, and that idealist narratives can replace rational thought in all things. Lazy liberals gravitate towards this ideology because they never really learned anything, as this post-modernist construct elevates them, while hiding their ignorance. In short, liberal ideology has become right-wing reaction, peddled as progressive thought.

      1. Primary Colors - Ric Size

 

In America, this nonsense is funded by the Democratic Party & corporate elitists, who seek to divide & dumb-down the working masses & youth with dead-end identity politics. These aren’t genuine grassroots movements, but instead are well-funded astroturf campaigns.

For example, intersectionality is considered inherently progressive, because women are always to be believed, and black people are always the victims of racism. This means that Jay-Z & Beyonce, despite their fabulous wealth & celebrity power, are oppressed by the white colonialist patriarchy that is in our DNA.

If you disagree with the above statements, then you are a class reductionist, which automatically means you are racist, misogynist and/or homophobic. This is the state of the American media today. This is why movies, television & music suck so hard. It’s also why there is no discussion outside of these “safe space” boundaries in academia, pop culture, or politics.

So in answering the title, “Is it safe?” one reminisces Dustin Hoffman about to be tortured in The Marathon Man (1976), with Laurence Olivier playing the Nazi by asking a question that can’t be answered–“Is it safe?”

A healthy response is to shout down this woke mob, and all their witch-hunting, book-burning fake politics. To those philistines who want to cancel Shakespeare, etc, we contemptuously ask, “What have you done?” Seriously, what the fuck have you done?

      2. Haters-Step-Aside.mp3

 

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Screenshots from Facebook Prison

This is my Facebook homepage:

Here’s my Page Overview, which says I have 1,485 followers, and that in the last 28 days I’ve had 28 reaches on all my posts– combined. That’s called being in Facebook prison.

I’m censored because I’m too good. Mark Zuckerberg hates Ric Size. He’s been taught that by Barack Obama, Joe Biden, Bill & Hillary Clinton, Mark Warner, Nancy Pelosi, Chuck Schumer, etc. Those are the people who run the Democratic Party. For these elitists, 99.9% control isn’t enough.

That’s why I keep getting these notices, shown above.

Since less than 0.1% of my audience is being reached due to Facebook censorship, I don’t get too upset when they threaten to delete me for violating their “Community Standards.”

Above: Ric Size Facebook demographics on gender & leading urban markets

Censorship of this social media page began immediately when it was established in 2012. There was a qualitative increase in online repression in the summer of 2016, as this blog became more widely read. The DNC email Wikileaks were severely damaging, and demanded a strict censorship response from the political establishment. When Donald Trump won the Electoral College in November 2016, the World Socialist Web Site, Julian Assange, and myself were their top targets.

The #MeToo & BLM campaigns have also targeted this site for blacklisting, de-ranking, de-platforming, etc. This has occurred on all platforms, including Google, YouTube, Amazon & Disqus.

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Extended Play 2019-21: “Primary Colors” & Bonus Tracks

      1. Bitter To Better - Ric Size
      2. It's A Steamy Jungle - Ric Size
      3. When You're Out There - Ric Size
      4. Primary Colors - Ric Size

 

Extended Play 2019-21 has undergone many permeations, as “Millennial Whoop”, “The Road Rage Song” and “Patch Me Up Doc” have been released. This EP originally had 4 songs, and was to be finished by the end of 2019. But “Primary Colors” was never properly done, and then the coronavirus pandemic struck, causing further delays in production & release. When it finally came time to try again on that song, and then again, I had written more new tunes, which I’m calling “bonus tracks” for clarity on this sprawling 7-song EP which took two years to complete.

Tom Pearce & I got recordings of two brand new songs, “(It’s a) Steamy Jungle” & “When You’re Out There,” so it was a nice session on December 2, 2020 in Sanford FL. Minimalist studio recording is the only safe way to deliver meaningful new music during this coronavirus pandemic. That’s the idea here.

Tom brought a somewhat different recording rig this time. He still uses a Mac flatscreen installed with Studio One software. But now he’s using a router to connect wirelessly to a Behringer rack pre-amp, which he likes. This rack pre-amplifier rests solidly on a milk crate which carried the cables, etc. The vocal & guitar microphones were wired to the pre-amp, as well as a line-in from the guitar through a DI-box, for crystal clean three-track live recording.

I’m the one who insists on the guitar line-in, as it gives the producer another track to fatten the sound, if needed. I play an acoustic-electric so I can get both sounds. The two live mics have “sound spillage” due to their proximity, so lining-in gives the producer a clean track to boost the guitar sound without affecting the vocals. It’s called double tracking the guitar, and I know I didn’t invent it.

As you can see in these images, Tom used folding microphone stands to drape blankets & create sound screens which envelop me. This significantly cuts down on the guitar & vocal reverberation in the room, giving Tom a cleaner acoustic recording.

My vintage Tech 21 Trademark 60 guitar amplifier never got plugged in, again, instead it made a comfortable seat with a sofa cushion in-between. It really helps when taking pictures, I think. We also had a different headphone monitoring set-up, with me getting a small wireless dedicated unit, while Tom was headphone monitoring through his computer jack. This performer monitoring unit can rest on a flat surface, or be clipped to the microphone stand.

Tom’s always explaining this stuff to me as he’s setting up. I’m listening until it gets too technical, and it’s time for me to check my lyric sheet one last time, or whatever. Lots of nervous energy being exchanged. He goes on until he finishes and then says to me, “Got all that?” I reply, “No. But as long as you like it, I’m good.” Then he says, “I think you’ll like it.” And I respond, “Alright, let’s rock.”

And then we do it. And when it’s over, we get photos. As an artist, if you do this well here, it’s so much easier to get everything done & online. Good images help with visualization & concretizing of abstract ideas into forms people can recognize & relate to. If the song is strong & well-performed, then artwork is the final piece that the artist must give to the producer to help him finish.

When the song is mastered, what I need from my producer is a jacketed mp3 & the cover art image jpeg. With that I can make a thumbnail video, which allows me to promote & distribute the song across all platforms. This is everything necessary to promote a song, with minimal resources spent. A website with a running blog, a YouTube channel, and a social media presence is your ‘press release’ department. You have to wear a lot of hats, and stay on top of things as best you can to succeed against these industry odds.

Live streaming is now a valid artist delivery method. It works better as a revenue stream if you are a ‘name performer,’ otherwise you are better off streaming for free, and soliciting donations. Live streams are the now & future, so prepare for it, while understanding there’s a limited amount of excitement that an artist can create with a live streaming performance. Live streams are better for interviews, discussions, comedy, etc. Making new music is the most effective way to reach fans during this pandemic.

The next step is pressing CD’s & vinyl, but that takes money & connections, so be sure you have a deal that pays you (the record & publishing company) upfront, otherwise stick mostly to the low-budget DIY model. If you’re insistent on selling CDs, do it right. Keep the publishing & copyrights updated, the website & social media running with consistent fresh content, and the domain name locked up.

“When You’re Out There” was written in August 2020 after I listened to a LOT of Sun Ra on YouTube. With COVID-19 killing the live music scene, it was a good opportunity for me to finally hear many of his records which were never really available during the vinyl era, and were overpriced during the CD era.

Thurston Moore of Sonic Youth was always a champion of Sun Ra, and was the one who introduced this unheralded genius jazz composer & virtuoso to me. Sun Ra’s music is timeless, with depth, and a spirit of fierce independence. He’s out there, and that’s what inspired this song.

The other bonus track we recorded during this session was “(It’s a) Steamy Jungle,” an acoustic reggae song I came up with in October 2020.

Tom took all the pictures of me, and I took the set-up shots. He ripped mp3’s of all the recorded songs during playback, and put them on my thumbdrive. The mp3’s are uploaded onto my computer and checked (skimmed before parting) for audio fidelity & length, meaning all songs are clear, and none are cut-off short. That is what an artist expects & needs from a producer after recording.

These mp3’s are “prints,” meaning raw stereo recordings with no processing. This is what the artist listens to and determines if there is a song that can be produced, or if it needs more work, re-recording, etc. Pictures are shared & reviewed, and we discuss the ones we like, and how they are to be used. Cover art is a collaborative effort, where we both share thoughts & ideas, and then I let Tom do it. Meanwhile, these liner notes are written [12-2-20], while everything is still fresh in the mind.

“Primary Colors” & “Bitter to Better” were recorded on March 1, 2021 in Sanford, FL. Pics by Tom. In total there were 5 recording sessions in Sanford, from August 2019 to March 2021, to get 7 songs. The coronavirus pandemic was the primary reason for the long process in making & releasing this EP. Tom recorded the electronic beats & drums to “Millennial Whoop” & “Patch Me Up Doc” at his home in Tavares, FL sometime in 2020. Ask him for details on that.

As an artist, stay connected with your producer during mixing & mastering, and LISTEN. Production is not your domain, otherwise you would be doing it, so the producer gets the final call on sound. The producer has the song(s), and how long it takes depends on: 1) how good are the recordings, 2) how good is the producer, and 3) how much it costs? Choose wisely.

These are hard truths. As an artist, transition your efforts into online marketing by publishing videos, pictures, press releases to encourage discussion among fans, friends, etc. Use friendly forums, your website, preferred platforms, etc. This is how to generate content & promote– DIY.

Below in bold type is the template I now use for releasing songs as singles on my site. It can be as brief or as long as needed, rearranged, etc, but this is a professional press release. This is your first chance to promote your new song, so do it right.

“Song title”

jacketed mp3

liner notes & discussion

cover image

lyrics image

video

tags: album title (year), official mp3 release

Once all the singles to this EP are online, I then publish these liner notes as a post, and create a permanent Media page for the album on my site. I also update my Free Music Downloads page by adding the new mp3’s as they are released. Every song is released onto Spotify, iTunes, and all the rest of the streaming services for maximum distribution, along with the thumbnail videos on YouTube. That’s all you can do when you’re blacklisted.

Everyone says “organic is best” for promotion, but the rub is that it’s a lot of work, and there’s a lot of censorship, with nefarious spamming, hacking & de-platforming across the internet. The world goes on 24/7/365, and no one can be there for all of it. So be smart about putting up media that keeps working for you. Pick your spots to be active, and engage in real debate on serious issues, when it matters most. That will attract people on all sides, because EVERYBODY is sick of the pablum from the fake media. Everything you see, hear & read here is an alternative to MSM.

The message is that we have a choice in deciding on what the future of music will be. It’s the artists who create the culture and it’s the cool young kids that are hip to it who promote it. That is who this music is for and why it was created. Tom & I hope you enjoy it.

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“Primary Colors”

      1. Primary Colors - Ric Size

 

Recorded March 1, 2021 in Sanford, FL, by Tom Pearce who used Behringer software to record & monitor on his Mac flatscreen, to match with his Behringer wireless pre-amp, which is the heart of everything. Two cabled microphones, one on vocals & one on acoustic guitar, and a line-in guitar through a DI-box to the pre-amp.

Photo by Jose Luis Magana (AP), taken on January 6, 2021 in Washington, DC

Production & art design by Tom Pearce. Previous references to this song on Extended Play 2019-21 are to a version we recorded in 2019 which didn’t work out. This song was also recorded (mono live) on March 20, 2020 as part of my Coronavirus Concerts project.

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Bandcamp page promo

I’ve been repeatedly asked how my music can be legally purchased in a way that pays the artist. As of now, everything Ric Size from Magnified (2012), Electrified! (2015), Hwy 19 & Main St (2015), Fully Covered (2016), and Over & Out (2017) is available as a HQ digital download on Bandcamp.
 
Over & Out (above) is available on CD for $10 + S&H. Supplies are limited. This is currently my only album available on CD, as the cost of production is too high, while sales opportunities are too restricted, under conditions of censorship & de facto blacklisting.
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The Brain Eaters (1958) riff script

00:22 Riverdale began to be consumed into a suburb of Chicago
00:32 I said, “No U Turn!”
00:40 The Riverdale Philharmonic could use some more practice
00:52 The Brain Eaters: The true story of how Hollywood dumbed-down America
01:03 Alan Frost; AKA Alan Jay Factor; AKA J Factor
01:10 These credits are Roger Corman-esque
01:18 Spock! You’re name is misspelled.
01:43 Bombastic music by Tom Jonsonville brats, Jonsonville brats, Jonsonville brats…
02:09 […home in the country] … so you can understand why were were driving so fast.
02:22 … when J Factor suddenly had a blowout on his ride
02:35 Power lines in the background foreshadowing stupidity
03:00 “Let playing-dead-for-the-camera dogs, lie,” I always say.
03:30 It’s an over-sized party hat; a giant pastry bag for cake decorating; an early scale-model of the Matterhorn at Disneyland; industrial aluminum sheeting, circa 1958.

03:43 AKA, porno flicks
04:16 That base diameter isn’t even close to being equal to it’s height, but that’s 1950’s sci-fi for you.
04:35 [total resistance to pressure] The cone will not be pressured
04:43 It’s believed that the cone was used to suffocate its victims under a massive flow of sugary icing.
04:49 “If anyone is hiding the boy Vito Andolini, turn him over to me and there will be no trouble…”
05:05 […nature of the cone remain unknown] … aside that it’s a 3-dimensional figure with length, width & height, and a flat, circular base.

05:22 Breaking information on the nature of the cone. The cone is a ship. We have good intel on that.
05:29 … but I will have my hands bound by the person holding all the coats.
05:45 Bad touching
06:03 Speaking of cleaning out closets, this bigshot should check his before he comes out
06:10 [Garrett!] He looks & talks like Rudy Guiliani
06:19 [the lid will be off in 24 hours] I’m going down to Ground Zero to blow the lid off of WTC 7
06:35 Washington’s air transportation for its most distinguished political representatives is a Cessna turboprop
06:45 [requested no publicity] … and there wasn’t any.
07:00 Glenn Cameron– illegitimate son of Glenn Close & James Cameron
07:08 I thought Rudy Guiliani was the mayor
07:17 [abundant supply of bunglers]… which explains NY fire fighters without operable radios. Any comment, Mayor Guiliani, or are we done here?
07:25 Mr. Guiliani!! Mr. Guiliani!!! What about the Twin Towers collapsing at free-fall speed?
07:31 What about nanothermate in the ash? Why weren’t you at the established command post…? Mr. Guiliani, Mr. Guiliani…
07:40 The station wagon: government ground transportation that doubles as a hearse, for easy clean-up of government waste
07:48 He’s doing Tai Chi, hold ball
07:52 short form

08:02 “Restricted ravine area…” That means weed farming territory, so watch out for guerrillas!
08:12 [curiosity seekers] … so they came by the thousands
08:20 … unhampered by public accountability & oversight
08:34 But does he know the nature of the cone?
08:45 They’re making a test right now, it’s called #2
08:50 “Sonic reverberation,” huh? So they’re farting into the cone and recording it, as part of test #2.
09:05 Someone blow an air horn, right now.
09:38 Trump Casino has you’re action, Mr. Guiliani. We’ve got roulette, craps, keno, slots, baccarat, blackjack & Texas Hold Em!!
09:42 I wonder what Ed Nelson stuffs into his pipe to convince himself he looks smart?

10:02 Inconceivable!
10:07 … spirographs & polaroid
10:20 “Alter the surface?” Nonsense, the markings will buff right out. What are you smoking, Ed?
10:24 [nothing’s indestructible] … except capitalism.
10:36 [not a mar] “Not a mar,” huh? Next time try putting a tool on it, pretty boy.
10:41 … hallucinogenics, angel dust, meth….
10:48 We were thinking about going inside, but let’s stand around & talk some more.
11:02 We’re clueless, without a map
11:11 Look out for ricochets!
11:20 That’s pretty much how we’ve been testing it. Lost a few doctors on the ricochets.
11:28 “Cyclic,” like a woman

11:39 … and you women in your fallopian tubes
11:47 [inside of that ship] Now pull WTC 7!
11:58 … so you can injure yourself
12:19 The final scene of a really cheezy B-movie
12:27 Watch out for ricochets!
12:38 Florsheim shoes
12:50 I think this would have been better as a silent movie, set during the Civil War
13:15 [too long] Sonny is ready to go the the mattresses…
13:18 … while Mikey is off to kill Virgil Sollozzo & Captain McCluskey.
13:31 [Listen!] It’s the Brain Eaters!! Shoot first & ask questions later!!!

14:00 N scale or HO?
14:03 It’s for hobbyists
14:15 [Hold the Line] Love isn’t always on time
14:22 … and there’s gonna be trouble/ Hey now/ Hey now/ the mayor’s back
14:29 The mayor of Riverdale has been afflicted with Parkinson’s & muscular dystrophy
14:48 We need a horizontal on the camera, please.
15:25 Filmed in diagonal-vision
15:33 I’m getting dizzy with this vertigo photography
15:44 Yeah, because the toy train tunnel is so mystifying. Level the tripod, you idiots!
15:56 [I’m sorry dad] … but it appears the Brain Eaters have gotten the best of you
16:05 This camera work is making us all sick
16:14 Don’t make me call Roy Cohn
16:21 [… under martial law] That’s how democracy works here in America
16:30 The shot is slanted screen right
16:42 The mayor looks like George Will
17:00 Give it to him! Give it to him!!

18:20 Ed Nelson’s hair is holding up well
18:23 I found out that smoking tobacco causes cancer. But nevermind that, how do I look? Do you like my hair?
18:34 I don’t need rest, and I don’t need your nagging. I need to get laid. Got that, honey?
18:57 [would’ve died anyway] … only 40 years later.
19:03 [2 piercing instruments] … one that lifts & separates, and one that cuts.
19:21 … by secreting acids out of their asses into the CNS. That’s not only hard to believe, it’s hard to say.
19:40 Brain Eaters are like having a monkey on your back
19:48 [victim isn’t human anymore] He turns into a Republican
19:56 In fact, let’s keep this whole movie confidential. The American public doesn’t need to know about this.
20:04 Quick, light a match.

20:21 The Sheriff will be tunneling the cone next
20:34 “Whoa!! Missed that turn in the dark, and skidded out of control…” What dimbulb cast this cop who can’t drive?
20:40 Brain Eating speed bump ahead, approach with caution
20:52 You can tell this is Hollywood action, a real cop would use his gun and blast the Brain Eaten zombie.
21:02 It’s the Tai Chi master observing his student
21:18 This part of Tom Jonson’s score is called, “March of the Brain Eaters”
21:25 Tai Chi sifu demonstrates ‘Snake Creeps Down’ to his pupil
21:36 The Brain Eaters are cooking Jonsonville brats, Jonsonville brats, Jonsonville brats…
21:50 … and back to ‘hold ball’
22:12 What a shame, Riverdale now has Brain Eaters for law enforcement.

22:30 She prepared instant coffee on a bunson burner. Science!
22:42 He’s filleting a lobster
22:45 Hey lady assistant, turn off the bunson burner when not in use, the valve is in front of you.
22:57 Oh, for about 10 seconds
23:03 How long does that take, smart guy?
23:16 [hands like ice] … and so is the rest of you.
23:25 I’m so high from all the fumes in here that I didn’t realize my pipe had gone out. Slide that bunson burner over here, sweetie.
23:35 [back to work] So doctor, what should we do about that Brain Eater crawling behind that beaker?

23:48 A toy mouse has been attached to Ed Nelson’s elbow!!
23:52 It hurts & stuff!
24:12 What’s that burning smell behind us?
24:46 … and once again the weed farmer militias were out in force
25:00 [and there wasn’t a guard on duty] Pop is all alone. Call Sonny & Tom Hagan
25:36 [are you thinking the same thing I am?] Yep, DUI
25:55 I think Dr. Wyler was in D.W. Griffith’s Birth of a Nation (1916)
26:15 This B-movie is a waste of time
26:28 [useless piece of junk] … so we’re gonna blow it up and build a Freedom Tower in its place.
26:42 [we don’t want a nationwide panic on our hands] … or a “war on terror”

26:51 [scientific hunch] … and the rest is propaganda
26:58 You mean they’re like hedge fund investors?
27:03 Because people are more gullible.
27:21 [trial & error] Mostly error
27:27 That shows they understand bourgeois politics
27:33 Like a infantry Private
27:42 Yes they have. There are dead bodies all over Riverdale.
27:53 [draw up a map] … and mark every massage parlor in red.
27:58 [phone ringing] Rudy Guiliani calling Donald Trump, “Don’t fly on September 11th!”
28:20 The hunchback of Riverdale being tormented, “The bells, the bells…!”
28:45 This could an Andy Warhol silent, set to the music of Tom Jonsonville brats…

28:59 Rudy Guiliani’s thinking to himself, “Who ordered this lousy communication equipment?”
29:13 [Just routine] Routine Radio Free Europe stuff
29:18 This ‘not-so-good map’ shows every location needed to shoot this B-movie in six days
29:31 That would make it easier for the Brain Eaters to pick us off
29:38 We can put you ladies under the police protection of the possessed Sheriff
29:54 … to disagree.
30:04 Can’t do science without weapons
30:24 Then we’ll have to do something
30:38 Bored? I’d be lying if I said I wasn’t.
30:40 It’s day, it’s night; it keeps switching in the cutaways
31:05 Parrots survived the KT extinction event because they’re prolific fliers. Someone tell Senator Guiliani to put a sock in it.

31:44 [woman screams] More Tom Jonsonville brats!!
32:02 Is Dr. Ed not hearing that hissing foley? Is he deaf, or just dumb?
32:10 … a discharged fuel receptacle of a Brain Eater?
32:30 .. or some really bad sound editing
32:33 … and out of this movie!
32:54 It’s day again. Continuity!
33:04 Alice has a piercing scream, doesn’t she?
33:10 Now we’re trapped inside, it’s NOT alright!
33:22 It’s Brain Eaters hissing!!
33:35 Glenn/J Factor just peed his pants.
33:51 J Factor needed two cutaways to clear that window. Remarkable
33:58 … and he isn’t a very good shot; the Brain Eaten zombie was point blank.
34:05 … and he didn’t double tap. Glenn Close Cameron is an idiot who deserves to get eaten by the monsters.
34:20 Was that an action/getaway sequence?
34:28 I guess we’ll just sit around and do nothing, again
34:44 [DONT TOUCH THEM] That hanging whatever-it-is, is rotated 90 degrees on the wall. No, more like 87 degrees.
34:56 I’m guessing he missed his bet
35:10 … by rigging nanothermate cutter charges to all the support beams, which could be detonated in sequence, unleashing Brain Eater parasites.
35:37 I need you in the worst way
35:49 Dear Bill & Hillary…
35:56 I’m sorry, sir, but the Clinton’s are vacationing with the McDougal’s in Whitewater, and can’t be reached until Monday.
36:21 [It’s already there] … and I’m Already Gone
36:36 Tai Chi death stare
36:45 Maybe I’m nothing but a shadow on the wall / Maybe love’s a tomb where you dance at night…

37:40 The Velvet Underground would have done a better soundtrack, I think.
38:00 They’re re-enacting Romeo & Juliet, where he’s leaving a Brain Eater on her fire escape
38:22 window opening feedback
38:26 Eeeeww!! Brain Eaters are giant hair clogs, parasites which are transferred to other humans in a fishbowl by their zombies. Got that?
38:45 I realize they’ve gotten a few dogs already, but I say a good cat would be all over these Brain Eaters as they slink & hiss across a floor, pulled by a wire.
39:00 I’d like to see a Siamese kitten pounce and devour a Brain Eater, then barf it up as a hairball, thus mutating it.
39:14 Beware!! Brain Eaters attack those who sleep alone.
39:24 Hey guys, do something while the music is swelling!
39:34 (Guys thinking) We’ll… I guess we stood around too long, and now it’s too late, huh?
39:47 The Princess Buttercup!
40:09 Starting with his face, the Sheriff just melts into the background
40:20 Brain Eaters breaking up into groups
40:38 [“We’ll find a way”] !!? Neither of these schlubs could find their way to second base, so how are they going to rescue the girl from a giant cake icing dispenser that shoots out Brain Eaters?
40:44 You can let go of his arm, Glenn. Was J Factor trying to tell Dr. Ed something important?

40:54 B-movie 2-shot: Good Hair & Wannabe
41:02 [… mystery greeted us] How to disguise a sound stage as a canyon location?
41:17 Brain Eaten for five years, the Professor is remarkable well-preserved
41:22 Try mouth-to-mouth, doc!
41:30 Twist his spine some more, doc. Do any of his patients survive?
41:42 Because it felt UNCOMFORTABLE in there. The Brain Eater was unloved & unappreciated.
41:48 No, it isn’t. Your heart is much more serious than a bad car engine.
41:55 He’ll tell dirty little secrets
42:08 Who cares?
42:13 [every minute counts] To the Batmobile!
42:22 What if it’s Funkier than a Mosquito’s Tweeter?

42:54 But vehicles can’t drive through the woods, that’s what roadblocks are for. Any lightbulbs going on, doc?
43:02 … a little TOO cooperating
43:25 [… What do they want of us?] What is the nature of the cone?
43:56 [What is the secret of the cone?] Its tapering cylindrical qualities.
44:00 “Carbon…iferous,” from this we deduce that these hair clogs known as Brain Eaters come from the Paleozoic Era.
44:23 Wooly Mammoth dragonflies
44:30 The Earth is largely carboniferous
44:42 Dr. Kettering (Ed Nelson) just lost another one. His patient base dies off quicker than Jack Kevorkian’s.
44:54 … carboniferous?

45:05 The Brain Eaters have tunneled up through the Earth like Hogan’s Heroes.
45:09 Kenneth Starr
45:17 [I’ll keep trying sir] Clear the lines for Sen. Walter K. Powers, head of the flying saucer investigation committee, who has this to say, “We will rebuild at Ground Zero, no matter the cost.”
45:26 [Operator] … well, could you help me place this call?
45:44 [Hello Operator] Oh could you help me place this call?
45:52 The operator is hopped-up on Brain Eaters
47:58 [Hello, operator] … well, let’s forget about this call
46:03 If you would like to make a call, please hang up and try again… if you would like to make a call…
46:12 … so we can’t give the firefighters the signal to clear the Twin Towers before it implodes
46:18 It has just been reported that WTC 7 has collapsed…. Wait, it’s still standing… Apparently it’s about to collapse, and we’ve been told to ‘stand by,’ as collapse is imminent…

46:35 You can really see what an improvement The Dukes of Hazzard was over 1950’s sci-fi
46:42 Bruno VeSota never considered placing a microphone and directing this scene, but instead went for loose improv, a voice-over, and then a heaping helping of Jonsonville brats.
47:07 Why are Dr. Ed & J Factor rushing off after beating up the telegraphers?
47:16 [director points] Good Morning Vietnam!
47:26 Don’t come here, its a mess with Brain Eaters.
47:42 Brain Eater inflating his humpback– pupa stage apparently
47:52 Cool, I heard Nina Simone was performing…
37:59 [who thought so little of his own abilities] .. and for good reason
48:04 [Hi] High? Of course.
48:14 [detect any movement around the hatch] We’ve strung tripwire up & down, and camouflaged punji sticks at the base of the scaffolding
48:25 … but look out for Brain Eaters, doc
48:40 He’s like Sgt. Hulka in Stripes (1981) on the rope climb. “Anyone wanna come up and try to knock me down?!”
48:51 Dr. Ed’s thinking, “This piece of junk only dials-in AM.”

49:11 [Duck!] What the heck is Dr. Ed doing?
49:20 The main characters don’t even know what’s happening.
49:28 If Dr. Ed keeps shooting people dead, the medical board will eventually have to revoke his license to practice
49:46 Another victim eats lead from Dr. Ed
49:57 [What did you kill them for?] Don’t question my actions, I’m a doctor.
50:04 Not after Dr. Ed operates…
50:11 Look out for ricochets!
50:25 Dr. Dead & J Factor, inside the cone
50:34 [Where’s Kettering & young Cameron?] Shooting the tube

50:43 Ahhh, a light at the end of the B-movie.
50:53 The voice of Leonard Nimoy, whose name is misspelled in the credits
51:14 Science Officer & First Officer of the USS Enterprise
51:29 … except Shatner’s ham-fisted re-writes & grandstanding
51:44 [We are in complete harmony] … like the Mama’s & Papa’s
51:47 [We are inseparable] … like Sid & Nancy
52:03 [like seeds, in the wind] Dust in the wind / All we are is dust in the wind / (All we are is dust in the wind) / Dust in the wind…
52:09 […from the corruptions of the Earth] …like the Delta variant.
52:24 We shall enforce Cher & Paula Abdul upon them.
52:38 You’re on our short list for ‘guest villain’ on Batman
52:44 … but we’ve gone through a few drummers & upgraded our bass player
53:03 They aren’t “flesh & blood” anymore, they’re possessed by Paleozoic arthropods which eerily resemble hair clogs in a drain.
53:09 Hey doc! Watch out for ricochets!!
53:15 [Let’s get out of here!] Leonard Nimoy definitely went for the ‘star part’ in this stinker. That’s where you get paid up front, show up at the end & exit quickly, and everyone remembers you best.
53:24 Keep shootin’ doc! Is anyone recording the bullets pinging around inside the cone of unknown nature?
53:30 That scaffold doesn’t meet OHSA specs. I’m starting to think this is a REALLY low-budget flick.

53:48 Crickets chirping, idiots filming
54:02 [What are they waiting for?] Rudy Guiliani is ready to blow-up the whole thing. The parallels to 9/11 are inescapable!
54:08 [We need the time] The time is 7:52 PM
54:19 I might. Why?
54:31 “Salvage that power truck,” my ass. Keys were still in it, so J Factor just backed the front tires onto the road again.
54:41 [over difficult terrains] I use it to operate on patients
54:58 It’s the electricity from the high-voltage power lines overhead, Rudy
55:15 … and then scream in pain as you’re electrocuted.
55:28 We’ll light up this valley in flames. It’ll be like California in the 2000’s & beyond.
55:38 Enron used a similar technique to deliver power to its customers

55:59 They obeyed the maniacal Dr. Kettering completely & absolutely.
56:05 … which I would hold onto until death to complete the circuit.
56:15 [strung an inch or two from the cone] I’m sensing deep sexual frustration from the narrator
56:25 [What’s your plan?] We’re gonna pull the Twin Towers & WTC 7, while a CIA drone hits the Pentagon with a cruise missile; then blame it all on the Arabs.
56:40 [… the kind that kills] Dr. Ed is on a killing spree. You can hear it in his voice & see it in his eyes.
56:50 [I’m against it] Suicide is unacceptable, we prefer slaughtering our own
57:05 … who will hold the gun the cable is connected to, and get electrocuted?
57:11 [Kettering!] FERC is going to be on your ass if you try to go through with this crazy stunt, doc.
57:39 Comin’ down the mountain / One of many children…
57:47 It’s Romeo & Joliet theater
57:58 Whilst thee now go & be done, or shall thou pad thy part?
58:04 [Go ahead] … make my day

58:22 If it takes me the rest of my life, I’ll save one patient!
58:35 {Dr. Ed shot] Woo hoo!
58:40 Shakespearian tragedy from Bruno VeSota & Gordon Urquhart; Dr. Ed lost his final patient
58:54: [Fire the gun] But Mayor Rudy, the firefighters can’t hear the order to evacuate because their Saber III radios don’t work, due to the sweetheart contract you negotiated with Motorola.
59:07 Glenn Close Cameron fires the gun…
59:09 …and he is instantly electrocuted.
59:22 Hmmm…. Fried Dr. Kettering… Smells like chicken.
59:32 Even the cast can’t watch the end
59:37 [electrical wires flashing] Nice job dickweeds, everywhere from Milwaukee to Indianapolis is blacked-out.
59:45 We have to make sure nothing could have lived through that
59:51 [… every last one of them] You mean there are no survivors at Ground Zero, Mayor Guiliani?
1:00:02 I think we DO know Walter K. Powers; AKA: Rudy Guiliani, J Edgar Hoover, James Cagney, Don Vito Corleone…
1:00:10 You can tell they had to finish shooting that evening. The scaffolding was due back at Classic Tents & Events in the morning, and it would have put them over budget if they were late.
1:00:25 [Oh Glenn] Don’t ever pimp yourself as J Factor again
1:00:32 There’s babe factor, and then there’s Alan Jay Factor
1:00:40 Jonsonville brats, Jonsonville brats, Jonsonville brats…

THE END
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