#MeToo Shipwrecks Itself

In what will forever be known in political history as the “Kavanaugh hearings,” we are witnessing festering partisan animosities bursting open like an abscess on our TV & computer screens. This composite photo (below) from the Senate Judiciary Committee during Kavanaugh’s Supreme Court confirmation hearing on Capitol Hill on Thursday, Sept. 27, deserves careful scrutiny– as BOTH are professional liars & fascists.

A healthy & rational mind can observe that NONE of this has anything to do with the truth, as this is a cynical exercise in manipulation of public opinion. It’s all just a warm-up (and tie-in) for the mid-terms on November 6th.

The FBI was brought into the fray on Friday (9/28), when Republican Senate leaders agreed to allow a limited, additional background check of Brett Kavanaugh. Since he’s already been extensively “vetted,” it is to be limited in scope to the existing allegations, with a completion deadline of one week. That’s how the GOP wraps Brett Kavanaugh up in a bow, and sends a fascist to the House for confirmation as Justice for the US Supreme Court.

The #MeToo Democrats, who are now foundering on the rocks, are screaming for more time, saying “no artificial time limitations” should be placed on the special FBI investigation, which will be solely interviews from the names we already know all-too-well in this phony sex scandal. These hysterical feminist manipulators never know when to quit, or shut up.

The puppet-master behind this media scandal appears to be 2020 Democratic presidential hopeful Michael Avenatti, who represents all three women that have made sexual assault allegations against Kavanaugh: Christine Blasey Ford, Deborah Ramirez & Julie Swetnick. Avenatti coincidentally is also the attorney for porn star Stormy Daniels.

It needs to be acknowledged that the Democrats could have attacked arch-reactionary Brett Kavanaugh from many other angles, and easily defeated his nomination. Anyone who has such an extensive record of being pro-torture & anti-democratic, shouldn’t even be considered for the Supreme Court, raising the issue of the initial list of candidates from Donald Trump. This entire Supreme Court nomination process has been disgraceful, in it’s lack of seriousness.

Here’s a brief on Brett Kavanaugh. He worked with Kenneth Starr, in the reactionary Republican coup attempt to oust a twice-elected US President. Kavanaugh then conspired with Bush/Cheney during Bush v. Gore, which stole a Presidential election for the Republicans in 2000. Kavanaugh is an opponent of the Environmental Protection Agency, and a friend of corporate polluters. He supports executive supremacy, which endears him to Trump, and is an enemy of abortion rights. The only way the Democratic party could lose this political fight to defeat Kavanaugh, is if they didn’t care– and they don’t.

The list of twenty-five-or-so judges that Trump supposedly had under consideration are all reactionaries– every one of them. Where were the protestations from the Democratic party back then? They were too busy running their #MeToo & Russian meddling campaigns in our faces, to be bothered with defending the democratic rights of it’s voting constituency.

Only the #MeToo Democrats could make a fascist like Brett Kavanaugh look like a martyr, by attacking him from the right. In the same manner, Hillary Clinton’s elitism & campaign blundering allowed Donald Trump to become US president. Incompetent & bird-brained reaction at every turn defines a #MeToo Democrat. It’s not even been a year since this campaign was rolled out, but in that time, more money has been wasted in paying an army of political hacks & flunky feminists to promote this hatred of men by elitists. They get all kinds of help from BLM-racialists, GLTB-activists, and all the other scum in identity politics. But none of these groups actually represent any kind of grassroots movement of the people.

#MeToo will go down in political history as the most virulent & expensive astroturfing campaign ever. This entire campaign was paid for by the CIA Democrats, and their big-money political supporters including George Soros & Tom Steyer. These are the billionaire PAC supporters who are the equivalents of the Koch Brothers on the Republican side, which means they’re just as nasty. It’s not about partisanship, as much as it’s about class values.

Astroturfing means funding fake right-wing activist groups and paying shills to hold signs & chant slogans, as a political tactic to undercut legitimate grassroots movements. This photo below illustrates some of the finer points of astroturfing on the ground. It’s shot on location with all of its “supporters” bunched together.  Here, the photo is taken by someone in the crowd, implying “grassroots” in it’s style. It also lets a small group of people stand in a crowd of neutrals (or even unknowing opponents), and pose as a larger movement through trick photography. This is sophisticated bourgeois political science, in case you didn’t know.

Grassroots movements have real energy & popular support, and therefore take time to grow in becoming a political force. Socialism is the most-feared grassroots movement by elites. Astroturfing campaigns mysteriously & constantly pop-up like mushrooms in the media, and instantly become the rage. They seem to have unlimited funding, and are front page every day with their message. It’s always single-issue politics, framed in the crudest black or white perspectives. Google, Fakebook, YouTube, and the rest always give them a boost.

Latest astroturfing example from #MeToo: If you don’t believe Christine Blasey Ford, then you condone the abuse of women. Another astroturfing example: If you question the policies of Zionism, then you are an anti-Semite. These dirty tricks campaigns are the methods & language of fascism, and the Democrats have embraced it. Their problem is that the Republicans have been at it longer, and are better at it in many ways.

It used to be only the Republicans were seen as fascists, while the Democrats were the “adults in the room.” The Kavanaugh hearings have now moved the needle on that measure of political evolution, as the Democrats are exposed as outright liars who also use fascist methods of bullying & intimidation to win their cause. They can no longer claim to be morally superior to the Republicans, thanks to #MeToo– and that’s the real disaster here for Democrats. The average American voter needs to stop and ask themselves: What in any of this is in it for me? The answer is: Nothing. So my question is: Why are you supporting this, on either side?

There is no higher court in the land, and yet #MeToo Democrats insist that “believable” testimony, and hearsay with no corroborating evidence, should be the rule of law– over facts & rationality. I don’t believe anyone could build a worse legal case than the Democrats have, to oppose the confirmation of a Supreme Court Justice.

#MeToo is a sham & double-standard that is personified pathetically in these two press photos from the Kavanaugh hearings on Thursday. The first (above) is Hollywood actress Alyssa Milano about to enter the courtroom with her #MeToo entourage, before Christine Blasey Ford’s testimony. Milano has been a leading vitriolic voice in the reactionary #MeToo campaign, and this was to be a defining #MeToo moment, so she had to be there– I guess.

The second photo (above) is Alyssa Milano in the courtroom during the Kavanaugh hearings, representing #MeToo. As we can see, she dropped a few blouse buttons, but as we all know, it’s sexist for a man to look at (or comment on) her boobs these days– so I won’t, except that it’s the proverbial elephant in the room.

With everything the Democrats threw at Kavanaugh & the Republicans this past week, it’s still unlikely that Senate Majority Leader Mitch McConnell (R-Ky.) will agree to delay the vote, which is on pace for Tuesday, October 2. That means that by the time the FBI has wrapped up its interviews, Kavanaugh will be through the Senate and ready to be confirmed by the House of Representatives for the Supreme Court.

By that time it will be evident to any objective observer that the #MeToo campaign is hopelessly reactionary, and impotent.  In the process of trying to assert itself as a political force, it has instead completely discredited itself in the eyes of the public. Anyone who calls #MeToo a “movement” at this point, is delusional or a political cynic. The only way forward for youth & working people in defending their democratic rights, is to reject this corrupt process entirely.

Update: Tue 02 Oct 2018 08:31:32 AM EDT

The Kavanaugh Hearings have been pushed into legal limbo, as the FBI conducts its supplemental pseudo-investigation of these phony sexual assault claims, per the bipartisan agreement last Friday engineered by Sen. Jeff Flake (R-Ariz) & the Democrats. The Senate is split 51-49 for the Republicans, and there are two senators who are supposedly “on the fence,” Sen. Lisa Murkowski (R-Alaska) & Sen. Susan Collins (R-Maine). Everyone else has committed along party lines.

By simply looking at the names & political affiliation of the “undecideds,” you can see their problem. Republicans expect them to vote with their party, while women expect them to join the Democrats in voting “No” on Kavanaugh. All the Republicans need is one of these two women senators to join them for a 50-50 tie, which can be decided by VP Mike Pence, who will vote “Yes” on Kavanaugh. Keep in mind, the GOP would prefer both these women senators to vote “Yes,” and avoid this kind of patriarchal mechanization, and that’s what all the fuss is currently about. This is American political theater at its worst, as everything has been scripted in advance, with nothing left to chance.

Recommended further reading:

Brett Kavanaugh & a Pause for the “Cos”

#MeToo’s House of Cards

Despicable Manipulation & Thievery

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Brett Kavanaugh & a Pause for the “Cos”

The Brett Kavanaugh hearings are a clear case of grandstanding politics by both parties, to distract people from real issues. The Democrats & their #MeToo crowd offer only hearsay & innuendo, in their accusations of sexual misconduct against Trump’s nominee for the Supreme Court by Deborah Ramirez & Christine Blasey Ford.  Kavanaugh has denied everything, and no one can confirm anything, yet the New Yorker magazine published this political bombshell (written by feminists Ronan Farrow & Jane Mayer), as fact on September 23, so here we are.

 

Before these sensationalist headlines were splashed across every form of media known to mankind, no Democrats cared about Brett Kavanaugh’s resume. No one in the media made an issue of his anti-abortion, anti-democratic, pro-business & pro-torture stances. Those are matters that Americans deeply care about, yet they find no expression in this two-party sham called US politics. In this Orwellian world where 2+2=5,  Kavanaugh can only be attacked from the right, using the witch-hunting tactics of the #MeToo campaign. There is nothing progressive in any of this.

Even if the #MeToo Democrats “win” this Senate battle, it’s meaningless; as Trump will simply pick another reactionary judge from his list. Eventually one will be confirmed, securing a 5-4 right-wing majority on the Supreme Court. No one in the mainstream media cares to mention that. Overturning Roe v Wade is seen by Trump strategists as a key component to energizing their Christian fundamentalist base for 2020. As far as defending a woman’s right for access to safe abortion clinics, operated by competent professionals goes, the Democrats are silent in 2018.

Everything on the Trump side is about his ego & power, being able to bully his way through the process and not having to back down. Donald Trump always needs a media victory to feed his ego, otherwise he goes off the deep end, which isn’t viewed favorably by the Republican party– or anyone else.

As for “The Cos” (above), he should have been exposed & locked up long ago, and there are more than a few women in this sordid history of abuse that could have spoken out sooner, but were more concerned about their Hollywood careers. That’s a hard truth. That doesn’t excuse Bill Cosby’s sexual abuse, but it does explain how this was allowed to go on for so long, and sheds some light on the social responsibility for sexual predators.

If you are abused, and don’t come forward, others will suffer the same fate, and you will then bear some responsibility, as you could have done something to prevent it. No one volunteers to get raped, and that’s a heavy burden that remains with the abused victim. Casualties of rape too often remain silent due to their capitalist ethics, which deepens their victimization.

A rape victim can extend their torment by becoming a political tool of others, if they allow their abuse story to feed reactionary causes like #MeToo. What we see in the media over & over, are women who keep allowing themselves to be victimized. There is no actual healing or understanding going on with this #MeToo hate campaign. Only anger & backlash. All this is a reflection of the existential crisis of modern capitalism.

This filthy feminist spectacle has raised much awareness among the greater population, and their conclusions don’t match the official narrative. This is a major cause for concern among the ruling class, in that the #MeToo campaign may soon collapse upon itself, and the Democrats will be left naked– with no political cover. They have poured a vast amount of money & resources into this propaganda campaign, and are getting exactly the opposite results they intended. That’s a disaster by any definition.

This prison sentencing is a mixed-bag for the Democrats, as Bill Cosby was promoted as a “black intellectual” and role model for five decades, all-the-while being a serial rapist. The “black community” has lost one of it’s “leading representatives,” in a manner eerily similar to the OJ Simpson trial. Back then in 1995, a large number of black Americans sided with Simpson, even though the evidence was overwhelming that he was a double murderer, and that the trial was rigged. Twenty-some years down the road, Bill Cosby’s conviction for rape, and his sentence of 3-10 years in prison is seen as justice by most.

This hurts Black Lives Matter & the Democrats, who need these stooges to woo “their” brethren suffering black masses to vote for them. It’s hard to replace an icon of Cosby’s stature, as he had a powerful effect in anesthetizing the poor black ghettos & affluent mixed suburbs of America for decades with racialism and cynical calls for “personal responsibility.”

Conversely, this Cosby conviction is spun as a “win” for #MeToo, making it a “push” for the Democrats (which isn’t helpful for them), and that’s what this circus is all about. That’s why Cosby is sorta being pushed into the background, while the unconfirmed Brett Kavanaugh sexual abuse allegations are brought to the fore of American politics. It fits their needs, and these political phonies and media lapdogs have nothing else to discuss.

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Reflections on a Music Career

I know the update I posted here was a shock to many fans. He is my explanation for those who truly supported the music, and therefore deserve one. The rest of you may follow along and hopefully you will learn something. The fact is I’ve been going down a dark road for a long time, in being this musical artist of such uncompromising intensity. It’s led to wonderful discoveries & revolutionary content, but it’s also isolated me.

When you burn for the truth in everything, you become intolerant of hypocrisy & lying behavior. The more I try to eliminate it in myself, the more I become disgusted & distanced from others who don’t understand. Artists are bold, restless, uncompromising & revolutionary by nature, and thus don’t do well with patience & temperance.

I’ve leaned on my best friend & collaborator Tom Pearce way too much over the years, because I had to. I won’t let that friendship (& what we’ve accomplished), end up turning into anger directed towards him– out of frustration. Those are the outside stresses that get internalized and refracted into art, and it’s done by real human beings, which means it takes an emotional toll.

People generally don’t think about art & artists too deeply, because they are busy living their lives, just trying to get by. In their free time they mostly seek escapism, instead of studying & learning. That’s how an artist becomes an outcast in a society where culture has been degraded, and it reaches a point where the artist has to make a decision. You either: 1) continue down that road, which leads to self-ruin; or 2) give it up and save yourself.

The truth is, I can’t continue to hold myself (& everyone else) to the artistic standards I’ve set. It gets to where it becomes too destructive. I think this is how jazz-bassist pioneer Jaco Pastorius felt at his end, and I didn’t want that for me. Even with this acceptance & understanding, it’s still an extremely difficult & emotional decision to quit your life’s passion.

As far as what was accomplished, here it is. Ric Size and his collaborators since 2011, through the music and the content on this site, have profoundly influenced music, art, society & politics on many levels, locally & globally. I’m confident Tom Pearce will soon find himself in-demand, as a webmaster, sound engineer & producer. Many others I have worked with over time have also benefited, and I wish them well. The truth is that Ric Size’s music is still too raw & intimidating for most people, and seen as extremely dangerous & provocative by the ruling class.

I’m the kind of person who excels at what I put my mind to, and I never tried harder or wanted anything to succeed more than this music. Now that it’s receding into the past, I see how impossible it all was. I’m definitely an optimist at heart, as I kept thinking I could find a breakthrough, right up to the end.

My final preoccupation as a musical artist was around security. Personal safety for me, my band mates, and the audience was going to be an issue. Ric Size is radioactive politically, and that can’t be separated from the performance. No matter what songs we were going to play, every event was going to have issues with Nazi’s & other right wing hates groups (Republican & Democrat backed), astroturfing our shows.

On top of that, there’s the lone wolf shooter that no one accounts for. This is Orlando where Christie Grimmie was killed after a live performance downtown. Of course, no one in Orlando will forget the Pulse nightclub massacre that happened only a few weeks after Grimmie’s slaying. Preventing these-type scenarios from happening at a Ric Size show was a dilemma that kept me awake at night for weeks. I wasn’t counting on any help from the local police of federal authorities, if you know what I mean. The only solution was to retire, as security was going to be a necessity, cost prohibitive, and in the end an impossibility.

At this stage I’m at peace with my decision, and feel much better. Relief, soothing away the disappointment is my best description. The money was never going to show, and TomP & I took it as far as we could. My initial goal when I came up with the concept of Ric Size over 20 years ago (before I met Tom), was to do it my way and change the world in the process. That mission has been accomplished, and now I happily work towards that objective as a blog writer. I’m still at it, just in an updated form for the times.

I still own a record label called Infinitelink Records, which owns the publishing & copyrights to all Ric Size music. That’s what you need to control and hold onto, boys & girls. Tom & I will work at finally getting everything packaged up & CD-formatted for your purchase online, at whatever pace events allow.

Thank you AGAIN to all our fans for your love & support!!

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#MeToo’s House of Cards

House of Cards is a political thriller series created by Beau Willimon and released by Netflix. First released on February 1, 2013 House of Cards instantly became a “binge watching” hit, defining a new cinematic genre & home delivery method. It’s influence has been incalculable. It is impossible to understand House of Cards, without discussing Netflix. Founded in 1997, Netflix’s initial business model was DVD sales and rentals by mail. Netflix entered the content-production industry in 2012, and House of Cards soon became its flagship “Netflix Original” series. Today, Netflix is a multi-billion dollar conglomerate (Forbes: $141.9B), in part because of House of Cards.

Keep in mind that House of Cards is an adaptation of the 1990 BBC miniseries of the same name, and both are based the Michael Dobbs novel. The UK version of post-Thatcher England is very British, if you know what I mean. The stars are ugly & grotesque by design. It doesn’t have the delicious eye candy & sizzle of the US version. It’s still worthwhile viewing, as the power politics translate clearly, in the tradition of “civilized” England.

What makes the US version of House of Cards everyone’s favorite, is that it has something for everybody. This series has sex of all varieties, it has power politics & cat-fights, it has all sorts of behind-the-scenes maneuvering with insights that no other film or television series has ever delivered. House of Cards has a cast to dream about. Kevin Spacey as Frank Underwood is instantly innovative in talking directly to the audience concerning his personal feelings of contempt & disdain for us, and it becomes part of the rapture. We, the Audience are finally being let in on secrets that Washington insiders have kept hidden from the start.

We get more truth and political insight from a season of House of Cards, than years of interviews & political “analysis” from the likes of Larry King, Rachel Maddow, Anderson Cooper, Sean Hannity, etc. It’s part of this series’ subtle irony that these real life talking heads are often dismissively parodied as cameos. This show knows how to deliver a punch, which is another exciting element for viewers.

House of Cards wasn’t afraid to kill off important characters to teach its audience valuable political lessons. I’ll abbreviate by pointing out the talent that has been deceased in this series, and none by natural causes: Kate Mara as Zoe Barnes, Corey Stoll as Peter Russo, Sebastian Arcelus as Lucas Goodwin, Nathan Darrow as Edward Meechum, Rachel Brosnahan as Rachel Posner (favorite character), Paul Sparks as Thomas Yates, Neve Campbell as LeAnn Harvey (2nd favorite), Damian Young as Aidan Macallan, and now [!] Kevin Spacey as Frank Underwood. Those are all brilliant & unforgettable portraits of human striving and ambition gone wrong. Most series never come close to casting that level of talent, and that’s only what’s dead at the beginning of Season 6.

Most of the characters in this groundbreaking series should be considered as personifications of social types. One of the most remarkable features of House of Cards is its sweep in characters among the variegated social classes that inhabit Washington, DC. Most cinematic features which promise to reveal the mechanizations of power politics don’t have the time (or inclination) to highlight its impact on the broader population. Conversely, House of Cards illustrates the lives of political & business royalty, while also narrating the common people who serve & oppose them.

The young reporters trying to uncover & publish the truth are captured in great detail, as their influence is powerful. Sebastian Arcelus as Lucas Goodwin is a beautifully drawn-out example of the consequences of attempting to “out” those in power. Mozhan Marnò as Wall Street Telegraph reporter Ayla Sayyad is another example. Keep in mind, this is what is going on in real life with the persecutions of Julian Assange, Edward Snowden, Bradley/Chelsea Manning, and many, many others who are interested in revealing the truth in news.

Korey Jackson as Sean Jefferies (pic below) is an obscure example, as a young black reporter who isn’t brilliant, but is good at schmoozing elites & manipulative games. That gets him ahead in his work, but alienates him from his woman and respected colleagues. Real decisions & consequences; that’s what this series illustrates so well, on so many levels.

The creative bankruptcy of today’s “artist” is also personified brilliantly in this series, as Adam Galloway & Tom Yates are posers who get in WAY over their heads. When tragedy is revealed, we hardly feel badly for them, as they exist in a cynical world of hype & pretentiousness. For example in Season 1, a homeless man on the street teaches Claire more about art (origami) in an instant, than her clueless-but-sensitive photographer lover does in their entire relationship. A lot of viewers seem to have missed many of these subtleties.

Later in the series, Tom Yates is the dashing drinking companion who stole a dying friend’s written work to make himself a legend he can’t live up to. When Claire strikes in the end, we feel glad it’s over for him. We understand the killer and the victim. That’s a rare feat in cinematography, which takes extraordinary dedication & sensitive talent to pull off. I keep using that term cinematography because this series isn’t television, but it isn’t film either. It’s somewhere in-between. House of Cards is a phenomenon that created a whole new genre, and profoundly influenced the politics of its day which runs up to the present.

A revolutionary facet of this series is how fast it comes at you. If you’ve only watched this series once, then you don’t get it, because you are only understanding things on a superficial level. Such a viewer is merely following storylines for personal drama, and doesn’t absorb the meaning of this series. House of Cards is about personifying characters into political & social types that viewers can relate to, in order to reveal modern American politics. It’s the political lessons learned that count. If you’ve missed that, then you weren’t really watching or understanding what you saw. I estimate I’ve watched the 1st Season 7-8 times, the 2nd Season 4-5 times, and Seasons 3-5 three times each. I think I understand most of it by now, but there are still subliminal bits & pieces that elude me. That’s how artistically complex this series is.

If you watch closely, you will see elements of yourself in many different characters in this series. You will also see your enemies. Your enemies don’t like the fact that they’ve been exposed by this series. That’s why Senator Mark Warner (D-VA) testified last fall before the Intelligence Committee. Warner claimed (CNN image above) that Netflix’s House of Cards was a threat to “national security,” just a few days before the sexual assault allegations by burnout actor Anthony Rapp were leveled against Kevin Spacey through the media. Spacey has been a pariah ever since, and the series went on hiatus until a new season’s script was worked out.

That’s why #MeToo took down Kevin Spacey last October. It was to strangle this series into submission for its past sins against the establishment. For five seasons this series kept its audience up-to-date, revealing what goes on behind the curtain, in a riveting fictionalized narrative than mirrored current events. The writers for this series always paid attention to the news, and their storylines reflected this. That’s how this show managed to stay ahead of its audience and the censors– for five seasons at least.

House of Cards was always scheduled to go six seasons, and the belated final one arrives November 2, 2018– the Friday before the mid-term elections. House of Cards was always a political series that defined the times. This release date timing is proof positive of that– to be sure. As to the quality of the final eight episodes, we’ll see. The first five seasons ran 13 episodes, each 50+ minute length. The five deleted episodes this season represent the void left with Kevin Spacey’s dismissal.

Before this series is finally finished on November 2, it would serve us well to consider the balance sheet for #MeToo feminism in it’s first year on the job. It’s hard to believe it still hasn’t even been a year with this media-driven hysteria on sexual politics known as #MeToo. It feels like much longer. In this period, the most reactionary & vile elements of the political establishment have launched a false-flag hate campaign in the name of women against men. This is the sum of their political vision, the entire Democratic party’s populist “program” for November 6th, and beyond. Consider that as political food-for-thought while binge watching this series to the end.

House of Cards has been talked about extensively, yet it’s clear that many in the media don’t understand this series, or are hostile to its content. This fictionalized examination of the media, and how it is manipulated by power brokers has had an enormous impact on American political consciousness. House of Cards is the most artistic and lastingly relevant cinematography achievement that Hollywood/NYC has produced in this decade. That is why this show has been attacked by the reactionary #MeToo campaign and it’s hidden supporters.

House of Cards is entertaining because the people are so beautiful, the plots move in brilliant directions, and the dialogue is razor sharp. The drop-off begins at Season 3, as this series was expensive to produce and was repeatedly forced to yield to economic stresses & political mandates. Removing Kevin Spacey was one of them. Before that it was product placement, and even an outright ad for a new fertility drug by Robin Wright worked into a contrived scene where she’s consulting her physician on having a baby. As blatant and crass as that was, in many ways it rightfully belongs in the entirety, as it proves what paid for this series, and it wasn’t a $10/month subscription.

This series was always smart enough to predict the times and give itself room to maneuver into the next season. This final season of House of Cards will be a test of that resolve & ingenuity. If they’ve maintained their focus & hard-hitting style, then the show can rest in (relative) peace. But if Season 6 lags and turns into soapy dialogue for identity politics, then the #MeToo feminists can rightfully claim to have killed this series.

That is my greatest fear for House of Cards as the final season approaches. This series shouldn’t be turned into a political tool for the CIA Democrats, who are the political force behind the witch-hunt #MeToo campaign that removed Kevin Spacey from this series. This series is an artistic achievement with lasting cultural value. All the writers, directors, cast and crew from House of Cards represent a creative & intellectual triumph that should be celebrated & defended for its collective genius.

Sun 04 Nov 2018 11:59:07 AM EST

Having now watched Season 6 to the end, I’ll leave my final comments which include no spoilers. This is the weakest season of House of Cards— by far. If Season 6 had been Season 1, very few would have been interested in this series, beyond fans of The West Wing (1999-2006), etc. There is little that is edgy & new in the final eight episodes. It’s mostly rehashing old themes, and winding up the drama.

This final season missed Kevin Spacey, big-time. Greg Kinnear was presumably brought in as a star replacement, but he is woefully miscast as an evil, big-money power broker. Gerald McRaney as Raymond Tusk was a much more convincing & intriguing portrait, and that’s the sort of actor that was needed to replace Spacey. This was a casting mistake, as Greg Kinnear is a fine actor, but was ill-suited for the role he was asked to play. Season’s 1-5 had flawless casting.

It is undeniable that Season 6 suffered due to the influence of the #MeToo campaign, in every way discussed above. This reactionary feminist ideology can’t rise above the simplest narratives, and maybe that was the point, but it came off stilted & one-dimensional. The first five seasons were just the opposite. The final wrap-up for House of Cards is that it’s an instant classic, as it transformed its genre. It will be forever re-watched, and was profoundly & positively influential on American politics. Thank you to all the artists who made it possible.

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Mallards 2

Mallards have their issues too, and here’s how they work them out. A quacky upstart gets the idea that she’s dominant, and challenges the existing dominant female to a duel.  It starts literally head-to-head, with each trying to uproot and submit the other.

They don’t bite, although they are fully capable, as this is a test of strength & brute force to determine dominance.

It quickly escalates & gets really quacky!! The chicks finally clear out (below) to avoid getting crushed.

The other ducks stand aside & witness, as feather fly when their wings are put into use, dueling for dominance!

Finally there is a submission, and everything is quickly back to normal, with no hard feelings as the alpha female takes her familiar place.

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Despicable Manipulation & Thievery

Congratulations to Japanese tennis phenom Naomi Osaka for winning the women’s US Open on the evening of September 8, 2018!!

It takes a thief to steal the joy of such a victory. Understand that Naomi Osaka had to apologize to the Flushing Meadows crowd for winning the US Open championship. Serena Williams still couldn’t leave it alone after that, and tried to ‘console’ her, after attempting every dirty trick she could think of, to steal the championship from Osaka.

I have come to the conclusion that this was the worst meltdown & display of poor sportsmanship in modern tennis history. Serena Williams was going to lose (uneventfully) to Naomi Osaka, so she decided to ruin it for everyone– out of jealousy. Serena Williams was in complete control of her manipulative actions, as she 1) lied about not being coached after the 1st violation, 2) manipulatively claimed she didn’t know it was her second violation after the racket abuse, then 3) tried to bring in handlers to “fix” things after the third violation. She then played the victim in front of a partisan NYC crowd, and into ESPN’s cameras as millions watched in disbelief. It’s to Naomi Osaka’s credit that she wasn’t rattled by all this chaos Williams created, and closed her out moments later for the US Open title.

It was a despicable performance all around by Serena Williams, who threatened the chair umpire, when she said to him, “you will never work on my court again.” All this after lying about not being coached (and escalating her fury), when her coach already admitted (on TV) that he had been coaching her. Then she accused the chair umpire of sexism, which makes no sense and demands an explanation. Serena Williams’ opponent was a woman– Naomi Osaka. At least until Williams dragged the chair umpire into the match.

Williams also played the “mother” card, and at that point the astute viewer gets a sickening sense that this tantrum is a calculated performance from someone who wants to win at all costs, yet knows she’s defeated in a fair match, so she pulls this crap. After the match Serena Williams refused to shake hands with chair umpire Carlos Ramos, who acted as honorably & professionally as anyone could expect, after being berated & baited by a professional manipulator in front of a world audience.

Serena Williams dragged a respected chair umpire ( a neutral) into the narrative, in an attempt to take away (or at least taint) Naomi Osaka’s victory. Tennis is a game of skill, power & etiquette– with simple rules & a strict code-of-conduct which every player knows– so ignorance is not an excuse.

Players can’t be coached during the match, and if the umpire sees it- then you are warned. Serena Williams got busted, then ingeniously denied it, and then used it as an excuse to blame someone else for her losing. That’s just disgraceful, and that’s what tennis fans are saying. Over 3 million people have viewed this video (above) as of this publication, just over 24 hours since the match ended. The comments are overwhelmingly negative towards Serena Williams, and even her hardcore fans are finding it hard to defend her, as they are getting shouted down with conviction, and in numbers.

A very subtle point that serious tennis fans noticed was that Serena Williams’ second violation for racket abuse came after she had been broken (3-2 Osaka in the second set). This meant the umpire had to award Naomi Osaka a point to start her next service game. Serena Williams wasn’t going to break Osaka back at that point, so she tried “gamesmanship” instead. Williams insanely tried to insist the chair umpire ‘take back’ the 1st violation for coaching, so she would not be penalized a point. Of course, that’s an impossibility, but Serena still acted this out, trying to make the umpire look bad while escalating the rhetoric to incite the crowd. The cameras were rolling, and the audience & crowd heard everything. It was cringe-worthy.

Serena Williams’ third violation meant a game penalty (by rule), which she was completely aware of, and conveniently picked the next changeover (with Osaka serving at 4-3) to start up with the chair umpire again. This was nothing less than verbal abuse towards a neutral party, in a blatant attempt to bully & manipulate, to provide a smokescreen for her own failures and inability to gracefully accept defeat. It is remarkable that Serena Williams is at the end of her career, and she still hasn’t learned this basic courtesy and gesture of respect towards others.

Tennis fans have seen this before from Serena Williams, and are ready for it. “Roid rage” is a comment repeated over & over, as it’s getting harder & harder for her fans to deny this possibility. We may be having our OJ Simpson/Bill Cosby moment here with Serena Williams, as her behavior is proving her to be something other than what she’s promoting.

ESPN incessantly ran commercials (example above) during the US Open, featuring Serena Williams as a mother & role model for women. That narrative is being challenged by real life events that paint a different picture. The word I keep using in writing about Serena Williams is manipulation. This is going on at every level, personal, professional and corporate media, as Serena is political & has coat tails. She strongly appeals to feminists & racialist African Americans– a significant voting block for the Democrats. As long as she is winning, these groups will believe in her and do what she says, which is, “vote Democrat.”  Midterms are just two months away.

Below is a screenshot from Real Clear Politics, which archived two Serena Williams’ articles on September 9th: one from a Washington Post Democrat in her defense, and one attack piece from a Republican, who somewhat convincingly compares her to Hillary Clinton. This clearly shows she’s political, in case you weren’t convinced already.

If she falls like OJ or the “Cos,” then this block dissipates into disillusion & disaffection. That can lead to radicalization, which is the last thing the Democrats want. Better to keep feminists & racialists deceived & under control, and Serena Williams is consciously part of this campaign which has deep pockets & political roots. She is being very well-paid by the puppet-masters for her services.

ESPN is still in her corner (of course), as they are partners with Williams to the bitter end. As mentioned, she ties in closely with #MeToo feminism & Black Lives Matter racialism, so she has clout– for sure. These witch hunt campaigns which she personifies, define the liberal left wing of today’s Democratic party, which is controlled by the “moderate” (right wing) faction– known as the CIA Democrats. Senator Mark Warner (D– Va), Barack Obama & Serena Williams have a lot more in common than you might think.

After her meltdown & defeat, ESPN flooded their morning tennis news feed on September 9th with Serena Williams features, glossing over Naomi Osaka’s 6-2, 6-4 victory.

These are the first 4 screenshots going down their page– all featuring Williams.

As we can see, Naomi Osaka hardly matters to ESPN.

That media blitz has backfired (hello!), as this tantrum was too ugly, so ESPN has retreated to her “sexism’ claim towards the chair umpire; and the supposed need to change the coaching rules. ESPN changed their headlines on Serena by nightfall, after Novak Djokovic won the men’s US Open championship.

When you call any official a “liar” and a “thief” (in any sport), you will get sanctioned. This phony outrage by Williams, ESPN, the WTA, and other pro-feminist groups is calculated & despicable. Only in this Bizarro world of modern capitalist politics can a male umpire (who is only trying to do his job), be accused of sexism by an abusive superstar female athlete, and have it get traction in the fake media. Has anyone in the US media asked Naomi Osaka what she thinks of all this, or does only Serena’s opinion count?

You see, because the cheating coach and his washed-up protoge don’t like the rules, they need to be changed “for the good of the game.”  If these rules had already been changed, then Serena might have won, and that’s all that matters. If it hadn’t been for the male umpire’s “sexism,” the match would have been more “fair.” That’s the message, and it’s impossible to miss–unless you willfully blind yourself. Got that?

Final Update: Tuesday 9/11/2018  ~ 11:00 AM ET

This infamous Serena Williams’ 2009 incident at the US Open finals was against Kim Cljisters. Williams was called for a foot fault on her second serve by a lineswoman, making it match point at 15-40. There was no camera angle that definitively proved the call– one way or the other. Serena had lost the first set, and this was in the second set at 5-6. Serena (who already had a code violation) exploded, and was then was called for the verbal abuse violation, for threatening to “stuff this ball down her throat,” which defaulted the match. Cljisters was a former grand slam champion who had just come back from having a baby, but ESPN & the rest didn’t think her being a new mother was as a big story at the time.

Tiger Woods had his life destroyed when then-wife took a golf club to his SUV, as he came home late from another fling. He was branded a “cheater,” and lost all his endorsements. Tiger had to comeback and work to regain some of those sponsors. That was a private life affair, and really no one else’s business– outside of them and their family. This US Open tantrum was seen by all audiences, and it definitely wasn’t “children safe” viewing, yet no one dares raise the possibility that she should lose her Nike sponsorship, or any others. This shows you how highly-up she’s protected, as an asset for manipulation. We as fans need to be smarter, because we’re a whole lot better than this. Serena Williams is presented to America & the world as the best we have to offer, when in reality she’s corrupt to the core. Just like capitalism, she 1) has no ethics, and 2) does whatever is necessary to maintain her dominance. Serena is not a real person, she’s a persona, which can be flexible and molded to fit a variety of forms. But none of them are stable or healthy.

In summary, this is by far the most disgraceful player incident in tennis history, at least since television has been broadcasting matches. Nothing that Ilie Năstase, Jimmy Connors, John McEnroe, Marcos Baghdatis or even Nick Kyrgios can come close to this nastiness from Serena Williams. The worst of it is, is that it still continues. Everyone else calms down & apologizes, or at least yields. But there has been no apology, or anything close, from Serena Williams. Serena and her political & corporate advisors never apologize. They only lie, manipulate and bully to get their way. And when things go South, they employ an army of flunky proxies to do their dirty work in the media & online– while they scurry off into hiding like cockroaches running from the light. Little boys & girls pretending to be adult men & women; is there anything more sick & dangerous?

Seventeen years ago today, a really bad thing happened. The whole world saw the images of the Trade Towers collapsing in NYC, and we were all told the story to believe. Since then, a lot more truth has come to light, and most people feel much differently since that Tuesday (it felt like a Tuesday), September 11, 2001 when we were “shocked & awed.” Serena Williams has used these same methods & tactics in her career, and it has led to 23 WTA grand slams, which is a lot of winning. But what has been the cost? When she began, joining her sister Venus, she was a phenom that any open-minded person loved. She shattered stereotypes, and gave American black women something to be proud of. But the problem of this lies in the nationalism & identity politics, which is reactionary in nature.

Serena has metamorphosed herself since she broke into professional tennis in October, 1995. The second half of her career has been marred by TUE’s (exemptions for PED use), along with unending allegations of illicit doping. Her constant complaints on social media (and through the lapdog sports media) about being tested are just another manipulation to play herself as the victim, when she’s the liar & (most likely) a cheater too. The WADA will retain all her blood & urine samples. Someday, a test will be developed to detect whatever new performance-enhancing substance she has been using. Then the scientific & medical proof will be irrefutable, and at that time I completely expect Serena Williams and her camp to deny everything as a sexist/racist attack on her character & career.

Further Reading;

The Politics of Motherhood in Sports

The World Cup & Sports Propaganda

Beauty, Athletics & Revolution

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The Ric Size Trio: Coming Soon!!

Early rehearsals have been promising. It’s so nice to work with true professionals.

We’re getting the band together. The Ric Size Trio is: Bill Pelick on bass & Tom Pearce on drums.

Above is the set list we’re working though, to figure out what works– and what doesn’t.

Look for us soon in Orlando & (hopefully) beyond!!

Update: Sunday September 23, 2018

Bass player Bill Pelick has left this project after two rehearsals. It turns out he prefers to play classic rock, and he’s also not up for touring. We are all still friends and wish him the best.

This has been the story of my music career. This trio was intended to be the “reunion tour,” where we played the fun songs and rocked everybody– for the money. One thing I’ve learned in my life is that I”m not allowed to be successful in business. Something always “happens” to prevent it, despite my best efforts & the demand I create. This “something” is establishment fear, which has been spread far, wide & deep by nefarious monied interests & the deep state. These entities do have the power to keep this band from happening, and they’ve done everything possible to see that it doesn’t.

I’ve been at this music career for over 20 years, and it gets to the point where you know you can’t win, or be happy, so the best option is to move on. If there was a bass player who was capable & willing to join us, they would have shown themselves by now. I don’t envision any more Ric Size performances in the future. I’ve had it with playing solo, which I was always forced into– due to lack of support. The truth is, my music & politics are so far “out there,” that most musicians can’t relate. Those who try are soon scared off. This is how it goes when you are a blacklisted artist.

The only true artist I worked with in my music career is Tom Pearce. Tom is a consummate professional, and an inventive drummer with perfect time. He’s also a sound specialist, producer, & webmaster. Tom Pearce is the only one who truly has what it takes to rock with me. For the rest who helped, then hopped off, I have mixed feelings. I’m grateful for any assistance, yet disappointed that fear & prejudice limited their willingness to collaborate. It’s a waste of talent, IMO.

Me, I have no regrets, as I gave it everything I had with no fear. When you’re spent, it’s time to do something else, and that appears to be the case here. We will do our best to finish re-mastering & releasing all the albums. Once again, it’s invisible barriers that have kept us from making these products available on CD, as censorship & blacklisting have cut this music off from a mainstream audience. It’s pointless to put time, money & energy into producing & manufacturing product, only to be choked off by Google, Fakebook, YouTube, PayPal and everyone else who controls the important levers of power. An artist needs promotion, publicity & distribution to succeed, and I’ve got none of that. It’s not from a lack of effort.

The upshot is that everything I’ve ever written on politics has had a direct (negative) impact of my music career– from a financial standpoint. I can no longer do this for free, as I’ve run out of money. I’m also unwilling to remain isolated, which is what the establishment does to artists it deems as dangerous. This is why I’m alone. Don’t believe the girl or woman who says she desires a man who is artistic. If that was the case, I would have been hooked-up & satisfied a long time ago. Women are taught to go for the money & security, which is the exact opposite of being a true artist.

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TV’s Transcendent Phenomenon: Charlie’s Angels

What is television really? It’s vicarious escapism. The never-changing narrative with TV is that you’ve had a hard day at work/home/school, and you want to relax and de-stress. Anything that engages and allows the viewer to live out their deepest fantasies becomes a ratings & cultural hit. These shows define the times, because everyone watches them– and is thus affected.

The biggest television phenomenon EVER, happened in 1976, when ABC’s Charlie’s Angels piloted. Here it is, and everyone from that era has seen it.

Charlie’s Angel’s were the Beatles of television– breaking rules & changing everything with their presence & charisma. This was the first prime-time network show that featured all women as the leads. There were no men (only Bosley) to save them, so they saved each other, which was an important motif. It liberated women, in that this show wasn’t about the writing or the message in the script– this was about women owning it.

Charlie’s Angels was billed as three women police officers, hired to be a detective firm for the rich & eccentric “Charlie,” who is only heard and voiced by John Forsythe. Note that there is never any real danger of them getting hurt or shot. You just don’t do that to Charlie’s Angels, and that was another message to the bad guys, which the audience liked.

Farrah Fawcett-Majors was (and still is) the first Angel everyone talks about. To put it simply: she had charisma like no other bombshell you’ll ever see. Her smile was radiant & irresistible, plus she liked to have fun. It wasn’t difficult to write for her, because she easily did everything a female star needs to do. She instantly turned on all the men, which means all the other women had to up their games. That got everyone’s attention, and Charlie’s Angels instantly became the #1 show of the 1976 season, opening up new frontiers in television.

This was America’s bicentennial, when a peanut farmer from Georgia, Jimmy Carter (D) was elected US President, ending 8 years of Nixon-Kissinger-Ford corruption & war criminality. Vietnam was finally over, and Charlie’s Angels was the perfect show for its time, as it radiated optimism.

Basic cable completely penetrated America by the early-mid 1980’s. It’s basic channels in most markets were: MTV, CNN, WGN, TBS, TNT, ESPN, USA, A&E & Lifetime. In many ways Charlie’s Angels was a prequel to cable channels such as MTV and Lifetime. Many of the early made-for-television movies on Lifetime featured ex-Angels in leading roles. Music videos had to look good and have beautiful women to appeal to kids. That was Charlie’s Angels, and there was nothing like it before them.

This one-hour “action” phenomenon ran five seasons (1976-81)– 110 episodes. The only Angel who stayed the entire series was Jaclyn Smith, who personified feminine elegance & sophistication. She dressed impeccably, looking stunning in everything from formal wear to a bikini. Smith had done commercials & modeling before Charlie’s Angels, so she was a limited actress at the time, but she made up for her lack of chops with guile & charm. This series is unthinkable without Jaclyn Smith’s presence, and (again) that tells you what this is all about– the women.

Example: one early episode has Jaclyn Smith as Kelly Garret, going undercover to get a part in a casting. Her pitch to the local Hollywood director, who is ridiculously dressed as a South Pacific native (this is what they did to men) is as follows:

Kelly Garrett: I acted some in high school, and in college… and I never get parking tickets.

Director: What does parking tickets have to do with this?

Kelly Garrett: Well, whenever the police pull me over, I begin crying.  

[end of scene]

The second-longest running Angel was Cheryl Ladd, who replaced Farrah Fawcett after season 1, and stayed to the end. Farrah Fawcett wanted to do movies, and she had the clout to get out of her TV deal with ABC. Ladd was introduced to the audience as Farrah’s sister at the beginning of season 2, and she did well enough in her role.

Cheryl Ladd was put in an impossible situation of replacing an icon, and to her credit didn’t try, but instead was herself. Ladd is beautiful & looked fantastic in a bikini, which was often her featured part, as she lacked acting skills. Cheryl Ladd was a model & disco dancer, also billed as a singer, although she couldn’t sing a note. She made several disco albums in the late 1970’s during her time with Charlie’s Angels, and they all stiffed.

On Charlie’s Angel’s, Ladd’s sometimes questionable fashion sense clashed with Jaclyn Smith, who always had an intuitive sense of style & good taste. In contrast, Cheryl Ladd often wore disco-dated sequins and the rest of that garb. I’ve been a little rough on this Angel, and I really don’t mean to be; Cheryl Ladd was (by far) the best replacement Angel, and she did her part to keep the series going.

The last original Angel (and most people mention them in this order) was Kate Jackson, who was billed as the “smart one,” who could act. This came through very clearly, as many of the best episodes of this series featured her carrying the plot with her versatility & humanity. In Charlie’s Angels, Kate Jackson personified the intelligent & understated form of feminine beauty. She wore turtleneck sweaters & tailored slacks, while Farrah & Jaclyn dazzled with cutting edge blouses & bathing suits.

There’s an instinctive male ritual that goes with this show (and it was from the start), which is that you have to pick your favorite Angel. I always qualify this by stating that I could never say “no” to any of them, but as a one-woman-at-a-time kind of guy, I’ve always preferred Kate Jackson. Every guy does this, and they’re always serious in their answer. There’s a tip for all the women readers: ask the “favorite Angel” question to measure his preferences. If he’s straight, he won’t lie.

Kate Jackson left after season 3, which was the correct time for her to go. The producers & casting directors for Charlie’s Angels could never replace Kate Jackson, as the last two seasons are mostly unwatchable. But for three seasons, Charlie’s Angels was a mesmerizing mixture, in that it empowered women and awestruck men. Boys/men wanted them, and girls/women wanted to be able to do that to boys & men. There is nothing else, and that’s why Charlie’s Angel’s owned it back then, and still does today. No new TV show, or movie remake, can ever re-capture all that primal magic.

Charlie’s Angels was (and still is) distorted & misrepresented to fit a particular Hollywood agenda, which today is #MeToo. Back then it was slammed as Jiggle TV or TNA– tits-n-ass. As discussed and shown above in the videos, it was much more than that– yet this unfair label still stuck. Why? It’s because this show was hated by a segment of the political spectrum known as feminists. These haters fumed when Farrah Fawcett walked in front of the camera with her blouse jiggling, obviously not wearing a bra. This was liberating for many girls & women at the time, and the boys & guys certainly didn’t protest; yet much of this was (and still is) represented as degenerate & degrading to women.

Note that it was Farrah’s idea to do stuff like this. She smiled & liked it, and viewers loved her. Everyone bought “the poster,” or at least got a peek at it from a friend. She got paid and no one was hurt, so what was all the fuss? The only demographic that was actually offended were older women, who felt unattractive & left behind by this fantasy TV fare.

The truth was (and always will be), beautiful younger women are ALWAYS more attractive to men than older women. Charlie’s Angels proved this as an undeniable fact to everyone who watched. As a boy who watched back in the day, my feelings were similar then to how I feel today, in that women need to take care of their men, otherwise they will get left behind. The message to boys & men was and still is: these are the most beautiful women, desired by all, so they will be doing the choosing. The only way you can get a woman of this quality, is if you are just as desirable as a man. All this is natural & instinctive, so why do feminists label it as sexist & unfair to women?

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Florida’s 2018 Primaries

As we roll through the mid-term primaries, there’s a fierce behind-the-scenes battle in Washington (and everywhere else) over control of these elections. Every voting district in the US is controlled by either Republicans or Democrats. That party essentially controls the votes & voting machines in all the polling stations in the district.

We all know by now that these electronic voting machines (EVM’s) can be (and are) manipulated. These machines are actually designed to be vulnerable, for several reasons: 1) it’s easy for them to tamper, and 2) since anyone can do it, it gives the manipulators cover. Hence the ubiquitous but ever-mysterious “Russian hackers,” etc.

America’s tech giants including Google, Microsoft, Facebook, Twitter and Snapchat have reportedly met in private to discuss strategies for countering “information operations.” FYI: this site (RicSize.com) is an “information operation,” by definition. I thoughtfully inform people on how things operate. Why am I being targeted & censored, as if I was a Russian intelligence agency? Can I be put on a kill list?  Makes me wonder…

This whole Internet censorship campaign has been targeted at dissidents such as WikiLeaks, the WSWS & myself– from the start. America became a de facto police state on 9/11 under Bush/Cheney (2001-09), and the intelligence/spying apparatus was vastly expanded under Obama/Biden (2009-17). In 2018, it’s a free-for-all in terms of who controls the EVM’s (& social media) in key districts, because that will decide these “elections.”

Has Russia hacked into Florida’s election system? There is no evidence. [1]
By Salvador Rizzo   Washington Post   August 17, 2018

— Exchange with reporters before a campaign event in Tallahassee, Aug. 7

Sen. Bill Nelson (D-Fla.): “At the urging, I might say, of the chairman and vice chairman of the Intelligence Committee, we wrote and signed a joint letter to all 67 county supervisors of election to tell them that the Russians are in Florida’s records. And they need help. And they can get that help free of charge from the Department of Homeland Security that will come in and help secure their database, their election records. But it’s got to be at their initiative to do that.”

Steve Bousquet, Tampa Bay Times: “Do you know what records the Russians are meddling around with in Florida?”

Nelson: “Say again?”

Bousquet: “Do you know which records the Russians are accessing?”

Nelson: “That’s classified.”

Nelson (above) told the Tampa Bay Times on Aug. 8, “They [Russians] want to sow chaos in our democratic institutions. Every intelligence agency in the United States government has said that they are going to try to disrupt the 2018 elections, just like they did in 2016.” The Democrats never stop with this charade because they have no answers real issues such as: no good jobs, low wages, unbearable student loan debt, ICE raids, the opioid addiction crisis, US wars of aggression, and so on…

It is no coincidence that incumbent Senator Bill Nelson is in a death match campaign with Republican challenger Rick Scott, Florida’s term-limited governor. Rick Scott (above) is a win-at-any-cost conservative conman, so he will definitely get Donald Trump’s endorsement after the Florida primaries, which are to be held August 28. Here’s a sample ballot from my district that was mailed to me, which is “proof” that “Russian meddlers” are in the Florida voting system, I submit to you as “Exhibit A.” The State of Florida also sent me a voter registration card, which I’ll keep in reserve as “Exhibit B.”

The gubernatorial race to fill Scott’s seat will probably be won by Republican billionaire Ron DeSantis, who has Trump’s endorsement already. Rick Scott may be term limited, but he surely wants a Republican to fill his shoes in Tallahassee. Gwen Graham, daughter of longtime Senator Bob Graham, has the Democratic machinery behind her, but she registers about as much excitement as Hillary Clinton. The political machinery in central Florida is owned by the Republican party, and that is the swing part of this battleground state. I expect Rick Scott to buy & steal both seats.

My vote is for a worker’s revolution, which means I don’t participate in this nonsense anymore. I don’t recall ever being told to think like this by a foreign intelligence agency, or any of their propaganda arms– I just feel that way on my own. I wonder if anyone in the “mainstream” can ever acknowledge that?

Update:  Sunday August 26, 2018 ~ 4:30 PM ET

Are our streets and public places safe? Here’s your answer, and it’s capitalism that is truly responsible. The Good Luck Have Fun Game Bar at the riverfront mall in Jacksonville, FL was hosting a Madden NFL 19 qualifying tournament this afternoon. and this video is what happened: the latest mass shooting atrocity in America.

Notice the laser focusing on the black kid’s chest at 25-26 seconds, then the shooting starts and the video is quickly disabled. The audio runs the full 60 seconds, and it’s just as terrifying.

Primary Day:  August 28, 2018   ~3:00 PM ET

It’s Primary Day, and I don’t vote; but that doesn’t mean I’m not politically active. On the contrary, this is the perfect day to express your political opinions. Everyone else is, so those who abstain should find a way to support their politics. My advice is to: observe, ask questions, listen, and speak up when necessary. My political sign for fascists and liberal apologists on Primary Day is a one-fingered salute, and I use it to good effect as needed.

The first thing I notice when I look at my voter registration card is that my selected polling station is far away, in a congested area. There are several locations that are much closer and even within walking distance, but those aren’t my stations. I’m registered “NPA,” which means No Political Affiliation. Sometimes in the past this has locked me out of the primaries altogether, but not this time as there are amendments & initiatives on the ballot, so everyone is encouraged to vote “Yes” or “No” on that at least. If you try to find information on where the polls are located online, this is a typical Florida political machinery response:

Sanford, FL is (demographically) largely black working class, but the machinery that controls the polls is Republican, as Governor Rick Scott and State Attorney General Pam Bondi have things locked up. Central Florida has been gerrymandered & carved up between the two ruling parties, just like every other state. The nearest polling station to me is the Sanford Civic Center, located in the historic downtown. On my way walking to it I pass War Memorial Park, where “Old Glory” flies at half-mast for the recent death of Senator John McCain (R-AZ). It’s City Hall & the courthouse across the street, with the police substation that controls the local Internet just past that. Do you think that’s partisan politics on Primary Day?

It’s late morning when I arrive at the station, and activity is light. I speak with one of the workers, who has been at this for 15 years. He says turn-out is a slightly above-average so far, and it was the same with early voting, which took place across the street at the public library. Early voting for the Florida midterm begins October 22.

I notice it’s all old people going into the polls. That’s not to say that people aren’t energized, because some definitely are; it’s just that so many have no clue. They exist on one form of fake news or the other. What’s largely going on at the booths are zombies pulling the handle, hoping everything will turn out alright. They may even be energized, but it isn’t going anywhere positive.

I approach a young black girl stumping for a local candidate. On top of her bad weave, sits a “Happy Birthday” tiara, which is a common election day tactic to woo voters. I allow her to give me her speech. She starts, then stops– as if she’s made a mistake. I reassure her that whatever she says isn’t going to influence my political opinion, because I don’t vote. She stops stunned and then asks me why not?

Me: I haven’t voted since 2000.

Her: That’s no reason to give up…

Me: I haven’t given up, I just don’t participate in a corrupt & manipulated process. Our votes don’t count– that was the Supreme Court ruling. That’s what 2000 Bush v Gore proved, so I don’t vote- since they aren’t accurately counted. You know that 10-year-old kids can hack these voting machines, right?

At this point an old lady who just voted and has been eavesdropping on our discussion hollers at me, “If you don’t like it then vote, otherwise shut up!”  To which I turn and directly respond, “Fascists always say that.” There are now three women who are completely stunned that someone would say that, even if it’s true. I give them all (and their candidates) a one-fingered salute– my political message to them as I walk away.

In 2000, I voted in Mount Dora, Florida at St. Edwards Episcopal Church. I checked Ralph Nader for President. It was a paper ballot that you marked with a pencil, which was then fed into an electronic vote counting machine. After that, well… who knows?

I’m in a very strange position, living in a small town where a lot of people know who I am, and I don’t know anybody. I get admirers & fans, along with creepers & haters, constantly crossing my path. Today it’s the latter, as I’m soon verbally assaulted by a large black woman whom I’ve never met. We are approaching each other on the Riverwalk and she begins hurling abuse at me from a distance. “I know who you are! You’re the anti-Christ!! God will see that you die a horrible death, when Abraham rains his vengeance on you!”

This 200+ pound psychotic zealot also screams, “Don’t you rape me!” She’s obviously a religious fascist with some #MeToo feminist hate sprinkled in for good measure. I reply, “Dream on, you deluded fascist bitch,” in repeated variations as we separate. It wasn’t over until the fat lady stopped singing, and it took awhile until her vocal cords finally went shrill in the distance. This is the shit I have to deal with, and it doesn’t make me popular with certain demographics. Luckily, I don’t care about being popular. It’s a Trotskyist’s responsibility to tell it like it is, which is called “Russian meddling” in Newspeak.

Florida is a (very large) mixed bag, which is why it’s always a key political state, whether it’s the governor, house, senate, and/or presidency up for grabs. Consider Florida the “Wild East” of Southern politics. You’ve got good ‘ol boys who have lived here forever and control much of the local machinery– overwhelmingly supporters of the Republican party. Florida continues to explode with new residents from all over the nation, and the world. Large populations of Hispanic, Asian and other ethic groups add to the already rich mixture of African Americans, Mexicans, Puerto Ricans, and any other race you can imagine. The total number of all these groups probably is a majority in of itself, with Caucasians being the largest ethnic group in Florida.

In there, it’s a diverse group as seniors are no longer the main white voter base in Florida. Skilled workers for decades have moved themselves and their families to the Sunshine State. College students and millennials now make up a significant portion of the population and voter base. This is the most energetic element, which both parties but particularly the Democrats, need to win. When the kids stop voting for these parties, then a collapse of the two-party system becomes immanent, and we are nearing that threshold. These midterms are a litmus test, as kids are definitely being politicized, and if it doesn’t translate into significant votes for the Democrats, that means the kids have moved past them (and identity politics & trade unions), and into the field of revolutionary politics & socialism.

To summarize from a mainstream perspective: the 2018 Florida primaries were infiltrated by Russian agents, particularly in key swing districts. Their intent was to sow discord through information operations. This can’t be allowed to happen again on November 6th. We need increased police state measures, in order to ensure the security of our elections. After all, this is the foundation of American democracy, and all foreign interference must be removed.

Tuesday, ~7:00 PM ET

I live in a pet-friendly corporate apartment complex. Since I’m radioactive politically, I try to keep a low profile around the neighborhood. One of my favorite past times is feeding the wild mallards. This was their home, until humans decided to build apartments here, so food has become more scarce for the ducks and other water fowl.

In nature, mallards live partly on vegetation, and the rest on protein from insects, grubs, small amphibians and fish they can gobble down their gullets. Mallards are incredibly adaptable, I’ve come to learn firsthand. With weekly routine lawn maintenance, and pesticides killing bugs, their survival in places like here depends very much on human intervention. Why do humans refuse to recognize the problem with how we’ve been doing things, that capitalism is managed chaos driving us into an abyss? In “official politics” there is no accountability by any rational standard.

That’s what I like about the ducks, they’re always fair– and for the flock. When I feed them generously, they shake their tails in delight. When I neglect them for a time, they begin to quack louder around my door. There’s shit to pick up, and that’s part of the deal too. Ducks demand consistency, as here-today, who-knows-tomorrow doesn’t work for them.

Mallards live as a social group. They split off (male & female) during the summer months. Here, it’s all females competing for food, and these new yearlings are always hungry. There are some real beauties for sure, and it gets competitive, but that’s nature.

Learn early that you must control the feeding, otherwise it becomes a frenzy and violent behavior erupts. We are ALL emotional about food, so when you wave it in front of wild animals, they become aggressive– as this is life-or-death for them. Ducks always think and behave as part of a social order, in other words the group of ducks are an organism of itself, with a much higher level of awareness and effectiveness than they could achieve individually.

There are currently about 12-15 female mallards in my complex, and they run around in gangs of 3-5, trying to find food while protecting one another. The ones who are best at that become dominant. The mature females (who have laid eggs and hatched a brood), aren’t as active in seeking food, although they’ll take a free meal anytime they can get one. “Free meal” means they aren’t risking getting their feathers plucked or wings snapped. Feeding a proper & healthy diet to the yearlings determines the success of this generation. Here they compete with these buzzard birds, which I will compare to the mafia. The buzzards are pirates in that they are ugly, vicious, and eat everything. They are larger and more aggressive than the mallards. If left unchecked, they will get all the food.

I feed the ducks raw peanuts, which I shell indoors, then quickly & precisely dispense outdoors. Peanuts are complex carbohydrates, packed with protein & fat, which they need. This adds muscle & (later) fat, making their plumage shine. These are beautiful young female mallards that are going to get fucked this fall, when the males return and they begin to pair up. I like that!

You have to be fast, while in control, otherwise a flock of any type can overrun you. If it’s mixed birds and it happens, only the most aggressive & dominant will get food, and “accidents” will happen to the rest. One of these buzzard birds snapped this mallard’s left wing (below, in front) during one of my feedings. When you know you become responsible, and that’s why people don’t want to know. Then you have to live with the results, and make amends. I make sure this one always gets a full ration– and a bit more. I like her feather & fighting spirit. She just stuck her nose in where she shouldn’t have when she was young & naive. That shouldn’t be a death sentence, agreed?

As I mentioned, you have to find a way to make sure you are always in control of your actions & emotions while handing out the love. If you maintain fair rations consistently, they will engirth you, as I engirth them. If you can get any human neighbors to understand this animal magnetism, then more mallards will thrive. I think everyone wants that, and it doesn’t cost too much. Actually, peanuts, to be precise.

Bread, corn, and other vegetables don’t help ducks. They get enough of that junk already, as it fills their gullets but doesn’t give them what they need. It’s cruel ignorance & animal torture. These wild ducks need protein to replace the bugs & critters that used to thrive in their swamps, before humans moved in and “developed” it. The ducks aren’t going anywhere. They’re staying– one way or another. They have nowhere else to go, so it’s really up to us to do better. You either stand with them, or leave them behind.

Tuesday ~ 9:45 PM ET

The Florida polls have closed, and the returns are mostly in:

In only a mild surprise, Gwen Graham lost to black Tallahassee mayor Andrew Gillium in the Democratic primary for governor. Also of note, longtime big wheel among the congressional Democrats, Alan Grayson was decisively defeated in his comeback attempt.

The Democrats have tried to get younger and have shifted towards two prerequisites for party candidacy: 1) CIA-intelligence connections, or 2) identity politics with a significant & energetic base. Whether you’re black, Hispanic, female, gay or any combination– it’s considered an asset to the Democrats as long as you can hustle votes. Beyond that reactionary hype, there really is no unified platform for the Democrats. That’s the message here in the Sunshine State, where it’s hotter than two rats fucking in a sock.

Final Primary Wrap-up:  Thursday August 30, 2018  ~Noon  ET

Andrew Gillium is backed by Bernie Sanders, and financially supported by “liberal” billionaires Tom Steyer & George Soros. Gillium’s platform includes expanding Medicaid, investing in public education, medical marijuana, and raising the minimum wage to $15 an hour. The only one of those planks that is even achievable is medical marijuana, which was voter-approved in 2016 by 71%, and is a sop to the left. Gillium is also stumping for abolishing the ICE & impeaching Trump, even though the Governor of Florida has no such power. What does all this tell you?

This campaign for Florida governor pits billionaire Republican Ron DeSantis, a Trump supported fascist & outright racist, against an African-American huckster of the Democratic party, who may become the target of a FBI/DoJ investigation into City Hall corruption in Tallahassee. This campaign and all their partners in the media are planning to incite ignorance, extremism & violence of the worst sort on both sides: white racism vs. black racialism. These false narratives must be exposed & thoroughly discredited for any progress to occur.

Andrew Gillium surely has more popular support than Ron DeSantis for governor, but as we all know, that can be manipulated. Reading between-the-lines on political sites & Florida news outlets, the polling number Rick Scott & Ron DeSantis both need to win is 48%– minimum. Usually it’s assumed by voters & pundits that you need over 50% to win a two-horse race, but that is only true in a vacuum. Florida is just the opposite, a political battleground, with well-oiled Republican machinery which has been in place for 20 years. They can easily fudge 2+%. Anything more than that gets dicey, and the Washington Democrats generally won’t allow it.

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Misadventures in TV Land

I write about the shows I experienced as a child, because those are my deepest memories. This is a healthy exercise, and I recommend you try your own home version of it. These memories are connected to family, since most of us watched TV together back in the 1970’s. Most homes had only one, maybe two TV sets– so you had to agree on what to watch and share the space.

That is a much different viewing experience, compared to how millennials watch on their devices nowadays. Back then there were only three networks: ABC, CBS & NBC, with PBS available when you switched your TV between VHF/UHF. No cable/satellite television, and obviously– no Internet. Remote controls were relatively new, if that helps with perspective.

But despite these differences in the medium through which we interact with pop culture & society, it’s the same in that we are still being manipulated by the puppet-masters. When you reach an age of maturity, it is important to go back to what you watched as a kid, and re-examine how it impacted you. When you are young, it’s impossible to understand the complexities of media manipulation in the name of ratings and advertising dollars, but it’s always there and it drives everything.

If you never come to terms with the fact that what you watched as a kid was used to shape how you think, then you become a zombie. There are more than a few zombies among us. These semi-corpses always believe what their preferred TV channels tells them, put appearances first, and avoid any topics of substance or importance– which make them “uncomfortable.” Critical thinking doesn’t exist for them. The kicker here is that none of this prevents one from becoming President of the United States, or obtaining any other position of power & importance. The most important thing for that is being a TV star.

I no longer have a TV, and am not interested in it– generally speaking. Every once in a while I’ll get a twinge during the World Series, or (most recently) the World Cup, but it quickly passes. Once I tune in, I’m instantly reminded why I don’t give this medium my attention anymore. It’s too many commercials & loudmouths during the program– especially in sports. The programming has gotten so watered-down with advertising and so little action, that staying interested becomes too much work. Their brazen ignorance and rigged outcomes are frustrating to the point of exhaustion. Television is supposed to be relaxing, but that’s impossible now– especially in an election year.

Back in the good ‘ol days of the early 1970’s there were less commercials, and all the networks were radically shifting their programming. In what was known in the industry as the “rural purge,” shows with countrified themes such as The Andy Griffith Show, The Beverly Hillbillies, Gomer Pyle, U.S.M.C., Green Acres, Mister Ed, Lassie, Petticoat Junction, and Hee Haw were canceled and permanently moved into syndication. This cornball fare was replaced with the likes of The Mary Tyler Moore Show, All in the Family, The Partridge Family, The Brady Bunch, The Jefferson’s, Sanford & Son, etc; which provided an urban demographic & higher ratings– which every network covets.

M*A*S*H (1970) directed by Robert Altman was a powerful & groundbreaking film that was spun off into the most successful television series of its era, running for over a decade. M*A*S*H  still runs in syndication today, because the series transcended the half-hour sitcom format, by skillfully & poignantly touching on difficult issues such as war & death.

Point of context: All these changes in television (& film) were stimulated by the revolutions in jazz & rock music during the 1960’s. After Miles Davis, John Coltrane, Ornette Coleman, Bob Dylan, the Beatles, Jimi Hendrix (& all the rest), adults could no longer be naive. Too many people had their minds opened up, and became much more intelligent and immersed in popular culture.

Hollywood realized they needed to met this demand, as Barney Fife’s act wasn’t going to cut it anymore for an audience that was growing more sophisticated in its viewing tastes. As television expanded from its 1950’s infancy, syndication became more important, as it identified which canceled shows actually had value. All shows get canceled, eventually, but which ones will become classics that people want to watch again & again?

When the Beatles hit Ed Sullivan in 1964, everything changed forever. It’s music that leads the culture, because a song is compact, hits you quicker, and can strike you anywhere at anytime with just as much depth– if not more.

Getting back to TV, game shows made a huge comeback during this period, and became a staple of daytime & evening fringe programming during the 1970’s. Family Feud, The Price is Right, The Newlywed Game, The Gong Show, and dozens of other new (or re-invented) game shows filled the airwaves during the day and in syndication. Networks love games shows because they are relatively cheap to produce, as they don’t need actors or much writing. Advertisers love hit games shows, because they create genuine excitement among the winners and encourage consumerism.

Soap operas were the daytime fare for girls & older women in the 1970’s. Most of the longest-running series in TV history are soaps such as As the World Turns, General Hospital and Guiding Light, and they peaked in this era. Cable and court TV began killing soaps in the 1980’s, and most were canceled by the end of the 1990’s. The cable-televised OJ Simpson trial (C-Span & CNN), ran daily for a year in 1994-95, and defined the new form of soap opera as reality TV.

Children’s shows of the 1970’s included Mister Roger’s Neighborhood, Captain Kangaroo, Sesame Street, The Electric Company, The Bill Cosby Show and the Krofft Supershow. I always thought Sesame Street and the Looney Tunes/Merrie Melodies cartoons were the best of the bunch for children’s fare. Mister Roger’s Neighborhood was the earliest TV memory for me. I enjoyed his kind messages and helpful advice for a time, but seldom laughed and that was his turn-off. Good intentions only get you so far with kids. You also need something to keep them interested. Since sex and violence weren’t allowed for kids back then, so humor had to be the hook.

In the 1970’s, TV action fare was crime-drama in an urban setting. The template was Dirty Harry (1971), as Clint Eastwood traded in his famed Colt 45, for a 44 Magnum, the most powerful handgun in the world. His tough talk & raw action excited everyone, and made the networks feel lucky; so The Rockford Files, Starsky & Hutch, Hawaii Five-0, etc became genre favorites, as westerns fell out of favor on TV & the silver screen.

The Six Million Dollar Man, including its three pilots, ran for 5 seasons– 1973-78. This was an iconic show in that the title character had superhuman strength and other capabilities. The Six Million Dollar Man was the first TV show of its kind that translated that concept to kids in a way that seemed believable at the time. The Bionic Woman soon followed.

In retrospect the ‘science’ is ridiculous, and the stories are stiff & boring, with plot-lines that unendingly glorify the military & CIA. The Six Million Dollar Man was a major propaganda sweep from the ruling class in the 1970’s. Personally, I liked Lee Majors better in the Fall Guy, which was his follow-up series. Lee Majors was more relaxed as a stuntman/bounty hunter, and he needed a sidekick. A few babes (Heather Thomas & Markie Post) every week didn’t hurt either.

As anyone who comes from the South will tell you, you can’t keep Dixie down forever. The “CB Radio/trucking craze” of the late 1970’s brought country back. BJ & the Bear was possibly the worst TV show to ever run three full seasons (1979-81), and I watched it for awhile, so you know I’m facing demons here.

Created by Glen A. Larson (of course), the theme song was sung by BJ (Greg Evigan) who also often sang during the episodes, with his 3-note vocal range. A chimpanzee co-star is beyond a stupid idea. This show was all over the map, with McKay’s rig stamped Milwaukee, Wisconsin, yet his series was presumably set somewhere in the South, while being filmed entirely in California.

NBC’s BJ & the Bear soon spawned Claude Akins’ character into The Misadventures of Sheriff Lobo (NBC: 1979-81), and possibly encouraged Enos (CBS: 1980-81), an ill-conceived Dukes of Hazzard (1979-85) spin-off set in LA. That’s a lot to answer for.

These shows were purportedly one-hour “action” series, meant to compete with the likes of CHiPs (1977-83), Hart to Hart (1979-84), and Tenspeed and Brownshoe (1980). When MTV and cable finally came along, most of this shit was flushed forever, first by the kids, then the networks.

In this heavily-promoted episode above (poorly transferred, but it’s all we got), guest star deputy Slim Pickens steals the show with his hilarious banter. The highlights are when: 1) he slaps the cuffs on “the famous BJ McKay,” and 2) when McKay and the self-dubbed ‘Piston Packin’ Mamas’ are foiled by Slim Pickens’ three-car roadblock, and instantly give up. McKay & the PPM’s weren’t even smart enough to take an alternate route through a different county, but then again, if they did there would be no plot.

Final spoiler: Slim Pickens detours the convoy onto an unpaved back road, ultimately wrecking their loads. But luckily in the next scene, McKay hustles a woman buyer into giving them 67-cents-on-the-dollar for their smashed eggs, rotting away in unrefrigerated trucks. Painful, I know…

For those who don’t want to watch (and I don’t blame you), the chimpanzee was named Bear, after Alabama football coach Paul “Bear” Bryant. The final episode of this trailer wreck of a series, should have been BJ driving his rig to the jungles of Africa, then removing the insipid human clothing on Bear, and releasing him back where he belongs. Imagine a reverse-Jungle Book (1967) motif. Woulda been a helluva two-parter to close things out.

Cable TV came into everyone’s home by the early 1980’s, and changed everything for television, the same way the Internet and social media has changed information exchange today. As kids, we are defined by what we watch, as advertisers have been targeting kids since television’s advent. With cable, there were suddenly a lot more options for viewers, so networks had to improve their programming, otherwise there were dozens of other channels to surf.

In the end, the only thing that motivates change is necessity and survival. This revolution in global society that is happening before our eyes has been a product of decades of technological breakthroughs, which has allowed mass culture to absorb it’s best & worst aspects, and make critical value judgments on its content.

For example, TV news used to be the trusted family friend at supper time. That changed with CNN, and was killed by the Internet, just like print news. Now we recognize it as fake news. When decades of experience. knowledge & wisdom can be instantly shared to a global audience, then we have the means to educate & motivate the masses towards something better.

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