“Millennial Whoop”

Promo tagline: Stick this new single in your vaporizer & inhale it

Intro: Tom Pearce & I have a deal. When it’s either of our turns to go to work, that person has full control. Tom Pearce has attracted attention within the music industry as a respected producer & electronica artist. Through his new affiliation we have a new distro deal that offers us great penetration into the music business.

We have set an official release date for “Millennial Whoop” at 11/26. This song is a monster crossover single, so we’re doing everything we can to get it as much distribution as possible. “Millennial Whoop” is the first single from the 4-song mini-album: Extended Play 2019.

Note, November 27, 2019 is when this song will be available on all the major streaming services including: Spotify, iTunes, Pandora, etc… “Millennial Whoop” can be downloaded here & now for FREE, because we’re about the fans. Share it if you love it, and let the new-release, underground buzz begin!!

      1. Millennial Whoop - Ric Size

 

I’ve never done a rap/pop song to this extreme, so this was fun. A year ago, Tom sent me a YouTube link on this phenomenon in modern pop music production. Patrick Metzger coined the phrase a few years earlier in a study he published, which is now well-known & cited. Months later after learning about this, I was out and recognized it on someone’s cranked-up car speakers as they drove by, and starting singing my own improvised chorus back to them on the spot.

I consider this song to be partly a public service announcement, as well as a punk cross-over single. References include: Woody Guthrie, The Sound of Music (1965), Kelly Clarkson, Coca-Cola, square dancing call-outs, Donald Trump’s aversion to people coughing, The Birdcage (1996) & Basic Instinct (1992). I ‘baby’ it up a lot, which is my hybrid of Barry White & Justin Bieber. We had a real good time together.

Rachel Decker: vocals

Tom Pearce: beats & tones

Bill Pelick: bass

Written, published, & copyrighted by Ric Size; No Cliché Songs / Infinitelink Records 2019

Produced by Tom Pearce / Last Minute Production

We are currently about two decades into the “noise wars,” which is defined as excessive compression to make songs louder for cheap mobile headphones. Car commercials which blast non-stop, louder than the rest, is the comparative to the “noise wars” in television audio production. The only way an independent artist can compete against this degradation of music is by having better songs, and knowing how to record & produce them.

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The Ric Size Trio: Coming Soon!!

Early rehearsals have been promising. It’s so nice to work with true professionals.

We’re getting the band together. The Ric Size Trio is: Bill Pelick on bass & Tom Pearce on drums.

Above is the set list we’re working though, to figure out what works– and what doesn’t.

Look for us soon in Orlando & (hopefully) beyond!!

Update: Sunday September 23, 2018

Bass player Bill Pelick has left this project after two rehearsals. It turns out he prefers to play classic rock, and he’s also not up for touring. We are all still friends and wish him the best.

This has been the story of my music career. This trio was intended to be the “reunion tour,” where we played the fun songs and rocked everybody– for the money. One thing I’ve learned in my life is that I”m not allowed to be successful in business. Something always “happens” to prevent it, despite my best efforts & the demand I create. This “something” is establishment fear, which has been spread far, wide & deep by nefarious monied interests & the deep state. These entities do have the power to keep this band from happening, and they’ve done everything possible to see that it doesn’t.

I’ve been at this music career for over 20 years, and it gets to the point where you know you can’t win, or be happy, so the best option is to move on. If there was a bass player who was capable & willing to join us, they would have shown themselves by now. I don’t envision any more Ric Size performances in the future. I’ve had it with playing solo, which I was always forced into– due to lack of support. The truth is, my music & politics are so far “out there,” that most musicians can’t relate. Those who try are soon scared off. This is how it goes when you are a blacklisted artist.

The only true artist I worked with in my music career is Tom Pearce. Tom is a consummate professional, and an inventive drummer with perfect time. He’s also a sound specialist, producer, & webmaster. Tom Pearce is the only one who truly has what it takes to rock with me. For the rest who helped, then hopped off, I have mixed feelings. I’m grateful for any assistance, yet disappointed that fear & prejudice limited their willingness to collaborate. It’s a waste of talent, IMO.

Me, I have no regrets, as I gave it everything I had with no fear. When you’re spent, it’s time to do something else, and that appears to be the case here. We will do our best to finish re-mastering & releasing all the albums. Once again, it’s invisible barriers that have kept us from making these products available on CD, as censorship & blacklisting have cut this music off from a mainstream audience. It’s pointless to put time, money & energy into producing & manufacturing product, only to be choked off by Google, Fakebook, YouTube, PayPal and everyone else who controls the important levers of power. An artist needs promotion, publicity & distribution to succeed, and I’ve got none of that. It’s not from a lack of effort.

The upshot is that everything I’ve ever written on politics has had a direct (negative) impact of my music career– from a financial standpoint. I can no longer do this for free, as I’ve run out of money. I’m also unwilling to remain isolated, which is what the establishment does to artists it deems as dangerous. This is why I’m alone. Don’t believe the girl or woman who says she desires a man who is artistic. If that was the case, I would have been hooked-up & satisfied a long time ago. Women are taught to go for the money & security, which is the exact opposite of being a true artist.

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