If you are going to be successful as an act, you need management & a producer.

Brian Epstein was an ambitious music entrepreneur who managed the Beatles from 1961 until his death in August 1967. Epstein signed the Beatles with EMI’s Parlophone label, which became Capitol Records, and today is owned by Universal Music Group. Beatles songs were all produced by George Martin and remain a huge money maker, testifying to Brian Epstein’s ability to recognize talent, which itself is a talent, and then pair it with the necessary recording talent.

For the record, Brian Epstein was gay and like many stars & others of his era he died young (age 32) of a combined alcohol & barbiturate overdose, ruled accidental. Being gay is a difficult lifestyle, because apparently at some point there becomes an overwhelming need to separate from the mainstream. None of that conventional stuff satisfies. Beyond that, much of the conservative mainstream rejects gay, openly declaring its hostility.

Drugs & alcohol can become a refuge. Gay parties are different from straight parties. In my experience, there are much more drugs & sex going on at gay parties. Much of it is reckless & unprotected, as the attitude among many who are gay is to live it up today & die young. Many don’t want to live into old age, as they are in pain over their sexuality, and once it diminishes, their mental agony can become excruciating. Sadly this emotional pain leads to many early deaths.

Relationship building is an area where many people have issues. It’s especially hard for gays who have come out of the closet to trust straight people, because all straights said or did something offensive to their sensibilities at some point. It’s tempting for gays to become snowflakes on this, which doesn’t help anyone. Rehabilitation & education need to work together for there to be progress in sexual healing, but currently that is being cut out in favor of quackery, prejudice & identity politics. The real work that needs to be done is being actively resisted by all this.

After Epstein’s death, the Beatles attempted to manage themselves with Apple Records and it was a disaster. It wasn’t until after they officially broke up in the spring of 1970 that the Fab Four got they legal & financial issues in order so they could all get paid. Northern Songs was the famous Lennon-McCartney publishing company created under Epstein’s guidance. This got John & Paul paid equally on all their compositions.

George founded Harrisongs in 1964 which ensured he would get paid for his music. Ringo founded his own music publishing company, Startling Music Ltd, in 1968 after his deal with Northern Songs expired. Before the Beatles had begum to disintegrate as a band, each member was legally taken care of as far as songwriting, publishing & royalties. Those are the typical issues that break-up successful bands, and the Beatles showed the world how to handle it as it happened. “Creative differences” between band members is often rooted in legal issues that affect the commerciality of the act, along with who gets paid.

I’ve written in earlier posts that the Beatles wouldn’t be allowed to be successful in this 21-century era. The music industry has learned from the Beatles, punk rock, and 1990’s alternative rock/hip-hop. Those were times when popular music got out of their control and the industry doesn’t like that, even though it makes them billions of dollars. The industry wants to bottle everything up and endlessly sell it back to new generations of consumers, while never allowing another revolution in popular music. Historically, losing Frank Sinatra’s audience to rock & roll in 1955 started all this upheaval for the music industry. Charlie Parker & Sun Ra did the same in jazz.

You can’t stop history, which is metaphorically a raging river with unstoppable momentum & overwhelming power. Rock & roll is here to stay, and you can’t kill it. Same for reggae, rap, salsa, electronica, etc. Once a genre conquers the world, it becomes immortalized and can’t die because too many people, particularly kids, love it. It just keeps growing & flowing, increasing its influence as it goes along. All one can do is attempt to direct the flow. A revolutionary artist finds the best channel and directs all his/her energy into that historical task.

If the Beatles came along today and got their big audition on American Idol, Simon Cowell & company would listen for a bit, then insist to Paul that John be fired. Brian Epstein would be pushed out over a drug/sex scandal, etc, and Universal would handle all management through one of their preferred star agencies. This means Paul would be represented by CCA and be recognized as the undisputed band leader who gets all the songwriting & publishing money, while George & Ringo are a step above session musicians in this gig. If either protest they can easily be replaced. Drum machines that sample Pete Best & AI guitarists work much cheaper, making these new & improved Beatles more cost-efficient to the industry. This is the only way these new Beatles could be economically viable.

George Martin’s talents wouldn’t be applicable to these Beatles. Industry braintrust would surely prefer the guy who produced the Black Keys or Foo Fighters. New Beatles music would need that production edge with everything they’re missing, and George Martin is too subtle and respectful towards the artist to work in contemporary rock music which is now a top-down corporate-controlled project.

Under these conditions, John will struggle to get another opportunity as he’s too outside-the-box for this corporate era of music. He’s not sponsor friendly, so how can you market him? This is how all the gatekeepers & industry experts would understand a young John Lennon today. In this industry-created world, Paul McCartney & his New & Improved Beatles could become more popular than One Direction featuring Harry Styles. Of course, there wouldn’t be 1/10th the great songs from this new UK supergroup, but that’s just a cost of doing business.

Conclusion: There are great aspiring artists with the ability to make meaningful music, but it’s all being suppressed by ruling-class corporate which controls marketing, distribution & sales through its network of business partners, to which outsiders have no access. If you’re reading this, then you’ve discovered a real musical artist of the 21st-century. We’re all underground, censored & blacklisted by the establishment which has near-complete control over TV & the internet. It’s all dirty politics & big money that keeps us suppressed. Eventually the river of history will wash away all their detritus. This will happen when youth & working people unite in action, using music as a tool for revolutionary inspiration.

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