Note: This short piece is an extension of “What is Tilly Norwood?”, published yesterday.
NIL means Name, Image & Likeness, and it has transformed college sports since Ed O’Bannon won his lawsuit with the NCAA in 2015-16. Women’s hoops has undergone a qualitative transformation with athletes like Caitlin Clark, Angel Reese & Paige Bueckers getting paid in college, then popularizing the WNBA to new heights.
The owners of the NCAA & WNBA want to convince everyone that it is their platform that has created this success, when really it’s the players. WNBA franchise values have exploded this year due to the players making the game more popular. It’s always the workers who create the value, with the owners trying to convince everyone the opposite. It’s high time for exploited workers to take control of their industries and shout down the parasitic & criminal owners who are impeding progress for humanity.
When it comes to Tilly Norwood, she is a composite of many young female likenesses that have been stolen and re-packaged as proprietary to a corporation. “Tilly Norwood is art,” says it’s creator, but art always acknowledges those who helped make it possible, while Particle6 erases them from history and pays no future royalties. The young women who contributed to create Tilly Norwood by having their faces & bodies scanned are kept anonymous and never compensated beyond that session.
AI is becoming a cheap way to replace people– from film to TV to pornography. It’s also being used to replace workers in other industries, because the people who currently own & control AI are ruthless capitalists, always looking to cut costs and increase their profits. This doesn’t work for the vast majority, who are being exploited & discarded with no future. Humanity is better than this, but we need new leadership and it has to come from a unified international working class.
If you read the Wikipedia page to “Tilly Norwood” and check the (currently) twenty references, you’ll notice than none are earlier than 9/27/25, and most are dated yesterday & today– see the screenshot below. Before then no one knew of this artificial intelligence (AI) generated actress that is taking Hollywood by storm. AI is a powerful tool that is being put to use by the ruling class to cuts jobs & production costs for big studios.
According to Wikipedia, “Tilly Norwood was created by Xicoia, the artificial intelligence (AI) division of Particle6, a production company founded by Dutch actress-turned-producer Eline Van der Velden in 2015. Xicoia was officially announced on September 27, 2025 [last Saturday], at the Zurich Summit, part of the Zurich Film Festival… Van der Velden stated she intended Norwood to be the next Scarlett Johansson or Natalie Portman… and Particle6 has stated that using Norwood could cut production costs by 90%.”
This has raised immediate & hysterical alarm bells among actors, including/especially A-listers. AI Commissioner, the computer generated comedy sketch which launched Tilly Norwood has been described as clunky, unreal & unfunny. Yet, the question within the entertainment industry is, “Will a talent agency sign Tilly Norwood?” The answer appears to be yes. Here’s the Particle6 video introducing Tilly Norwood to the world:
Tilly Norwood never gets old, and costs 1/100th of an A-list actress. Tilly Norwood never gives the director a hard time on anything. Tilly Norwood is pornography coming to Hollywood. Every actor now realizes they are screwed, just like the rest of us who work for a living. Welcome to the class war you’ve been ignoring for all these years in the name of your careers.
That’s how a lot of movie fans feel about Hollywood actors at this point. The fascists came for the immigrants, socialists, leftists….and when they finally came for them, the A-listers, no one was left to defend them. That’s celebrity ignorance coming back around to haunt them. How about lending your collective voices to the revolution? You’re pampered by comparison and not as good as you think, which is why AI snuck in and is about to wipe you out as an influential social class. Nobody who works for a living feels sorry for these living marionettes because they had it coming.
All the actors & actresses who supported the #MeToo campaign, which wiped out much of the top talent, are now about to be wiped out with AI. Ask Kevin Spacey, Dustin Hoffman or Bill Murray how they feel about this and their thoughts and feelings will echo what I’ve written. These pretty puppets who backstabbed their talented colleagues to get ahead are now themselves on the chopping block. The irony couldn’t be more real for those blacklisted & MeToo-ed.
Tilly Norwood is deep-fake pornography presented as legitimate. This is how messed-up things are in entertainment. The audience is reduced to a bunch of fat, stupid losers, who don’t appreciate the difference between what’s real and what’s fake. It’s part of the dumbing-down of culture, which now defines Hollywood and the entertainment industry. If movies are all superhero blockbusters, action propaganda, or lame rom-coms, then why not have AI actors? That’s the logic of the capitalist market, which monopolizes power into the hands of the richest class that gets to make all the decisions on what’s best for everyone.
Tilly Norwood can be featured in any of these types of movies, without any artistic value being compromised, because there isn’t any artistic value to begin with. Feature Tilly Norwood on AGT, The Voice, or The Masked Singer. Just punch her in, it wouldn’t matter, as these would still be the same shows filled with vapid ass-clowns & over-produced garbage. When culture is allowed to deteriorate to such a degree that this is possible, it becomes apparent to EVERYBODY that we need a revolution. That’s the explosive nature of what Tilly Norwood represents.
You can’t interview Tilly Norwood face-to-face. Everything she says is someone else’s words & ideas, so how can a public ever accept Tilly Norwood? How does Tilly Norwood accept an Oscar or Emmy? How can Tilly Norwood be considered an actress if she isn’t a real person? Aesthetically, Tilly Norwood is a cartoon, no matter how lifelike she appears. It’s such a joke, yet it’s also the foreseeable future of Hollywood entertainment.
That’s the dialectics of revolution. Tilly Norwood represents the complete bankruptcy of the entertainment industry and the need for it to be overthrown. It means the studios don’t care about the quality of their content, they just want to cut costs and not pay anyone. This is the economic model being applied to science, healthcare, education, etc, and it’s what’s failing us.
Tilly Norwood means we as a society are going to allow pornography to be legitimate while Jeffery Epstein clients will never be prosecuted because they aren’t so bad, etc… Tilly Norwood is the specter of fascist degradation which now looms over humanity. You can’t ever actually meet her, but you can follow her on Instagram. What more could you ask for?
The WNBA players are currently trying to win themselves a fair share of the league they have created & built through their work, but the commissioner (who always represents the owners), has been telling them to be grateful for what they get, as if they can be replaced. Fortunately for the players, the WNBA is real and can’t be replaced by AI. But listening to the WNBA commissioner, one gets the impression she & the owners wish they could.
What we have in both instances is the same struggle, but in different stages: workers (actors & WNBA players) against capitalists represented by team owners & big production studios. The WNBA is booming, and the players now realize they should be profiting more from their labor. Their CBA is about to expire after the Finals. The WNBA owners aren’t budging on player salaries or any other important issues. It’s capitalist greed that is leading to a labor war in the WNBA, and next season is already in question.
The WNBA players need to realize they are a part of a much greater struggle, otherwise they will be isolated & defeated. The owners & corporate media are too powerful for working class start-up institutions such as the WNBA players. The ruling class defeat of A-list actors with the introduction of Tilly Norwood is confirmation of that. Working class consciousness & solidarity across all industries is required to defeat capitalist fascism.
Preface: I feel this is my last original song. As a creative artist you eventually reach a point where you are out of songs, call it burnout or whatever, but it’s a natural process. You can’t be innovative as an artist forever. All are eventually overtaken by the next wave of revolutionary artistry and the new energy it creates. It’s similar to an athlete retiring, you have to accept it and move on.
In music this means if I return, it will be as a legacy act. That means no new songs, just fan favorites to make the paying audience happy. When you are a revolutionary artist, you have a chip on your shoulder and aren’t always willing to meet those fan expectations. Instead, you are challenging fans to meet YOUR expectations. That limits the fan base, but makes it more fanatical. It’s about deeply influencing those few who get you.
As a legacy act you are accepted, loved & paid, so it’s easier to return the love to the fans. Legacy acts only happen when there is money, and since that never happened for me, I’m not holding my breath. The political climate is still too reactionary for artists such as myself to be allowed venues that could connect us with a mass audience. Neo-McCarthyist witch hunting & blacklisting rule bourgeois politics & corporate mass media. MeToo, BLM, and fake ‘anti-semitism’ campaigns are CIA Democrat ‘big lies’ meant to intimidate & silence any genuine leftist opposition to capitalist imperialism.
My influence is still exerted as a blogger. Perhaps the most revolutionary thing I did in my musical artist career was creating this blog. No other artist (in any genre) has written as prolifically on so many subjects. The internet & social media made it possible, and my creative & effective use of these platforms has changed how people approach them. Blogging is now an artform. It is much easier to write an essay than it is to write a new song, so I’ll continue to express myself as an artist through blogging. Thank you to all fans for your continuing support!
Production notes & AI
After Tom recorded this song, we discussed artwork ideas, as usual. In real life the Electric Cat has died and I have no pictures, only images in my memory. I suggested a cartoon image, and that’s when Tom replied by suggesting an artificial intelligence (AI) app he had started using. There’s a learning curve which must be negotiated, but the result is this AI-generated image for “The Electric Cat”.
AI created a hyper-cartoon image for me (from no pictures) in just a few hours of email back-and-forth with my producer. Hyper-realism is a genre of art where the painter paints to exquisite detail. It takes a long time to complete a large canvas because every square inch is filled with painstaking detail. It’s extraordinary to look at, but often lacks soul or an important overall theme.
AI can produce images to a hyper-realistic level that display lifelike characteristics. AI doesn’t get offended and throw a hissy fit when I (the client) don’t like something it presented. In the hands of a learned technician, AI can do whatever you ask in a relatively short period of time. You just need to know what you want and how to communicate it.
These AI apps are much deeper & more powerful than photoshop, etc, which is how most pop art has been created for decades. This AI app took an idea (seed), and after Tom tweaked parameters & fed in descriptive details, developed it into what we wanted. In the past, I gave Tom ideas (or images) and let him run with them. He usually came back with something great and that was it. I learned not to expect anything in particular, because he’s not a graphic artist who can deliver exactly what I want from scratch. You have to be really gifted to do that, and neither of us are apt in that field.
AI apps replace (supersede) the efforts of entire marketing & art departments at major labels & studios such as Sony, Warner & Disney. Artificial intelligence has that power. AI can now take this Electric Cat image and mutate it into pop art quickly & cheaply, rendering high-quality, marketable images on demand. It’s almost too easy, and that’s the danger. Andy Warhol would smile, wryly.
If the song (or album) is a winner, artists now have the ability to create iconic artwork using AI. This solves a lot of problems for independent acts who don’t have access to major label resources. AI (in everyone’s hands) levels the playing field on that front, and opens up a world of new ones. There is a class of people who don’t want creative working people to know this.
AI is a big reason for the current entertainment industry & tech sector jobs bloodbath, for the reasons I’ve outlined above. Used in expert hands, artificial intelligence convinces you immediately. My experience happened to every Hollywood producer, director & entertainment industry bigshot upon being introduced to AI. In the future you are going to see more & more AI-generated content in music, film, TV, art, etc. It’s already started.
In music, Brian Eno has been an AI innovator, which is par for him. Ever since his first experiments in ambient music (early electronica) in the 1970’s, Eno has been a pioneer of self-generating, perpetual technology: first in music, then in images & film. Those who have led the way should be listened to the most, so no discussion of AI media use, potential, ethics & pitfalls can be closed until innovators such as Brian Eno have their say & are respected.
I’m a newbie, as this is my first foray into AI as a creative tool. I’m mostly watched, giving input to Tom as needed, and observing the results of the process while asking questions as they arose. I’m not a techie, so I don’t know the app or how it works, etc. Ask Tom about that. For me it’s all about what AI can do, and when I see these-type results, I get excited. Producers now need to add ‘AI skills’ to their technical arsenal. These are the people who will replace all those who are getting pink-slipped. Honestly, I’m in favor of eliminating this parasitic layer of entertainment industry mediocrity. All they do is siphon money & influence away from the original artists who create all the cultural interest in the first place.
This experience has instilled awareness about what the technology is, and raised practical questions about its ethics. I believe the artist is ethically bound to tell their audience about any AI-generated content. Educate fans & be 100% honest about its use– no exceptions. It’s easy to fool a naive audience into thinking that you are better than you really are by having AI-generated content in the music, etc. Only full disclosure earns respect in this field, and cheaters must be ruthlessly exposed as phonies. Fans have a right to know, and always feel betrayed when it turns out they have been duped by charlatans.
Beyond that, AI can be harnessed & used limitlessly to enrich & simplify our lives. AI is a tool for human use and has enormous potential to help solve all of our most difficult problems. The technology itself is neutral. It comes down to who controls it that determines its destiny. That will be determined by class struggle. The mission of artists is to enlighten humanity. Using AI creatively & openly for the benefit of all is now part of that.
———
The Electric Cat
Silently stalks & prowls throughout its habitat The Electric Cat
Those crazy dogs got burs in their fur again. Drat! Why can’t they be more like that…? Electric Cat
Silky & slinky with claws & a bite, lookout for that!
I give it food & love, it purrs by my side. I love that Electric Cat
At its best and at rest, always respect that Electric Cat
Felinus Electricus, a miniature Indian tiger cat It’s all that The Electric Cat
———
Recorded 01-12-2024 in Eustis, FL by Tom Pearce
Production & AI artwork* (see notes) also by TomP at Last Minute Productions
I have fans on all inhabited continents. My demographic is 18-24, girls & boys. The messages I receive from them are mostly, “Wow!! How come I’ve never heard of you? You’re amazing!!” These are serious young kids who have been scouring the internet for new acts, kinda like the kids who devoured the fanzines & watched MTV obsessively back in that day. My reply to them is, “I’m too good & too far left, so I’m blacklisted. Read all about it on my site.”
That’s how I’ve marketed & promoted myself over the years. Eventually the platform cuts me off from my fans as a power grab and that’s when I stop on that platform because you can do anything without a true connection to the fans. The industry rule is: there is no money for Ric Size so every platform steals my juice to pump themselves up & put me down.
In the real world, I’m blacklisted from every venue and even if I could book something, that venue would soon get pressured to drop the show. That’s the nefarious influence of the CIA Democrats. No one will pay 100% in advance, non-refundable to an artist, so I’m being unreasonable there, etc. It’s impossible for me to do business with anyone and that’s why I don’t perform live. I have covers and can do-it-all solo, but too few people in the business even respect that anymore. The fans are the ones who suffer the most. Mainstream music today sucks and it’s been that way since the late 1990’s.
With that introduction, I’d like to advance announce the latest Ric Size single, “The Electric Cat”. This is the cover image and it was created with artificial intelligence (AI) by my producer. I’ll be publishing much more on this exciting & powerful new technology.
