Monthly Archives: October 2025

A case study in MLB inequality: 2025 LA Dodgers

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What’s wrong with MLB is now on full display during the NLCS featuring the scrappy small-market Milwaukee Brewers against the behemoth of baseball in the LA Dodgers. The Brewers had the best record in MLB in 2025 and were 6-0 against the Dodgers, so their fans had hope going in. They both had met in the 2018 NLCS, with the Dodgers winning in seven, in what was a competitive & hard fought series. The Dodgers were then handled by the Boston Red Sox in the World Series.

* Later it was revealed the 2018 Boston Red Sox had used Iphone watches to relay signs stolen through clubhouse video, which seriously violated MLB rules on technology use during games, so that year has a fan asterisk on its champion. In 2017 the Houston Asterisks relayed their stolen signs by banging trash cans and this is why MLB now has PitchCom. I’m excited that MLB batters, pitchers & catchers can finally appeal balls & strikes in 2026. It’s about time, as this greatly reduces zealous Yankees, Red Sox, Mets, etc, crowds from unfairly influencing balls & strikes. No fan will miss the art of pitch framing by a catcher in MLB, we’ll be glad it’s gone. Padres SS Xander Bogaerts was punched out on ball four at Wrigley Field in the 9th inning of a deciding game three in the wild card round as his team was rallying. Technology needs to be used to prevent over-excited umpires from doing the wrong thing just to please a home crowd. This is the sports era we live in. Too many people who aren’t really part of the game keep trying to insert themselves into the game. This creates too many asterisks.

In 2025, the Los Angeles Dodgers are showing the baseball world what front office brains, tremendous clout & bottomless spending can achieve. In a game as random & unpredictable as baseball, the Dodgers have virtually ensured themselves a World Series championship. That much is clear after two games of the NLCS, with the Dodgers leading 2-0 and going back to Chavez Ravine for the next three, if necessary. They may only need two, but the outcome already feels inevitable.

As a San Diego Padres fan, it’s our calling to know & dislike the Dodgers. The Padres are like the Brewers & Mariners, they’ve never won it– while Seattle has never been. Mariners are up 2-0 on the Blue Jays and going home in the ALCS. Both these ALCS teams are better than the 2025 Brewers, but neither are going to be able to match the Dodgers. There is a qualitative change in how the Dodgers do things that has led so many fans to this conclusion.

The Dodgers won it last year and were dominant. The Padres were the second-best team according to the champion Dodgers, but there was some distance between them. This year the Padres fell to the 10th-best team in MLB, making the playoffs but losing to the Cubs in the Wild Card round. Among the post-season qualifiers, the Padres only could have beaten the Reds or Guardians, making them the 10th-best MLB team in 2025.

The Dodgers didn’t dominate MLB during the 2025 regular season like they did last year. They had significant injuries on the pitching side, and their bullpen collapsed at times. The Padres had many opportunities to win the NL West, but couldn’t score runs consistently. Their superb bullpen & great defense carried them as far as they got. The Padres were a flawed team, as was every other team in MLB– except the Dodgers.

The Dodgers do things differently from everyone else because they have the clout & brains to do it. For instance, the Dodgers signed LHP Blake Snell last winter for 5/$137M, specifically to pitch in October. The Dodgers only got 61.1 IP from Blake Snell during the season, but they were never concerned and didn’t have to rush him back from injury. Contrast that to 2024, when Blake Snell pitched 104 innings with a 3.12 ERA for the San Francisco Giants and his team wasn’t happy with that. Snell signed late because he had a limited free agent market due to QO restrictions, etc. The 2023 NL Cy Young winner (his second) missed the early part of 2024 with oblique injuries and by the time he got healthy the Giants were out of it and even floated trading Blake Snell to the Yankees at the 7/31 deadline. After the 2024 season, Blake Snell opted-out of his deal and inked with the Dodgers, who only expect him to pitch like an ace in October. The Dodgers are a different animal. Most teams need their ace all season AND in the post-season. Many teams have their World Series aspirations derailed by an injury to their ace. The 2025 Dodgers have four aces.

Big RHP Tyler Glasnow (4/$117M) pitched only 90.1 innings during the season, so he’s recovered, rested & ready to go for the playoffs, with an arm that most MLB post-season starters had in June. DH/RHP Shohei Ohtani 47 IP, 2.87 ERA during the season in which the entire organization has been building him up as a post season starter. RHP Yoshinobu Yamamoto (12/$325M) is the Dodgers true ace, making 30 starts with 173.1 IP and a 2.49 ERA. They didn’t overuse him trying to make the post season because they knew from the start they would probably win their division and surely make the playoffs. This is programmed planning that begins well before spring training. The Dodgers used homegrown pitchers to eat innings during the 2025 regular season, which allowed them to save their expensive aces until the playoffs. No other team can do that.

LHP Clayton Kershaw is a Hall-of-Famer, but he’s no longer dominant. In his final season he gave the Dodgers 112.1 above average innings as a starter. In the 2025 playoffs Clayton Kershaw is a middle-leverage reliever, and to his credit he accepts his role. RHP Dustin May pitched 104 innings and was good enough during the season, but gets left off the post-season roster. Tony Gonsolin is another Dodger homegrown righty starter who doesn’t make their post-season roster due to injury and/or ineffectiveness.

The Dodgers just use these guys and many others like them in the bullpen, to get through the regular season while allowing their championship level pitchers the season to recover and be ready to win in October. The Dodgers are playing a different game as compared to the rest of MLB. Even the Yankees have to struggle and fight with everything they’ve got just to reach the post-season. The Mets didn’t even make the post-season with a $320-350M payroll in 2025. The Dodgers spent the same or more than the Mets. The Shohei Ohtani contract currently defers $68M annually, so payroll commitments for the Dodgers are really over $400M/season. On top of that, their clout is all-powerful. Last winter in international free-agency, the Dodgers grabbed ace RHP Roki Sasaki, who is now their post-season closer. The Padres were in the Roki Sasaki running, but were forced to concede to the Dodgers, otherwise MLB would cancel (or at least downgrade) their TV deal.

It’s a fluid situation season-by-season these days, but in 2025, MLB produced & distributed local broadcasts for five teams: Arizona Diamondbacks, Cleveland Guardians, Colorado Rockies, Minnesota Twins, and San Diego Padres. These are teams that couldn’t negotiate a lucrative-enough TV-rights deal on their own, so MLB broadcast their games and paid these teams much less than others with their own deals.

For instance, on January 28, 2025, the Dodgers and Time Warner Cable signed a 25-year broadcast agreement valued at $8.35 billion, which would see the establishment of a new channel known as SportsNet LA. By comparison, the Padres lost $80-100M in the Diamond Sports Group bankruptcy, announced in March 2023, and have been trimming payroll while trying to remain competitive ever since. By the time Roki Sasaki was conceded to the Dodgers last January, all the remaining top international prospects had been signed, so the Padres were shut out of the 2025 international draft after signing the top prospect two years running. It’s like shoving sand against the tide for Padres GM AJ Preller.

And most fans feel pretty much the same at this point. No other league allows one team to outspend its competitors by 3-4 times. The NFL & NBA understand that star salaries need to be capped, while most athletes understand there needs to be more payroll equity at the bottom– especially for younger players. MLB is probably heading towards an owner lockout after the 2026 season.

There are serious labor rights issues here, along with ownership-league issues on competitiveness. These inequalities are distorting the game to the point where whichever big-market team manages itself the best and wins the hot stove season is virtually guaranteed a World Series. When MLB gets to the point we are now, radical new thinking is required. The same old tweaking, and revising of a broken system just leads to more conflict. The root issues are money & power over the game.

Players need to start taking more ownership of their game. It’s their labor that creates the game with all the fan interest. Billionaire owners mostly don’t understand baseball and only want to make money for themselves from it. This hurts the players, the fans, and the game itself. Capitalism is about crushing your competition, and that’s what the Dodgers are doing to baseball right now. MLB needs 30 teams competing on a level playing field for the game to be interesting again. In 2025, we have MLB hyping its behemoth for maximum ratings, while fans who have already anticipated the outcome are rapidly losing interest.

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NIL issues with AI

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Note: This short piece is an extension of “What is Tilly Norwood?”, published yesterday.

NIL means Name, Image & Likeness, and it has transformed college sports since Ed O’Bannon won his lawsuit with the NCAA in 2015-16. Women’s hoops has undergone a qualitative transformation with athletes like Caitlin Clark, Angel Reese & Paige Bueckers getting paid in college, then popularizing the WNBA to new heights.

The owners of the NCAA & WNBA want to convince everyone that it is their platform that has created this success, when really it’s the players. WNBA franchise values have exploded this year due to the players making the game more popular. It’s always the workers who create the value, with the owners trying to convince everyone the opposite. It’s high time for exploited workers to take control of their industries and shout down the parasitic & criminal owners who are impeding progress for humanity.

When it comes to Tilly Norwood, she is a composite of many young female likenesses that have been stolen and re-packaged as proprietary to a corporation. “Tilly Norwood is art,” says it’s creator, but art always acknowledges those who helped make it possible, while Particle6 erases them from history and pays no future royalties. The young women who contributed to create Tilly Norwood by having their faces & bodies scanned are kept anonymous and never compensated beyond that session.

AI is becoming a cheap way to replace people– from film to TV to pornography. It’s also being used to replace workers in other industries, because the people who currently own & control AI are ruthless capitalists, always looking to cut costs and increase their profits. This doesn’t work for the vast majority, who are being exploited & discarded with no future. Humanity is better than this, but we need new leadership and it has to come from a unified international working class.

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What is Tilly Norwood?

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If you read the Wikipedia page to “Tilly Norwood” and check the (currently) twenty references, you’ll notice than none are earlier than 9/27/25, and most are dated yesterday & today– see the screenshot below. Before then no one knew of this artificial intelligence (AI) generated actress that is taking Hollywood by storm. AI is a powerful tool that is being put to use by the ruling class to cuts jobs & production costs for big studios.

According to Wikipedia, “Tilly Norwood was created by Xicoia, the artificial intelligence (AI) division of Particle6, a production company founded by Dutch actress-turned-producer Eline Van der Velden in 2015. Xicoia was officially announced on September 27, 2025 [last Saturday], at the Zurich Summit, part of the Zurich Film Festival… Van der Velden stated she intended Norwood to be the next Scarlett Johansson or Natalie Portman… and Particle6 has stated that using Norwood could cut production costs by 90%.”

This has raised immediate & hysterical alarm bells among actors, including/especially A-listers. AI Commissioner, the computer generated comedy sketch which launched Tilly Norwood has been described as clunky, unreal & unfunny. Yet, the question within the entertainment industry is, “Will a talent agency sign Tilly Norwood?” The answer appears to be yes. Here’s the Particle6 video introducing Tilly Norwood to the world:

Tilly Norwood never gets old, and costs 1/100th of an A-list actress. Tilly Norwood never gives the director a hard time on anything. Tilly Norwood is pornography coming to Hollywood. Every actor now realizes they are screwed, just like the rest of us who work for a living. Welcome to the class war you’ve been ignoring for all these years in the name of your careers.

That’s how a lot of movie fans feel about Hollywood actors at this point. The fascists came for the immigrants, socialists, leftists….and when they finally came for them, the A-listers, no one was left to defend them. That’s celebrity ignorance coming back around to haunt them. How about lending your collective voices to the revolution? You’re pampered by comparison and not as good as you think, which is why AI snuck in and is about to wipe you out as an influential social class. Nobody who works for a living feels sorry for these living marionettes because they had it coming.

All the actors & actresses who supported the #MeToo campaign, which wiped out much of the top talent, are now about to be wiped out with AI. Ask Kevin Spacey, Dustin Hoffman or Bill Murray how they feel about this and their thoughts and feelings will echo what I’ve written. These pretty puppets who backstabbed their talented colleagues to get ahead are now themselves on the chopping block. The irony couldn’t be more real for those blacklisted & MeToo-ed.

Tilly Norwood is deep-fake pornography presented as legitimate. This is how messed-up things are in entertainment. The audience is reduced to a bunch of fat, stupid losers, who don’t appreciate the difference between what’s real and what’s fake. It’s part of the dumbing-down of culture, which now defines Hollywood and the entertainment industry. If movies are all superhero blockbusters, action propaganda, or lame rom-coms, then why not have AI actors? That’s the logic of the capitalist market, which monopolizes power into the hands of the richest class that gets to make all the decisions on what’s best for everyone.

Tilly Norwood can be featured in any of these types of movies, without any artistic value being compromised, because there isn’t any artistic value to begin with. Feature Tilly Norwood on AGT, The Voice, or The Masked Singer. Just punch her in, it wouldn’t matter, as these would still be the same shows filled with vapid ass-clowns & over-produced garbage. When culture is allowed to deteriorate to such a degree that this is possible, it becomes apparent to EVERYBODY that we need a revolution. That’s the explosive nature of what Tilly Norwood represents.

You can’t interview Tilly Norwood face-to-face. Everything she says is someone else’s words & ideas, so how can a public ever accept Tilly Norwood? How does Tilly Norwood accept an Oscar or Emmy? How can Tilly Norwood be considered an actress if she isn’t a real person?  Aesthetically, Tilly Norwood is a cartoon, no matter how lifelike she appears. It’s such a joke, yet it’s also the foreseeable future of Hollywood entertainment.

That’s the dialectics of revolution. Tilly Norwood represents the complete bankruptcy of the entertainment industry and the need for it to be overthrown. It means the studios don’t care about the quality of their content, they just want to cut costs and not pay anyone. This is the economic model being applied to science, healthcare, education, etc, and it’s what’s failing us.

Tilly Norwood means we as a society are going to allow pornography to be legitimate while Jeffery Epstein clients will never be prosecuted because they aren’t so bad, etc… Tilly Norwood is the specter of fascist degradation which now looms over humanity. You can’t ever actually meet her, but you can follow her on Instagram. What more could you ask for?

The WNBA players are currently trying to win themselves a fair share of the league they have created & built through their work, but the commissioner (who always represents the owners), has been telling them to be grateful for what they get, as if they can be replaced. Fortunately for the players, the WNBA is real and can’t be replaced by AI. But listening to the WNBA commissioner, one gets the impression she & the owners wish they could.

What we have in both instances is the same struggle, but in different stages: workers (actors & WNBA players) against capitalists represented by team owners & big production studios. The WNBA is booming, and the players now realize they should be profiting more from their labor. Their CBA is about to expire after the Finals. The WNBA owners aren’t budging on player salaries or any other important issues. It’s capitalist greed that is leading to a labor war in the WNBA, and next season is already in question.

The WNBA players need to realize they are a part of a much greater struggle, otherwise they will be isolated & defeated. The owners & corporate media are too powerful for working class start-up institutions such as the WNBA players. The ruling class defeat of A-list actors with the introduction of Tilly Norwood is confirmation of that. Working class consciousness & solidarity across all industries is required to defeat capitalist fascism.

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