The perils of promoting oneself as a “Quad God” before taking the ice in front of the world became an Olympic reality for US figure skater Ilia Malinin, who entered the free skate 1st, but placed 8th after two falls during his long program.
It’s painful to watch.
This was Olympic pressure cracking a very talented young man. NBC’s evening coverage from Milan, which is tape-delayed, featured two retired US figure-skaters who mentioned Olympic pressure as nothing an athlete can simulate or be completely prepared for. Tara Lipinski won gold in 1998, and she admitted her knees were shaking going into her long program– which won.
So we can see that every athlete feels the pressure, even those who prevail as champions. It’s all about managing oneself and focusing on the tasks of the competition. When you put yourself under more pressure because you have promoted yourself as a Quad God, then you are setting yourself up for failure. That’s all one can say to the athlete on this.
I’m of a firm belief that figure skating & ice dancing are art-forms that should be appreciated as performance, instead of graded as competition. I feel the same way about diving & gymnastics at the summer Olympics. I understand this opinion is in the minority, but there are points to be understood, even if it doesn’t change your mind.
Let’s start with the ridiculous notion of music being an Olympic event and “best rock concert” wins the gold. The Beatles rock the house, followed by the Rolling Stones, Captain Beefheart & his Magic Band, the Velvet Underground, the Doors, Creedence Clearwater Revival, James Brown, and finally Jimi Hendrix. Judges (trusted old people) will rate their performances, based on criteria defined by them, and determine a winner & podium.
That may sound silly, and it is, but Rolling Stone magazine has been doing this since it started in 1967. More than anything, criticism of music & film and the judging of athletic performances are vehicles to promote personal favorites & devalue disliked acts. They act as political & social filters.
For the last 25 years the corporatized “music Olympics” has transformed from Rolling Stone magazine into American Idol reality TV, and it’s why music sucks so hard today. When industry gatekeepers control every aspect from development & finding talent, to access to resources & media promotion, it becomes nothing more than a popularity contest & pet projects among executives, instead of the kids deciding what they like & get to hear.
Back in the 1960’s, kids loved the Beatles & Stones, and demanded more from the record labels, and what followed was its classic rock era. Today corporate heads manipulate everything you see in the media. The last thing they want is another Bob Dylan revolutionizing things. Today. one must pass through the corporate filter of reality TV before one can be anointed a star.
The Beatles & Rolling Stones wouldn’t be allowed to exist and become famous these days. Their type is too wild & dangerous, too exciting & influential with the kids, and that can’t be allowed to happen. That’s been the corporate philosophy on music & entertainment post-Nirvana.
It’s the same process in sports, which is big money these days because it’s live entertainment brought to the viewer through traditional television & now internet streaming. Sports harvest eyeballs in all demographics, which advertisers love & networks cash in on.
Thus, I don’t get caught up in this Olympics ice dancing judging controversy.
Unfair judging has been part of the Olympics for decades, as these are political slights intended to project power towards an antagonist nation. The actual effect is to degrade an athlete’s performance while raising suspicions of dirty politics undermining the spirit of “fairness & international goodwill” at the Olympics.
Curling is a little known sport, and this is historically my first commentary on it. Team Sweden accused team Canada of cheating during their competition. Video shows illegal touching by Canada, but the sport is not subject to replay review officiating– yet. Cheating at a “gentleman’s” sport which most people don’t even understand or care about reveals that we have a competition problem at the Olympics.
The problem is everyone lies, and the more money that goes into winning, means more cheating & lying to become the “best”. This can raise the pressure to a breaking point for many athletes. “Cracking” happens in many different ways– bad performances, rules cheating, hidden PED use, etc. The drive to be the best involves making difficult decisions and managing serious expectations. Failure can derail a career in minutes. Sponsors want a winning face that pops. Silver medals don’t get it done, as an Olympic athlete needs gold to have a successful post-athletic career in broadcasting or whatever.
Of course, I understand the need to recognize the best in sports, and in competitions where the event is decided by time or some other objective measure, or on the field played by a predetermined set of rules that is officiated on the field, then it is a sport where Olympic medals can be fairly awarded.
X-game events are largely subjectively graded, and should be appreciated as athletic-artistic performances, instead of judged for medals in competition. Let the fans & viewers argue about who is top-tier & best, etc. These performances would be better if they were considered as such. Music, art & entertainment are competitive, so there would be no lack of motivation to be recognized as the best. What would be removed would be tainted judging & corporate dominance in messaging, and sports fans would appreciate that.
Conclusion: I’m not an athlete, I’m a musical artist. The two are similar in that managing your performance is more mental than physical. World class athletes train a lifetime for Olympic competition. Unless there is an injury, it’s typically not physical issues that concern when the time comes to compete. It’s the same in music, as the performer knows how to play, but it’s nerves that can wreck it. Learning to control oneself and be calm in front of an audience is an advanced skill for any performer– artistic and/or athletic. It’s not something anyone is born with, it’s something that can only be learned through hard experience.
It involves breathing, taking in the moment, and realizing where you fit in as far as the bigger picture is concerned. It actually helps to have a bit of contempt for all this crap & people’s expectations, etc. If you feel the only expectations you need to meet are your own, then you are at peace and ready to perform. If you can’t do this, then it is easy to be overwhelmed by the situation, which creates self-doubt & performance slippage.
Lindsey Vonn crashed out of her skiing event (pic above), after trying to compete with a torn ACL. That was her choice as a professional athlete in an individual sport. Team sports are different, where competing injured can set an organization back in the long-term. In those cases, team physicians & management must make the final call, for the safety of that player, other players, as well as the interests of the organization & league. But in individual sports such as skiing, it’s the athlete’s choice.
These athletes consistently push their bodies beyond the breaking point to be the best and amaze the world. All this competition (music, art, sports) falls into the category of entertainment.
You do push yourself to (& beyond) the breaking point when you attempt to be the best in these fields. People admire & are inspired by great music, art & sport, but often don’t really understand the sacrifices, or the heartbreak of coming up short, getting injured, having to retire. No one can sustain the greatness to be the best in any of these entertainment fields for more than a few years. It’s too competitive and always progresses into the future, favoring the next generation.
Old judges & seasoned critics contribute nothing useful or progressive to entertainment. They act as a brake on development & innovation, invariably favoring conservative corporate & political interests. Too much of these Olympics, along with all other sports, is about satisfying the demands of people who put themselves above the athletes in competition.
And finally: Russia & Belarus are once again banned from competing as nations in the 2026 Winter Olympics in Milano Cortina. Both nations were banned from the 2024 Paris summer games due to the ongoing war with Ukraine. This ban was a political decision made by western imperialism backed by its International Olympic Committee. Only a limited number of individual, pre-vetted athletes from Russia & Belarus can compete as neutral, non-represented participants– and most choose not to. This drastically affects: figure skating, cross country skiing, ice hockey, biathlon & speed skating.
The US is able to run up its medal count at the winter games due to: 1) new (X-game) events which largely favor US athletes; 2) banning Russia from the competition; and 3) massive sports spending in America linked to the NCAA, etc. World politics & corporate sponsorship are the unspoken elephants in the room as far as any international competition goes these days.
It’s not the Russian athletes’ fault that Russia & Ukraine are at war, yet they lose their opportunity for which they have trained a lifetime due to the rulings of corrupt politicians & their puppet institutions. This NATO-provoked proxy war in Ukraine is the work of US, UK & German intelligence, supporting fascists in Kiev in an effort to carve up Russia. None of that has any rightful place in influencing Olympic competition. Imperialist institutions are responsible for unfairly banning Russian athletes, stripping them of their opportunities for Olympic glory. Those are the real politics that underlie all the official lip service on internationalism & the Olympic motto of “Faster, Higher, Stronger – Together.”
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