What’s wrong with MLB is now on full display during the NLCS featuring the scrappy small-market Milwaukee Brewers against the behemoth of baseball in the LA Dodgers. The Brewers had the best record in MLB in 2025 and were 6-0 against the Dodgers, so their fans had hope going in. They both had met in the 2018 NLCS, with the Dodgers winning in seven, in what was a competitive & hard fought series. The Dodgers were then handled by the Boston Red Sox in the World Series.
* Later it was revealed the 2018 Boston Red Sox had used Iphone watches to relay signs stolen through clubhouse video, which seriously violated MLB rules on technology use during games, so that year has a fan asterisk on its champion. In 2017 the Houston Asterisks relayed their stolen signs by banging trash cans and this is why MLB now has PitchCom. I’m excited that MLB batters, pitchers & catchers can finally appeal balls & strikes in 2026. It’s about time, as this greatly reduces zealous Yankees, Red Sox, Mets, etc, crowds from unfairly influencing balls & strikes. No fan will miss the art of pitch framing by a catcher in MLB, we’ll be glad it’s gone. Padres SS Xander Bogaerts was punched out on ball four at Wrigley Field in the 9th inning of a deciding game three in the wild card round as his team was rallying. Technology needs to be used to prevent over-excited umpires from doing the wrong thing just to please a home crowd. This is the sports era we live in. Too many people who aren’t really part of the game keep trying to insert themselves into the game. This creates too many asterisks.
In 2025, the Los Angeles Dodgers are showing the baseball world what front office brains, tremendous clout & bottomless spending can achieve. In a game as random & unpredictable as baseball, the Dodgers have virtually ensured themselves a World Series championship. That much is clear after two games of the NLCS, with the Dodgers leading 2-0 and going back to Chavez Ravine for the next three, if necessary. They may only need two, but the outcome already feels inevitable.
As a San Diego Padres fan, it’s our calling to know & dislike the Dodgers. The Padres are like the Brewers & Mariners, they’ve never won it– while Seattle has never been. Mariners are up 2-0 on the Blue Jays and going home in the ALCS. Both these ALCS teams are better than the 2025 Brewers, but neither are going to be able to match the Dodgers. There is a qualitative change in how the Dodgers do things that has led so many fans to this conclusion.
The Dodgers won it last year and were dominant. The Padres were the second-best team according to the champion Dodgers, but there was some distance between them. This year the Padres fell to the 10th-best team in MLB, making the playoffs but losing to the Cubs in the Wild Card round. Among the post-season qualifiers, the Padres only could have beaten the Reds or Guardians, making them the 10th-best MLB team in 2025.
The Dodgers didn’t dominate MLB during the 2025 regular season like they did last year. They had significant injuries on the pitching side, and their bullpen collapsed at times. The Padres had many opportunities to win the NL West, but couldn’t score runs consistently. Their superb bullpen & great defense carried them as far as they got. The Padres were a flawed team, as was every other team in MLB– except the Dodgers.
The Dodgers do things differently from everyone else because they have the clout & brains to do it. For instance, the Dodgers signed LHP Blake Snell last winter for 5/$137M, specifically to pitch in October. The Dodgers only got 61.1 IP from Blake Snell during the season, but they were never concerned and didn’t have to rush him back from injury. Contrast that to 2024, when Blake Snell pitched 104 innings with a 3.12 ERA for the San Francisco Giants and his team wasn’t happy with that. Snell signed late because he had a limited free agent market due to QO restrictions, etc. The 2023 NL Cy Young winner (his second) missed the early part of 2024 with oblique injuries and by the time he got healthy the Giants were out of it and even floated trading Blake Snell to the Yankees at the 7/31 deadline. After the 2024 season, Blake Snell opted-out of his deal and inked with the Dodgers, who only expect him to pitch like an ace in October. The Dodgers are a different animal. Most teams need their ace all season AND in the post-season. Many teams have their World Series aspirations derailed by an injury to their ace. The 2025 Dodgers have four aces.
Big RHP Tyler Glasnow (4/$117M) pitched only 90.1 innings during the season, so he’s recovered, rested & ready to go for the playoffs, with an arm that most MLB post-season starters had in June. DH/RHP Shohei Ohtani 47 IP, 2.87 ERA during the season in which the entire organization has been building him up as a post season starter. RHP Yoshinobu Yamamoto (12/$325M) is the Dodgers true ace, making 30 starts with 173.1 IP and a 2.49 ERA. They didn’t overuse him trying to make the post season because they knew from the start they would probably win their division and surely make the playoffs. This is programmed planning that begins well before spring training. The Dodgers used homegrown pitchers to eat innings during the 2025 regular season, which allowed them to save their expensive aces until the playoffs. No other team can do that.
LHP Clayton Kershaw is a Hall-of-Famer, but he’s no longer dominant. In his final season he gave the Dodgers 112.1 above average innings as a starter. In the 2025 playoffs Clayton Kershaw is a middle-leverage reliever, and to his credit he accepts his role. RHP Dustin May pitched 104 innings and was good enough during the season, but gets left off the post-season roster. Tony Gonsolin is another Dodger homegrown righty starter who doesn’t make their post-season roster due to injury and/or ineffectiveness.
The Dodgers just use these guys and many others like them in the bullpen, to get through the regular season while allowing their championship level pitchers the season to recover and be ready to win in October. The Dodgers are playing a different game as compared to the rest of MLB. Even the Yankees have to struggle and fight with everything they’ve got just to reach the post-season. The Mets didn’t even make the post-season with a $320-350M payroll in 2025. The Dodgers spent the same or more than the Mets. The Shohei Ohtani contract currently defers $68M annually, so payroll commitments for the Dodgers are really over $400M/season. On top of that, their clout is all-powerful. Last winter in international free-agency, the Dodgers grabbed ace RHP Roki Sasaki, who is now their post-season closer. The Padres were in the Roki Sasaki running, but were forced to concede to the Dodgers, otherwise MLB would cancel (or at least downgrade) their TV deal.
It’s a fluid situation season-by-season these days, but in 2025, MLB produced & distributed local broadcasts for five teams: Arizona Diamondbacks, Cleveland Guardians, Colorado Rockies, Minnesota Twins, and San Diego Padres. These are teams that couldn’t negotiate a lucrative-enough TV-rights deal on their own, so MLB broadcast their games and paid these teams much less than others with their own deals.
For instance, on January 28, 2025, the Dodgers and Time Warner Cable signed a 25-year broadcast agreement valued at $8.35 billion, which would see the establishment of a new channel known as SportsNet LA. By comparison, the Padres lost $80-100M in the Diamond Sports Group bankruptcy, announced in March 2023, and have been trimming payroll while trying to remain competitive ever since. By the time Roki Sasaki was conceded to the Dodgers last January, all the remaining top international prospects had been signed, so the Padres were shut out of the 2025 international draft after signing the top prospect two years running. It’s like shoving sand against the tide for Padres GM AJ Preller.
And most fans feel pretty much the same at this point. No other league allows one team to outspend its competitors by 3-4 times. The NFL & NBA understand that star salaries need to be capped, while most athletes understand there needs to be more payroll equity at the bottom– especially for younger players. MLB is probably heading towards an owner lockout after the 2026 season.
There are serious labor rights issues here, along with ownership-league issues on competitiveness. These inequalities are distorting the game to the point where whichever big-market team manages itself the best and wins the hot stove season is virtually guaranteed a World Series. When MLB gets to the point we are now, radical new thinking is required. The same old tweaking, and revising of a broken system just leads to more conflict. The root issues are money & power over the game.
Players need to start taking more ownership of their game. It’s their labor that creates the game with all the fan interest. Billionaire owners mostly don’t understand baseball and only want to make money for themselves from it. This hurts the players, the fans, and the game itself. Capitalism is about crushing your competition, and that’s what the Dodgers are doing to baseball right now. MLB needs 30 teams competing on a level playing field for the game to be interesting again. In 2025, we have MLB hyping its behemoth for maximum ratings, while fans who have already anticipated the outcome are rapidly losing interest.
Note: This short piece is an extension of “What is Tilly Norwood?”, published yesterday.
NIL means Name, Image & Likeness, and it has transformed college sports since Ed O’Bannon won his lawsuit with the NCAA in 2015-16. Women’s hoops has undergone a qualitative transformation with athletes like Caitlin Clark, Angel Reese & Paige Bueckers getting paid in college, then popularizing the WNBA to new heights.
The owners of the NCAA & WNBA want to convince everyone that it is their platform that has created this success, when really it’s the players. WNBA franchise values have exploded this year due to the players making the game more popular. It’s always the workers who create the value, with the owners trying to convince everyone the opposite. It’s high time for exploited workers to take control of their industries and shout down the parasitic & criminal owners who are impeding progress for humanity.
When it comes to Tilly Norwood, she is a composite of many young female likenesses that have been stolen and re-packaged as proprietary to a corporation. “Tilly Norwood is art,” says it’s creator, but art always acknowledges those who helped make it possible, while Particle6 erases them from history and pays no future royalties. The young women who contributed to create Tilly Norwood by having their faces & bodies scanned are kept anonymous and never compensated beyond that session.
AI is becoming a cheap way to replace people– from film to TV to pornography. It’s also being used to replace workers in other industries, because the people who currently own & control AI are ruthless capitalists, always looking to cut costs and increase their profits. This doesn’t work for the vast majority, who are being exploited & discarded with no future. Humanity is better than this, but we need new leadership and it has to come from a unified international working class.
If you read the Wikipedia page to “Tilly Norwood” and check the (currently) twenty references, you’ll notice than none are earlier than 9/27/25, and most are dated yesterday & today– see the screenshot below. Before then no one knew of this artificial intelligence (AI) generated actress that is taking Hollywood by storm. AI is a powerful tool that is being put to use by the ruling class to cuts jobs & production costs for big studios.
According to Wikipedia, “Tilly Norwood was created by Xicoia, the artificial intelligence (AI) division of Particle6, a production company founded by Dutch actress-turned-producer Eline Van der Velden in 2015. Xicoia was officially announced on September 27, 2025 [last Saturday], at the Zurich Summit, part of the Zurich Film Festival… Van der Velden stated she intended Norwood to be the next Scarlett Johansson or Natalie Portman… and Particle6 has stated that using Norwood could cut production costs by 90%.”
This has raised immediate & hysterical alarm bells among actors, including/especially A-listers. AI Commissioner, the computer generated comedy sketch which launched Tilly Norwood has been described as clunky, unreal & unfunny. Yet, the question within the entertainment industry is, “Will a talent agency sign Tilly Norwood?” The answer appears to be yes. Here’s the Particle6 video introducing Tilly Norwood to the world:
Tilly Norwood never gets old, and costs 1/100th of an A-list actress. Tilly Norwood never gives the director a hard time on anything. Tilly Norwood is pornography coming to Hollywood. Every actor now realizes they are screwed, just like the rest of us who work for a living. Welcome to the class war you’ve been ignoring for all these years in the name of your careers.
That’s how a lot of movie fans feel about Hollywood actors at this point. The fascists came for the immigrants, socialists, leftists….and when they finally came for them, the A-listers, no one was left to defend them. That’s celebrity ignorance coming back around to haunt them. How about lending your collective voices to the revolution? You’re pampered by comparison and not as good as you think, which is why AI snuck in and is about to wipe you out as an influential social class. Nobody who works for a living feels sorry for these living marionettes because they had it coming.
All the actors & actresses who supported the #MeToo campaign, which wiped out much of the top talent, are now about to be wiped out with AI. Ask Kevin Spacey, Dustin Hoffman or Bill Murray how they feel about this and their thoughts and feelings will echo what I’ve written. These pretty puppets who backstabbed their talented colleagues to get ahead are now themselves on the chopping block. The irony couldn’t be more real for those blacklisted & MeToo-ed.
Tilly Norwood is deep-fake pornography presented as legitimate. This is how messed-up things are in entertainment. The audience is reduced to a bunch of fat, stupid losers, who don’t appreciate the difference between what’s real and what’s fake. It’s part of the dumbing-down of culture, which now defines Hollywood and the entertainment industry. If movies are all superhero blockbusters, action propaganda, or lame rom-coms, then why not have AI actors? That’s the logic of the capitalist market, which monopolizes power into the hands of the richest class that gets to make all the decisions on what’s best for everyone.
Tilly Norwood can be featured in any of these types of movies, without any artistic value being compromised, because there isn’t any artistic value to begin with. Feature Tilly Norwood on AGT, The Voice, or The Masked Singer. Just punch her in, it wouldn’t matter, as these would still be the same shows filled with vapid ass-clowns & over-produced garbage. When culture is allowed to deteriorate to such a degree that this is possible, it becomes apparent to EVERYBODY that we need a revolution. That’s the explosive nature of what Tilly Norwood represents.
You can’t interview Tilly Norwood face-to-face. Everything she says is someone else’s words & ideas, so how can a public ever accept Tilly Norwood? How does Tilly Norwood accept an Oscar or Emmy? How can Tilly Norwood be considered an actress if she isn’t a real person? Aesthetically, Tilly Norwood is a cartoon, no matter how lifelike she appears. It’s such a joke, yet it’s also the foreseeable future of Hollywood entertainment.
That’s the dialectics of revolution. Tilly Norwood represents the complete bankruptcy of the entertainment industry and the need for it to be overthrown. It means the studios don’t care about the quality of their content, they just want to cut costs and not pay anyone. This is the economic model being applied to science, healthcare, education, etc, and it’s what’s failing us.
Tilly Norwood means we as a society are going to allow pornography to be legitimate while Jeffery Epstein clients will never be prosecuted because they aren’t so bad, etc… Tilly Norwood is the specter of fascist degradation which now looms over humanity. You can’t ever actually meet her, but you can follow her on Instagram. What more could you ask for?
The WNBA players are currently trying to win themselves a fair share of the league they have created & built through their work, but the commissioner (who always represents the owners), has been telling them to be grateful for what they get, as if they can be replaced. Fortunately for the players, the WNBA is real and can’t be replaced by AI. But listening to the WNBA commissioner, one gets the impression she & the owners wish they could.
What we have in both instances is the same struggle, but in different stages: workers (actors & WNBA players) against capitalists represented by team owners & big production studios. The WNBA is booming, and the players now realize they should be profiting more from their labor. Their CBA is about to expire after the Finals. The WNBA owners aren’t budging on player salaries or any other important issues. It’s capitalist greed that is leading to a labor war in the WNBA, and next season is already in question.
The WNBA players need to realize they are a part of a much greater struggle, otherwise they will be isolated & defeated. The owners & corporate media are too powerful for working class start-up institutions such as the WNBA players. The ruling class defeat of A-list actors with the introduction of Tilly Norwood is confirmation of that. Working class consciousness & solidarity across all industries is required to defeat capitalist fascism.
Millions of people who never watch Jimmy Kimmel Live! tuned in last night to see his return to the airwaves after the Trump administration & FCC chairman Brendan Carr (pic below) pulled him for comments he made concerning the assassination of Charlie Kirk. Nothing Jimmy Kimmel said to get him cancelled the week before was outside the boundaries of free speech, but we now live in an era where Constitutional rights are being shredded by a fascist ruling class.
The Trump narrative is that Charlie Kirk was assassinated by a leftist, without providing a shred of evidence for this. Any suggestion that the shooter had right-wing ties is considered slander by the fascist Trump administration, despite the fact the shooter was a confirmed Trump supporter. The Democrats won’t acknowledge this truth, which leaves the field open for pro-Kirk fascist propaganda which has been non-stop since the shooting. Facts don’t matter anymore in politics, as big money demands conformity & obedience.
Here is Jimmy Kimmel’s opening monologue last night:
Jimmy Kimmel is to be commended for standing up to a fascist administration which seeks to stifle free speech and any political dissent. ABC initially acquiesced to Trump’s bullying, but were forced to retract due to overwhelming popular demand. This is another fact that is being downplayed in the media. Kimmel is more popular than Trump, says the American people, and that’s why he was back on the air last night– to Trump’s dismay. The ruling class is in crisis with no popular support for its reactionary policies.
Free speech advocates have become Kimmel’s new demographic, and there are a lot of them in America and around the world. Kimmel’s removal was part of a murky backroom deal demanded by the dictator-in-chief. Two giant right-wing corporate affiliates Nexstar Media Group & Sinclair Broadcast Group have refused to broadcast Jimmy Kimmel Live, despite the voracious viewer demand for his return. All this is part of appeasing Trump for his approval of their merger. These two companies control about 20% of the US media market, and are currently airing Celebrity Family Feud in place of Kimmel.
Right now, those are the battle lines in this free speech media war. Disney, ABC’s parent company, has lost nearly $4B in market capitalization over this, as viewers have cancelled their Disney+ subscriptions en masse. YouTube views of last night’s Kimmel monologue have exploded, and Hulu airs the next day, so how long will Nexstar & Sinclair lose advertisers & revenue over an ideological battle they really can’t win? This remains to be seen.
Charlie Kirk was a racist, homophobic, Christian nationalist who advocated political violence. Jimmy Kimmel is a liberal comedian talk show host. Which is more dangerous? To ask the question is to answer it. The lionization of Charlie Kirk is a disgusting spectacle that revolts tens of millions of Americans, so there needs to be voices allowed to express that sentiment, otherwise we have a fascist dictatorship. The Kimmel controversy highlights how close we are to that.
Jimmy Kimmel & Charlie Kirk are now forever connected in politics as they represent very opposite viewpoints. Keep in mind, Jimmy Kimmel is tame by any serious political standard. But free speech advocates support Jimmy Kimmel’s right to speak his mind without being censored. Too many socialists & left-wing activists have already been blacklisted & silenced, and it’s been going on for decades. What the Kimmel-Kirk-Trump conflict reveals is the deep-going nature of fascism today, and the popular impulse to resist it.
George Carlin paraphrased it best: If you don’t like the content, then change the channel. We have a president who is being allowed to be a dictator that can’t use a remote control properly, so he decides to take away everyone else’s TV remote control options. That’s like cutting millennials off from the internet, and it will quickly & predictably provoke a massive & angry response. People are now tuning-in to Jimmy Kimmel just to be part of a resistance to fascism. That’s what Jimmy Kimmel represents right now, and it’s a heavy burden to carry, so popular leftist support is all important.
On the ICE shooting in Dallas, Texas this morning: Clearly ICE isn’t doing enough to protect detainees & inmates from harm. Some nutcase shot through an ICE van and killed one detainee while wounding two others. Shut this American gestapo down through mass worker action, not political violence. That’s leftist ideology. Anything else is fake left, false-flag provocation & political confusion that has nothing to do with Marxism or socialism. This is the ‘big lie’ imperialist slander which must be politically defeated to end ICE terrorism.
Leftists educate & organize the workers & youth. Anarchists & Stalinists play into the hands of the Western imperialists with their reactionary brand of violence. Socialists condemn this pathological shooting, whose casualties were three detainees. If it had been three ICE agents as casualties, socialists would condemn it just the same because this isn’t the answer. It’s impossible to find a bourgeois politician who can be fair to the left because they view socialists as their existential enemy to be slandered, terrorized & annihilated. These capitalist criminals are responsible for this violence, and people need to be allowed to say that, otherwise we live in a police state.
I’ve proclaimed myself a basketball purist, so it is incumbent on me to define this & then prove it as a sportswriter. Really I’m a sportsblogger, which is a form of sportswriter, but different in that bloggers aren’t held to a corporate standard or code-of-practice which binds sportswriters into a political straitjacket, severely restricting them from expressing their truest & deepest thoughts.
So much has to be censored & covered-up, in the name of fake news, which means corporate media sportswriters only scratch the surface on the most serious stories. Their task is often to keep it vague, and then forget it & move on. Current stories like ‘NFL ownership colludes to suppress QB salaries, then covered-up by NFLPA legal representatives’ don’t play well in the mainstream media. ESPN has just announced the purchasing of the NFL Network, so there’s no way ownership-union collusion can be a story to investigate & feature any more than professionally required.
The most compelling sports stories are usually discovered (& always best-analyzed) by bloggers & other independent entities these days. Virtually everyone promotes themselves on social media, which organically helps bloggers over corporate sportswriters whom we’ve heard from too much already. We all know they have very little to tell us despite all their Hollywood access & face time on Network cameras.
Network (1976) is the best Hollywood film ever. If you want to talk film with me then start there, otherwise you’re shit on movies. That’s basketball trash talking on cinema. Notice how it is concise & directly to the point. That’s how you win at a fast-moving game like basketball.
I’ve loved this game since Bird & Magic, and of course I was a Celtics fan back then. I hated the 76ers & Lakers, until the Celtics won three championships. Then Len Bias tragically died and these Celtics were finished winning titles. It got to the point where I accepted the greatness of Magic Johnson. That junior, junior sky hook was undeniable in its beauty & championship finality. Larry Bird’s shooting and overall play made black players give their respect to white dudes who can play. That was only part of how they transformed the game of basketball.
Basketball is a game where it is accepted by all serious participants that the black players are the best. When it was Larry Bird taking the last shot, it scared opponents to death, because they went in so often, and Larry would look at everyone with an expression that said, “I knew it was going in. What did you expect?!” That’s legendary hall-of-fame trash talking from a master, the first time a white guy could really do it.
Michael Jordan became the ultimate hoops master, the perfect basketball player. What does this mean? It means he has no weaknesses in his game, every aspect is the highest level of excellence & durability: scoring, passing, rebounding, defense, making your teammates better, being a team leader, winning, handling the media & being an ambassador for the game without claiming to be perfect. It takes all that & more to be the best and MJ did that for Generation X. He was the first modern rockstar athlete who you compare to Tiger Woods, Roger Federer & LeBron James.
Before Michael Jordan, sports heroes were different. They were allowed their privacy because they were so revered by sportswriters, as compared to the TMZ paparazzi media we’ve had since the rise of ESPN. In baseball Babe Ruth, Lou Gehrig, Jackie Robinson, Mickey Mantle, Sandy Koufax & Bob Gibson would be treated much more harshly today by a media industry that is looking to build you up to tear you down. We shouldn’t do that to our sports heroes, and I’m a sportsblogger who understands & expresses that. Too many sportswriters have egos and want to make the game about themselves. For example the issue of PEDs & MLB hall-of-fame voting, it is very political with stubborn intransigence among a class of ‘old school’ sportswriters who are eligible to vote, but maliciously shut out worthy candidates.
The NBA is a much different game today because of the great players I’ve mentioned from the 1980’s. The 1992 Dream Team is unquestionably the best basketball team ever assembled. Being on that team is equivalent to winning a NBA championship, so Charles Barkley, Patrick Ewing, Chris Mullen, John Stockton & Karl Malone earn that respect. They are ALWAYS to be addressed as champions in NBA terms. What they did in Barcelona transformed the game. Opposing players were asking for pictures, sincere handshakes & autographs before their games because they knew they were going to lose and were simply honored to be on the court with them. No one had, or has since, seen anything like that in Olympic competition. It’s the athletes who create these-type moments that catapult them into the best-ever discussions, in any sport.
Here’s a digression that will eventually lead back to modern basketball, I promise. I’ve been a fan of women’s soccer since before the start because I played with girls in our hometown leagues as a kid and through high school. Summer leagues were more relaxed and you could pick your coach which was important because high school & traveling league teams were monopolized by local sports politics, with coaching dads often prioritizing college scholarships for their boys over developing the best players and building a winning style of play that can eventually compete with Europe & South America. That still hasn’t happened and that’s why the USMNT loses.
The World Cup is in North America next summer, so the USMNT gets the automatic hosting invite and didn’t have to qualify. If they had, they wouldn’t have made it. The next big day is when the World Cup teams in the 12 groups are revealed and the brackets are set. Lots of betting worldwide on the World Cup. It’s bigger than the Super Bowl because it’s only once every four years and football/futbol is the world game. The world stops when the ball is rolling in the World Cup.
As for the USWNT, their next World Cup is in 2027 and there will be no issue for them qualifying, they’ll again be a favorite but no longer THE favorite. The USWNT has slipped from it’s highest of highs in WC 1999 to settle in as a global force in women’s soccer. The best coaching in US soccer eventually realized the men were hopeless, so they gravitated into the women’s game. It was that dynamic that help US women’s soccer win the world.
Their best player from the start in 1991 was Michelle Akers. Mia Hamm was the first Gen X rockstar female athlete. They all had something you liked so they were like the Beatles in the summer of 1999, and after that it was cool to be a soccer mom. Soccer in the 1980’s didn’t have enough girls in most towns to have their own league, so they had to play with the boys.
The 1999 USWNT became the Dream Team of their sport. Now girls in every small American town have girls soccer leagues. What was achieved was a social revolution and what is important to understand is that an entire society was involved in it. Everyday people were inspired by this team of determined young women, and used their glorious victory to get something they didn’t even know they wanted for their children. The revolution was inspired by sports stars, but achieved by all the “little people.” Understanding that is the art & science of dialectics.
This is why I prefer the USWNT to the WNBA. They did it more organically and under greater adversity, where the WNBA has had huge promotional assistance from the NBA & its corporate sponsors from the start. Since the USMNT has always sucked, the soccer women had to do it on their own, which is much more impressive to me. Soccer & tennis are the two sports I most enjoy watching women compete, outside of the Olympics.
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My all-time rotating basketball five by position: PG- Magic Johnson/Steph Curry; SG- Michael Jordan/Kobe Bryant; SF- LeBron James/Larry Bird; PF- Karl Malone/Kevin Durant; C- Kareem Abdul Jabbar/Wilt Chamberlain. You get two bench guys and three reserves on a NBA team. Tim Duncan is one and the rest are debatable among a dozen or so great great players. You want Phil Jackson & Gregg Popovich coaching, I’ve always loved Hubie Brown, Chuck Daly, Doc Rivers & Steve Kerr too. They know the game, understand what it takes to win, and always respect the talent and get the most out of it by treating them as men first.
If you want to become a good basketball player then learn the rules. Become an official and learn the game from a different perspective and get paid for it. You’ll play a lot smarter after doing this because you’ll know how & why officials make calls– good & bad. Handling the officials is a skill & artform and no one was better at it than Michael Jordan. This video is the only known instance of MJ getting handled in trash talk, and Magic Johnson still half-apologizes for it– because he knows. Larry just laughs. This is as good as it gets.
Basketball is the easiest game to manipulate/fix through corrupt officiating. Too many team fouls and the other team gets free throws (easy points to a good team) for the rest of that period. Too many individual fouls and you’re either on the bench or disqualified. No other sport has this as such a big part of the game that determines winning & losing. Soccer is the next easiest sport to manipulate through officiating, but fans seem to recognize it quicker so it’s less of a constant at the highest professional levels. VAR and replay officiating have cut down on bad calls determining the outcome, but also have slowed down the game.
The NBA has had officiating problems since before the ABA/NBA merger in 1976. The NBA allowed the ABA to raid its top officials early in their existence, which helped the ABA gain legitimacy with its players and hurt the NBA. If you know you have straight & professional officiating, then you can actually play. If you have an incompetent officiating crew, then it’s hopeless and good players will quit on it one way or another. No point busting your ass only to get cheated with every whistle. I’m not MJ, I can’t overcome bad officiating by being ultra-dominate to a point where the officials have to respect my game. That’s how the rest of us who aren’t superhuman approach playing against bad officials. It’s part of the game, no question.
As far as not watching the NBA, the Shaq/Kobe Lakers early 2000’s titles were all tainted by league-biased officiating, favoring the Lakers every step of the way to three consecutive NBA titles, before it blew apart. It was a political ideology of the era (9/11) that insisted on physical dominance being the most rewarded trait that biased NBA officiating in favor of Shaq & his power game. I always thought Tim Duncan was the superior big man to Shaq. He worked hard and was a better teammate, a true quiet leader– the rarest of rare birds.
There was an aesthetic quality to Tim Duncan’s game that really impressed basketball purists. There was no waste in how he did things. Economical equals five NBA titles with the right coach. Critics called his game boring. The lesson there is don’t listen to the critics. Tim Duncan was the last great college player (Wake Forest) to stay four years when he could have been a top pick earlier. The San Antonio Spurs were the perfect franchise for him, an organization that understood him as the main guy to replace Dream Team center David Robinson when he retired. The right organization builds a dynasty around that by properly valuing his contribution to winning and showing him contract respect by never letting him get close to leaving.
On the other side of the management scale, Shaq from LSU went to the Orlando Magic in 1992, which proceeded to foolishly squander its championship aspirations in that era despite have (on paper) what it took to win a NBA title. They had Chris Webber as the #1 overall pick to go with Shaq in 1993, and potentially replace him in case he bolted for Hollywood– which he did. Weak management in Orlando listened to Shaq lobby for Penny Hardaway, and Magic management let their superstar player make their trade, dealing away the best player in the draft in Webber, a sophomore from the University of Michigan’s legendary Fab Five.
When Michael Jordan came out of his first retirement to re-join the Bulls and kick every team in the Eastern Conference’s ass, that was when Shaq finally went to the Lakers as a free agent and trashed Penny & the Orlando Magic as he left. When Penny hurt his knee and Orlando Magic team physicians were too incompetent to diagnose & understand the serious nature of his injury, Penny Hardaway was finished as an All-Star player. They didn’t do too well with Grant Hill either, all covered in this classic write-up of this tragic franchise.
Brian Hill, Chuck Daly, Doc Rivers & Stan Van Gundy are all above average NBA head coaches (at least) which needs to be respected. None of them could win a title despite having hall-of-fame dominate big men in two different eras: Shaq in the 1990’s & high school #1 overall pick Dwight Howard in the 2000’s. That’s organizational failure starting with cheapskate ownership and its incompetent GM’s, first & foremost. They had great players and all the resources needed to be a dynasty, but couldn’t figure out winning and still haven’t. They have another chance now with Paulo Banchero, another miraculous #1 overall pick that fell in their laps (call it NBA Magic), but I don’t like the guys they have around him so color this central Florida native skeptical on the Orlando Magic for a NBA title. Salary cap aprons really limit a modern NBA franchise’s ability to maintain championship rosters, meaning ‘windows to win’ are shorter, tougher and less predictable than ever.
If it happens for the Magic, it would be like how the Bucks got lucky in 2022. You need a great player, some serious guys around him, good luck & full health. They all count the same when you do it, dominant or lucky. It’s so tough to win so it’s celebrated as greatness as it should be in any integrated & competitive era. Can you imagine the NBA without blacks or foreign players today? Just watch a few YouTube videos and you’ll see it’s unwatchable by modern standards, NBA & NCAA. Diversity is good for everything is the lesson basketball teaches us all.
To understand the greatness of Steph Curry requires respect for ‘old school’ to be blended with an appreciation of ‘new school’ when referring to style of play in professional basketball. When the NBA began after WWII, it was all-white & had only has two levels of scoring: the painted area and an outside shot. Both counted for two points, but since it’s easier to score the closer you get to the hoop, an inside shot in the painted area was always preferred as a winning strategy. Coaches, announcers & analysts harped on this repeatedly, so you couldn’t get past it.
The ABA (1967-76) had the three-point shot from the start and its outside shooters embraced it. Boston Celtics GM (& league power broker) Red Auerbach was against the 3-point with the NBA-ABA merger, but when he acquired the draft rights to Larry Bird in 1978 he changed his mind and the 3-point shot has been in the NBA since the 1979-80 season. Larry Bird was immediately the best 3-point shooter in the game and changed how NBA players & coaches thought about that shot as a weapon. Back then it wasn’t used enough to be considered as a consistent source of offense. That came with Reggie Miller of the Indiana Pacers and his era. Ray Allen is the other hall-of-fame sharp-shooter in the pre-Steph Curry era. Their three-balls were now a potent source of offense on championship level teams.
What the 3-pointer did was create a ‘third level’ of scoring offense, where you can get 3 points by making a shot behind the line. This opened the game up for little guys (under 6’5″) who can shoot, which is always fun & exciting to watch as a basketball fan. SGA of OKC has mastered the mid-range, the area between the 3-point line and the painted area. Jimmy Butler is another guy who has that mid-range game and can finish at the rim. The 3-point shot has caused a lot of young players (Gen Y & Gen Z) to mistakenly abandon the mid-range. There are plenty of clean scoring opportunities in the mid-range, without have to absorb all that contact you get taking it to the hoop. A good mid-range game is a career-extender at any level of play.
What Steph Curry did was create a ‘fourth level’ of offense, well-beyond the 3-point line. You can’t give Steph Curry a wide-open 30-footer, he’ll make that shot consistently and if he gets hot the other team is finished– at any point in the game. Draymond Green sets a solid screen just past half court and the defense is in trouble. No basketball player has ever created such fear & panic from a screen set just past half-court. That’s how far the ‘fourth level’ extends out from the 3-point line.
Everyone from Luka Dončić to Caitlin Clark are prodigies of the Steph Curry ‘new style’ of play. Big men now handle the ball & shoot 3’s, when that was discouraged or forbidden by head coaches back in the day. Quick shots are okay now because advanced metrics have proven you might not get a better look so take the shot. No need to make your team work longer & harder to get essentially the same (or a worse) shot. Hubie Brown & Tex Winter always understood this, but they were in the minority in the profession of basketball coaching.
This ‘fourth level’ creates more opportunities for little guys with skill. For big guys, they are considered & referred to as ‘wing players’ instead of forwards in modern basketball terminology. They need to be long, quick & athletic. Their job is to rim protect and cover out to the 3-point line on defense, and be a vice versa threat on offense. Centers are thicker today, all can shoot 3-pointers, and need to be good passers to help their team on offense. Wing players are more shot-blocking conscious than ever, so center dominance of the Shaq/Wilt variety isn’t really possible in today’s NBA. The level of grinding & physicality creates a big man preference towards skilled mid-range & 3-point shooting over power basketball in the painted area. This reduces wear-and-tear on the body, and saves energy for when it is needed late in the game & season.
Health is a skill, and staying healthy in such a grinding game as the NBA requires hard work and serious maintenance. LeBron James is the ‘old man’ of the NBA at age 40, yet he has maintained his body at the highest level of basketball fitness. He went straight from high school, at age 18 into the NBA, and now you can’t do that anymore. When they change rules because of your talent, and fans are still amazed at it over 20 years later, that’s true greatness.
Basketball is a trash talking game. Every sport has its form of discourse between the competitors, but basketball is a fast moving game that only allows a series of split seconds & brief pauses to say what’s on your mind, and if you hesitate, the moment is gone and the other guy might get hot from there on which really shuts down your trash talking ability. That’s why so many young players start trash talking from their first made shot, because they know they might not see another one go in, so they’re talking like they are Kobe Bryant. As a rule: If you don’t have the skills & ability to back it up, then it’s usually best to check your trash talk.
The best way to shut down trash talking opponents is to play good defense. Shut them down, steal the ball, block their shot, fake them into travel violations, etc, and they’ll get real quiet. Defense is ~15% physical technique with the rest being heart, hustle & brains. All great defenders are among the smartest players. They know the rules, as well as all the tricks they can get away with and how to work the officials. And how to trash talk.
The US men’s team lost to the USSR in the 1988 Olympics because basketball is a team game. The US had the most-talented players, but they were up against professional teams from Europe that had been together for years. Playing as a team is the ultimate difference maker in competitive basketball. This filters down to high school, AAU & even YMCA leagues.
Unless there is a player who is exponentially better than everyone else on the court, generally speaking it’s the side that plays most as a team that wins the game. If you have basketball talent, but don’t help your teammates, then you create a ceiling for that team’s success because it’s all about the individual ego. Speaking of egos in basketball, corrupt and/or bad officiating can skew any game into unwatchable madness. There are plenty of (too many) out of control egos in the ranks of basketball officiating.
This is how I view basketball from an amateur perspective. I’m an amateur in the sense that I’m not paid for any of this, I publish here because I love the game and believe these thoughts are worthy of your consideration. You don’t have to have played the game professionally to know the game, you just have to study & apply yourself at it and you can learn many things about yourself and the world we live in.
Deputy Attorney General Todd Blanche interviewed Ghislaine Maxwell in Tallahassee, FL on July 24-25. As a reminder, when Donald Trump was found guilty on all 34 felony counts of falsifying business records in 2024 in his Stormy Daniels hush money trial, Todd Blanche was Trump’s defense attorney, so the political self-interest here is clear to all.
Another reminder, Ghislaine Maxwell was not only convicted of abetting Jeffery Epstein in his sex trafficking ring, but was also found guilty of two counts of perjury. This makes Todd Blanche’s interview with Ghislaine Maxwell all the more troubling, since he hasn’t reviewed all the FBI Epstein files and therefore wouldn’t be able to keep her in line during questioning if she attempted to lie– as she has provenly done in the past.
Despite this criminal history, Blanche claimed, “Ghislaine Maxwell answered every single question” during the Justice Department meeting, and that she answered them honestly without taking the 5th Amendment. That’s quite a statement, and impossible to verify without transcripts of the interview and the full release of the FBI Epstein files.
Along these same political lines, Trump’s impromptu order to release grand jury testimony, which was denied by the courts, was another red herring in that nothing revelatory or consequential was contained in them. Victim privacy wasn’t asked to be protected, which was the reason for the court’s denial, which once again indicates Trump’s motivation was to distract, instead of reaching truth & justice on the matter.
What we have is a bipartisan cover-up operation that is fooling no one. The Democrats are just as implicated in the Epstein files as Republicans, along with their rich friends & political supporters who solicited the services of Jeffery Epstein for decades. Bill Clinton rode the “Lolita Express” 27 times, so he doesn’t want these files released any more than Donald Trump, meaning any Democratic Party posturing on this is cynical grandstanding meant to score political points while they work behind the scenes to conceal the evidence & facts.
What keeps getting lost in all this are the rights of the victims, as over 1,000 girls & young women were molested, abused & discarded by this criminal & depraved sex cartel and its clientele. There has been no justice for these victims, as political interests have protected the powerful men who solicited Epstein’s sex trafficking operation.
Speaker of the House Mike Johnson (R-LA) called an early recess to prevent any Congressional action this past week, as Trump tries to evade responsibility for his criminality. All Congress has to do is subpoena the estate of Jeffery Epstein, and the attorney in charge of it would immediately release the Jeffery Epstein “50th-birthday book” to Congress, but that hasn’t happened either. All evidence of criminal relations to Jeffery Epstein have been systematically kept from the public by both political parties as they maneuver to cast ‘conspiracy blame’ onto the other.
All this is meant to protect the existing set-up. A vast fake economy is being insulated from accountability because to expose this criminality would lead to its collapse. Corporate bosses, major celebrities & sports figures are surely on the Epstein client list, and to ‘out’ them would be to prosecute them, which is something that is unacceptable to the ruling class. Capitalism has created these fake heroes and to disgrace them en masse would undermine the authority that has been bestowed upon them by their wealth & celebrity.
ICE immigration raids, #MeToo witch hunts, and slandering anti-Zionist protesters as ‘antisemitic’ are all part of the same reactionary cloth, whose purpose is to attack & scapegoat the working population and keep left-wing political dissent under the thumb of right-wing class rule. Occasionally a prominent politician, businessman, or celebrity needs to be sacrificed to maintain the whole, but never can the entire ruling class be prosecuted. This is the class battle that is being fought now. It is a war for truth & justice, and working people everywhere must take up the fight themselves, otherwise the truth will get buried (as it always does) by corporate-driven, two-party politics.
Tulsi Gabbard has become one of Donald Trump’s leading flak stooges in his campaign to deflect the Jeffery Epstein crisis. Gabbard’s recent attack on Barrack Obama, claiming he ordered a false intelligence analysis to show Russia had worked to help Trump win the 2016 election has truth to it. This has elicited a violent reaction from the Democratic Party controlled media.
Recall that the “Russian interference” campaign began as an attempt to deflect WikiLeaks revelations of the DNC fixing the 2016 primary for Hillary Clinton after Bernie Sanders received an unexpected groundswell of popular support, especially from young voters. Support for Bernie Sanders was deemed unacceptable by Democratic Party bosses. The DNC staffer who likely leaked this information, Seth Rich, was murdered under murky circumstances, and his murder (unsurprisingly) remains unsolved. “Russian interference” then became the Democratic Party & liberal media standard line for the reason Hillary lost to Trump in November 2016. Any left-wing critique of this elite-level corruption & electoral defeat branded commentators as “agents of Putin,” etc.
So what we have now is a political death struggle, with Donald Trump & his MAGA political supporters on one side, and the rest of the ruling establishment on the other. It is the working masses who must intervene with an international socialist program to prosecute & overthrow this entire rotten political system, otherwise there will be no justice for any of the victims of Jeffery Epstein & his elite clientele.
I have written previously that the 21st century is the beginning of the golden age of documentary filmmaking. The internet now provides ambitious artists with the means & material necessary to make a movie on any subject, and distribution is more readily available. This means the rules have changed, and of course the Hollywood film industry doesn’t like this. In fact, it is fighting this with everything they’ve got as Artificial Intelligence (AI) is now their main tool (weapon) of choice in creating new dramatic films.
But technical gadgetry & AI special effects can only take filmmaking so far, and its limitations are already being reached. The quality of Hollywood films now is generally poor. Audiences who thirst for challenging & stimulating content aren’t finding it in the multiplexes, whose vapid content is generally a form of dumbed-down propaganda.
Sports movies: a critical analysis
Hollywood sports movies are generally disappointing because they fail to capture the “spirit of the game,” emphasizing fictitious drama over hard realities. See Moneyball (2011), perhaps the best baseball book ever published (2003), which became a watered-down sports-drama starring Brad Pitt. Actors aren’t professional athletes, and their attempts to portray them are usually unconvincing & clichéd.
To this movie-lover, the best Hollywood sports movies are The Longest Yard (1974), Bull Durham (1988), and The Great White Hype (1996), which had engaging scripts revealing a deep respect & understanding of that particular sport. Most of the rest of Hollywood sports movies are lame-to-unwatchable because they lack these qualities. Note that this phenomenon also applies to films about musicians & artists. Documentaries on such subjects are almost always more worthwhile because of the authentic footage, voices & artistry on display. Hollywood sports flicks suffer from a lack of genuineness created by an inherent weakness in these types of movies that few filmmakers can overcome.
The difference from other subjects of Hollywood films is that the public is usually very familiar with celebrity athletes, sports, music, etc, so the audience is harder to fool on the big screen. Movies are about creating an ‘illusion of reality’ with scripts, actors, special effects, etc. Network (1976) & House of Cards (2013-2017) are brilliant examples of bringing political reality to life through film fiction. Politicians & business executives generally hide their intentions & actions, so Hollywood filmmakers can exploit that gap in understanding more readily & effectively because the public is often unaware of these realities. Conversely, sports are rabidly followed by the masses, and thus their level of comprehension is far greater from the start, which makes sports movies unsatisfying to many movie buffs, especially sports fans.
War movies: documentaries vs dramatic re-enactment
War movies are an area of filmmaking that provide room for Hollywood-type dramatization and documentaries to be artistically successful. This is because the subject is far too broad for just one genre to tell the whole story. The best documentaries on war include The World at War (1973), a 26-part UK production on WWII narrated by Laurence Olivier. The authentic footage & participant interviews are its greatest strengths. But what is missing are the individual acts of bravery, heroism & drama, and that’s where dramatic films can fill in the gaps.
Das Boot (1981) is a German/UK production on the life of a German U-boat crew in 1943, a perilous time for these sailors. It has riveting action & drama, bringing their terror to life on the big screen. The World at War has a chapter titled “U-boats in the Atlantic,” which relates the objectives, strategies and history of this war theater. The U-boats had the potential to win the war for Nazi Germany if Hitler had used them properly, and it wasn’t until mid-1943 that the Allies solved the U-boat problem by exploiting aircraft with radar. This is an instructive filmmaking example of a documentary & a fictional thriller complimenting each other. If you’ve seen them both, then you have a much greater understanding of the subject from both a military & human perspective.
Midway (1976) is a Hollywood war movie that splices actual US Naval war footage with dramatic Hollywood filmmaking. The Navy war footage was shot in 16mm, and then blown up to 35mm and weaved into the fictional drama. This movie has many stars, but the editing-in of authentic war footage is what makes it all come together. Film clips from war dramas 30 Seconds Over Tokyo (1944) & Tora Tora Tora (1970) were also used, along with newly shot warbird & aircraft carrier footage at sea. Miniature models were filmed on a lake in California to great effect for recreating the destruction of the Japanese carrier fleet at Midway in June 1942. Midway is one of the best Hollywood war movies because of how it edits authentic Naval footage with dramatic film scripting.
Ken Burns best documentary project is arguably The Vietnam War (2017), and probably the best film on the subject to date. In the Year of the Pig (1968) is the other essential Vietnam War documentary. Many dramatic Hollywood Vietnam War movies had been made previously, the most notable & popular include: Apocalypse Now (1979), Platoon (1986) & Full Metal Jacket (1987). Until Ken Burns’ definitive documentary, these Hollywood productions were among the best film documents on the subject. What Ken Burns did was to render these Hollywood productions less important by creating a definitive documentary. Apocalypse Now and Platoon no longer have the impact they did when they were released because a documentary has artistically eclipsed them.
What this process reveals is that just about any important film subject (based on non-fictional events) needs a definitive documentary, and when it is made, it renders all Hollywood dramas on the subject less vital. This is a dialectical process of discovering truth, first through fictional drama, then through documentary authentication. This is why documentary filmmaking is the true future of movies as an artform.
In musical artistic terms “the blend” refers to how your voice is integrated with the instrument you are playing. In my case it’s guitar. The blend is correct instrument playing & vocals which are projecting your true voice. You don’t have to be a 4-octave vocalist to be an influential singer. You don’t need to be Eddie Van Halen on guitar either, but you do need to blend like Jimi Hendrix. Blending means you have no weakness which limit your ability to communicate with an audience. All aspects of performance have to be at a high level of competency to be able to effectively blend.
Jimi Hendrix is still that standard for perfect rock blend, an unbeatable guitar prodigy who found his songwriting voice which is now imitated by everyone. No one can match Jimi Hendrix, so take what you can from that and realize he didn’t leave a blueprint to follow– for if you try to live like Jimi, you will die like Jimi. Hendrix had so much pure talent (which none of us have), meaning you can’t surpass him artistically– only be inspired by his greatness & learn from his mistakes. Jimi Hendrix was too far ahead of his time to be understood, but he was also human with fallibilities like the rest of us.
Blending on guitar means playing the notes well along with using volume & syncopation. Volume helps create drone effect, which the Velvet Underground perfected with John Cale, while Jimi Hendrix mastered drone by controlling amplifier feedback. See his famous Woodstock solo performance of “The Star Spangled Banner” posted below, as it’s the drone effect which hypnotizes the listener. He’s so natural.
Syncopation comes more into play as a solo performer who favors an acoustic approach with no drummer. Artistically & stylistically it can be considered the difference between Bob Dylan & Jimi Hendrix. Bob Dylan can’t play guitar like Jimi Hendrix, but he is a better songwriter, so he turns down the volume (even in his electrified coming out era) as compared to the Velvets or Jimi. Bob Dylan favors syncopation (beats in his head) over feedback. Bob Dylan achieves drone effect on harmonica, and is one of the most prolific harmonica players ever. Bob Dylan came from folk music & the blues, and when he found his songwriting voice (which he also blended as drone) became arguably the biggest rock star ever. It’s because he could blend.
John Lennon is another brilliant example of blend. Whether it’s on guitar or piano; with the Beatles, solo, or with studio musicians John Lennon could create songs with anyone who had talent. He could always blend.
Understanding the recording process & production is part of the blend. If you can do this then surely you will perform better to a live audience. The studio is where a lot of good musicians feel intimidated and can get overwhelmed. The art of blending comes when nervous, but talented musicians are on the clock in the studio. A new song is uncharted territory which can be scary. The leader is the one who blends by getting their part (in my case guitar & vocals) well recorded in a way that makes everyone else’s job on the song easier. If it needs a click track, for the drummer & bass player to add later, then it must be done to a click track, otherwise they won’t be able to blend with the song. Figure out what the song needs and pick your blend.
If the lyrics are tight & engaging that will inspire creativity from everyone involved. Everyone wants to be part of something great, especially in the music business. It is the songwriter’s responsibility to give the musicians & producer what is needed for them to blend their talents into the project. You can’t do it all by yourself, but you can learn how to do as many things as possible, making everyone else’s job easier.
Blending is about leadership. In rock music you start everything by writing a new song, then you find the right people to help and inspire them to be creative. It really can’t happen any other way. Blending isn’t allowed to happen anymore by a music industry that has been locked-up tight since the late 1990’s & American Idol. What’s happening now is all about professional songwriters & producers who are completely out of touch. Technically they have the chops, but there is no heart, soul, or real love in any corporate music anymore. It’s all canned product. The producers deserve most of the credit for any catchy hit that is made anymore. As a musical artist, it feels like K-Pop has now been mainstreamed into American popular music. K-Pop is about sexual exploitation, human trafficking, drug trafficking & the fashion industry but no one is allowed to say that.
Blending a songwriting voice with guitar in this era means understanding the politics of our time and being a leader. This means you will have fans & haters, so deal with both appropriately. What we have politically is fascism under Trump with the Democrats acting as Vichy collaborators. Writing new songs from this Marxist perspective keeps an artist on the path of truth politically, making the music more influential & easier to blend over time.
Dr. Robert Cade at the University of Florida developed Gatorade in 1966. His laboratory potion had the right electrolytes & salts from the start, but it didn’t taste good, so the football players who needed it often wouldn’t drink it. Dr. Cade took home an early batch of Gatorade to his wife, who recommended cutting it with lemon, and thus sports science was changed forever. Sometimes a brilliant doctor just needs a good woman to help him out. Gatorade won QB Steve Spurrier the Heisman Trophy in 1966, and “The Sweat Solution” is one of the best ESPN 30-for-30 shorts.
Arnold Palmer popularized professional golf and invented his own drink, now commonly referred to as an Arnold Palmer– which is ice tea with lemon. There are arguments about how to proportion an Arnold Palmer, but Arnie says it is mostly ice tea with the lemon garnishing the drink. Some people prefer an Arnold Palmer with half lemonade or more, so it allows that flexibility and there are various acceptable preferences.
The most delightful moment in this ESPN 30-for-30 short is when Arnold Palmer reveals the moment he finally gave up and started referring to his favorite drink as an Arnold Palmer. His attributed concoction became so accepted & widespread that every waiter/waitress now knows what an Arnold Palmer is, so he gave up and started ordering it as an Arnold Palmer– laughingly hoping that no one will recognize him. It’s a great lesson in how to handle fame and giving up false humility from one of the most beloved athletes of the 20th century.
With that introduction, I am now sharing a drink I invented, which I have named after myself. An ‘Eric Meeker’ is half apple cider & half high-pulp orange juice. Individually orange juice and apple cider are very acidy, which limits consumability, but surprisingly when these two are combined the acids mellow each other out and you are left with a fruity burst of natural sugar rich in vitamins & minerals your body needs. In this sense it is much better than Gatorade because it is organic. It’s superior to an Arnold Palmer in that it is much healthier, while being comparably delicious.
The Eric Meeker is a 50/50 mixture, and leans no more that 60/40 in either direction. The drink’s inventor says it’s better to have more apple cider than orange juice in an Eric Meeker, and you definitely need high-pulp OJ. Also, apple juice doesn’t work like apple cider. Perhaps the most beautiful thing about an Eric Meeker is its economy & easy mixing, with ingredients that are always available in any decent Midwest food market. The nutrient burst you receive from a cool Eric Meeker will replenish your body with what it needs– and fast.
For years Arnold Palmer didn’t self-reference his favorite drink when ordering it, but I’m skipping past all that. As I’ve learned, it’s a hoot to have invented your own drink, and this blog allows publication of the recipe with all the nuances, so enjoy!
Mind if I show you a little something? I’ve been watching you, to see what the hell you’re up to, and this is what I see…
Caddyshack (1980) is the funniest movie ever. Beyond that, it was the first movie with a modern soundtrack, featuring the music of Johnny Mandel and also containing two hit songs from Kenny Loggins: “I’m Alright” the film’s classic theme song, and “Mr. Night” the caddy pool-party song. This christened a new movie soundtrack style for the decade, which showed-up in features across all genres including: Flashdance (1983), Ghostbusters (1984), The Breakfast Club (1985) & Dirty Dancing (1987) to name just a few.
Caddyshack is about class lines & the differences between country club members and the caddies who serve them. The class bite gets hidden somewhat underneath all the laughs. Danny Noonan represents the young, unmotivated everyman who see little reason to work hard because there is little-to-no reward for him.
Bill Murray delivers the best scenes, often by himself, and they live in golf lore– as every golfer loves Caddyshack. If you don’t laugh with the Caddyshack audience, then that audience is laughing at you. Few comedies can twist you up like that, and Caddyshack sets the standard.
And to clarify a Caddyshack point regarding Donald Trump, he is a real-life amalgamation of Judge Smails & his grandson Spaulding– meaning they are cheaters at golf, not golfers. This is why you have to be careful when someone asks you to kill every golfer on the course.
Rodney Dangerfield & Ted Knight represent the battle of new money vs old money in Caddyshack. Ted Knight never had a better or more memorable role. Rodney Dangerfield was in one other classic comedy, Back to School (1986), which is relevant to this discussion. Back to School is an underrated movie, with a stellar cast including: Sally Kellerman, Ned Beatty & Robert Downey Jr.
Sam Kinison helps students of history appreciate what happens when you give a good answer to a difficult question, but it isn’t the answer the teacher is looking for…
Robert Downey Jr. as Derek Lutz intervenes at his college homecoming rally to “point out that football is a crypto-fascist metaphor for nuclear war.” Somewhere very recently, that line got me thinking and helped me theorize Trump-Musk crypto-fascism. This proves the arts & laughter are food for thought & meditation, so take a hike all you elitist fraternity scumbags…
The latest on crypto-fascism: Stablecoins are seen as “low hanging fruit,” so that’s the current top priority for the crypto industry. Congressional legislation in May has multiple crypto bills being circulated, as the financial media is finally beginning to see the priority of crypto in the Trump-Musk administration. Increasingly it is apparent that crypto is a primary economic & foreign policy driver for the Trump White House.
Stablecoins are a way of connecting worthless crypto to tangible assets such as the US dollar, Treasury notes, etc. In short: stablecoins are a gateway to a crypto-fascist billionaire heist of the US Treasury. Not one “stablecoin” has ever held its 1:1 peg to whatever it’s tied to. STABLE & GENIUS are the crypto bills currently being “debated.” Political blowback has already started as the ‘crypto PAC money Democrats’ are starting to sway due to increasing public concerns. Crypto is a political fight where an educated public can really benefit the cause of revolutionary socialism.
April 2 was “Liberation Day” when the Trump tariffs were announced. The tariff plan was to declare economic war on the nation of China, along with a cost-of-living & jobs war on the international working class. A side benefit for Trump was the chaos it provoked in the news cycles, which deflected attention away from his hidden crypto agenda. The crypto-fascist plan was for the STABLE & GENIUS bills to already be passed, or at least well on their way by now. But these bills have been “paused” instead. Crypto works best in secret, and the timelines on these events (tariffs & crypto legislation) suggest they were part of a coordinated fascist plan. Any public disclosures & analysis of crypto-fascist criminality damages Trump immeasurably.
Lou, dressing down his troops in Caddyshack: I’m gonna lay it right on the line. There have been a lot of complaints already– horsing around on the course, bad language, smoking grass, poor caddying! You wanna get fired, be replaced by golf carts– just keep it up.
